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Since October 2020
Instructor since October 2020
Translated by GoogleSee original
Musik und Instrumentelle Studien, Lernen die Flöte zu Blasen, Spielen-oder Entwickeln deine Klang und Technik
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From 58 C$ /h
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When you play the Flute, you have to pay attention for various things what all affects the sound and the quality of your Flute. If you play an instrument, your body does the same if you would be a sportsman!
We have to pay attention for the breathing, the moving, and also to our Posture! We need to do it right, to stay healty, and protect our bones and muscles!

If you would start learning how to play the Flute, we are going to start from the very begining and go further and further, taking every steps. We learn how to warm up our body in a right way, and how to warm up our Intsrument. We learn to blow into the head of the instrument, and after a few times we blow the whole! Fantastic feeling!
If you are already know how to play the flute or you have already done a few classes, we continoue the work you started and develop your skills!
Extra information
You are going to need a Flute, and if you don't have, a first few times I can land you one!
If you already have one, we are gonna need your Notes, clothes what you like to wear the most, and confortable!
That's all!
Location
location type icon
Online from Austria
About Me
Teaching people is one of the best feelings for me. I am a private teacher since 2019, I had young and older students too-we loved our time together.
For me, teaching is not just telling the student what I want to hear or see, and then just waiting how she / he can solve it. I don't leave students with the problem they have to solve and that is my method.
We warm up our body and instrument together, I show them the most important muscles and joints they have to take care of while warming up or playing.
It is important for me to let the parents know what happened, how we reach, and set up our goals.
Education
University of Music and Performing Arts Vienna.
I study in concert flute and start IGP pedagogy.
I took part of a course several times, called Individuel Breath and Movement Work.
Experience / Qualifications
I was a Private Teacher in Hungary.
I had 4 students, 2 of them started to play the flute with me.
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Duration
60 minutes
The class is taught in
German
English
Hungarian
Availability of a typical week
(GMT -04:00)
New York
at teacher icon
Online via webcam
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
If we want to play an Instrument, we have to be sure about our knowledge of the basics of Music.
It's the sight/notereading, really important. Without the ability of reading the scores and melodies, we can not learn an instrument affectively.
First we start with the notes, the keys the scales,and with singing. Step by step we writing melodies, accords, etc.
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Outside the lesson time, I send you short videos when needed, to support your practice through the week.

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My greatest happiness is to watch my students grow, overcome any limit and expand in full potential!

As a result, many of my students have won top prizes at major international competitions, as the IBLA Grand Prize, the Spoleto International Piano Competition, the Bach au Jazz (Lilia Boyadjieva) International Piano Competition and many others. And also, at renown online competitions, as The Royal, the IYMC, the Forte Academy, and many-many others.

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Our teacher using, if necessary, an electro-acoustic guitar to better accompany your voice and guide some of its subtleties, the teaching philosophy is adapted to each level, according to the pace of work and motivation.

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- musical techniques: theory (examples: support, modes, colors, effects such as vibrato, etc.) automatically followed, for each of the exercises, by practice (examples: