Music Performance - Iranian Music - Tar, Tanbur, Tanbour, Setar, World Music, Persian Music
From 114.97 C$ /h
Short Musical Biography
Born and raised in Iran, Khorshid grew up in an artistic family. When she was seven years old she started her musical journey playing setar with her father. After entering the Conservatory of Tehran she chose Tar. Tanbour was another dimension in her exploration. For her playing, all these instruments happened so naturally. She was just sixteen when she started her professional activities playing with Shams ensemble. During those years she played all around Iran and other countries such as France, Italy, Austria, Morocco, Sweden, Netherlands. She has been teaching from the age of seventeen. After she got her Bachelor from the Conservatory of Tehran, her curiosity led her to Netherlands and got her Master degree at the World Music Department of Codarts Conservatory of Rotterdam Codarts. During her study at Codarts she learned playing Baglama in Turkish department.
When I teach, apart from teaching the technique of the instrument is so important to me, I also help them to understand and have more awareness about music and be able to perform all their musical ideas in a successful way. I analyze the student in order to choose which is the best approach in order to motivate him or her.
Tar
To become a professional Tar player is important for me to have a good technique. I teach all different schools of Tar players by giving repertories and etudes. I also teach about Dastgahi music and in advance level how to improvise based on Dastgahi and Modal music.
Setar
As this instrument is so delicate is important for me to be aware about every notes you play and in order to reach this point you learn from me proper technique. I teach you Dastgahi music by playing Radif Dastgahi. In advance level we also play together more to learn improvisation.
Tanbour
As a performer of Tanbour, Sonority is so important to touch the ear. I teach you unique techniques of tanbour with my own method. By playing different compositions and etudes you learn Makams of Tanbour. In the advance level I mostly concentrate on improvisation.
Baglama
I teach you the basic techniques of this instrument and we play together different repertories of regions in Turkey consist of Anatolian music and Ottoman Music.
Born and raised in Iran, Khorshid grew up in an artistic family. When she was seven years old she started her musical journey playing setar with her father. After entering the Conservatory of Tehran she chose Tar. Tanbour was another dimension in her exploration. For her playing, all these instruments happened so naturally. She was just sixteen when she started her professional activities playing with Shams ensemble. During those years she played all around Iran and other countries such as France, Italy, Austria, Morocco, Sweden, Netherlands. She has been teaching from the age of seventeen. After she got her Bachelor from the Conservatory of Tehran, her curiosity led her to Netherlands and got her Master degree at the World Music Department of Codarts Conservatory of Rotterdam Codarts. During her study at Codarts she learned playing Baglama in Turkish department.
When I teach, apart from teaching the technique of the instrument is so important to me, I also help them to understand and have more awareness about music and be able to perform all their musical ideas in a successful way. I analyze the student in order to choose which is the best approach in order to motivate him or her.
Tar
To become a professional Tar player is important for me to have a good technique. I teach all different schools of Tar players by giving repertories and etudes. I also teach about Dastgahi music and in advance level how to improvise based on Dastgahi and Modal music.
Setar
As this instrument is so delicate is important for me to be aware about every notes you play and in order to reach this point you learn from me proper technique. I teach you Dastgahi music by playing Radif Dastgahi. In advance level we also play together more to learn improvisation.
Tanbour
As a performer of Tanbour, Sonority is so important to touch the ear. I teach you unique techniques of tanbour with my own method. By playing different compositions and etudes you learn Makams of Tanbour. In the advance level I mostly concentrate on improvisation.
Baglama
I teach you the basic techniques of this instrument and we play together different repertories of regions in Turkey consist of Anatolian music and Ottoman Music.
Extra information
Bring your instrument and your laptop (preferred)
Location
At teacher's location :
- Strevelsweg, Rotterdam, Netherlands
Online from Netherlands
About Me
Short Musical Biography
Born and raised in Iran, Khorshid grew up in an artistic family. When she was seven years old she started her musical journey playing setar with her father. After entering the Conservatory of Tehran she chose Tar. Tanbour was another dimension in her exploration. For her playing, all these instruments happened so naturally. She was just sixteen when she started her professional activities playing with Shams ensemble. During those years she played all around Iran and other countries such as France, Italy, Austria, Morocco, Sweden, Netherlands. She has been teaching since the age of seventeen. After she got her Bachelor from the Conservatory of Tehran, her curiosity led her to the Netherlands and got her Master's degree at the World Music Department of Codarts Conservatory of Rotterdam Codarts. During her study at Codarts, she learned to play Baglama in the Turkish department.
When I teach, apart from teaching the technique of the instrument is so important to me, I also help them to understand and have more awareness about music and be able to perform all their musical ideas in a successful way. I analyze the student in order to choose which is the best approach in order to motivate him or her.
Tar
To become a professional Tar player is important for me to have good technique. I teach all different schools of Tar players by giving repertories and etudes. I also teach about Dastgahi music and an advanced level of how to improvise based on Dastgahi and Modal music.
Setar
As this instrument is so delicate is important for me to be aware of every note you play and in order to reach this point you learn from me proper technique. I teach you Dastgahi music by playing Radif Dastgahi. At the advanced level, we also play together more to learn improvisation.
Tanbour
As a performer of Tanbour, Sonority is so important to touch the ear. I teach you unique techniques of tambour with my own method. By playing different compositions and etudes you learn Makams of Tanbour. At the advanced level, I mostly concentrate on improvisation.
Born and raised in Iran, Khorshid grew up in an artistic family. When she was seven years old she started her musical journey playing setar with her father. After entering the Conservatory of Tehran she chose Tar. Tanbour was another dimension in her exploration. For her playing, all these instruments happened so naturally. She was just sixteen when she started her professional activities playing with Shams ensemble. During those years she played all around Iran and other countries such as France, Italy, Austria, Morocco, Sweden, Netherlands. She has been teaching since the age of seventeen. After she got her Bachelor from the Conservatory of Tehran, her curiosity led her to the Netherlands and got her Master's degree at the World Music Department of Codarts Conservatory of Rotterdam Codarts. During her study at Codarts, she learned to play Baglama in the Turkish department.
When I teach, apart from teaching the technique of the instrument is so important to me, I also help them to understand and have more awareness about music and be able to perform all their musical ideas in a successful way. I analyze the student in order to choose which is the best approach in order to motivate him or her.
Tar
To become a professional Tar player is important for me to have good technique. I teach all different schools of Tar players by giving repertories and etudes. I also teach about Dastgahi music and an advanced level of how to improvise based on Dastgahi and Modal music.
Setar
As this instrument is so delicate is important for me to be aware of every note you play and in order to reach this point you learn from me proper technique. I teach you Dastgahi music by playing Radif Dastgahi. At the advanced level, we also play together more to learn improvisation.
Tanbour
As a performer of Tanbour, Sonority is so important to touch the ear. I teach you unique techniques of tambour with my own method. By playing different compositions and etudes you learn Makams of Tanbour. At the advanced level, I mostly concentrate on improvisation.
Education
Bachelor in Performing at Tehran Conservatory
Master Degree in World Music at Codarts, Rotterdam
After she got her Bachelor from the Conservatory of Tehran, her curiosity led her to the Netherlands, and got her Master's degree at the World Music Department of Codarts Conservatory of Rotterdam Codarts. During her study at Codarts, she learned playing Baglama in the Turkish department.
Master Degree in World Music at Codarts, Rotterdam
After she got her Bachelor from the Conservatory of Tehran, her curiosity led her to the Netherlands, and got her Master's degree at the World Music Department of Codarts Conservatory of Rotterdam Codarts. During her study at Codarts, she learned playing Baglama in the Turkish department.
Experience / Qualifications
Experience as a teacher for 8 years in Iran and the Netherlands by teaching Tar, Tanbur, Setar, and Baglama.
When I teach, apart from teaching the technique of the instrument is so important to me, I also help them to understand and have more awareness about music and be able to perform all their musical ideas in a successful way. I analyze the student in order to choose which is the best approach in order to motivate him or her.
When I teach, apart from teaching the technique of the instrument is so important to me, I also help them to understand and have more awareness about music and be able to perform all their musical ideas in a successful way. I analyze the student in order to choose which is the best approach in order to motivate him or her.
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
English
Persian
Dutch
Skills
Reviews
Availability of a typical week
(GMT -05:00)
New York
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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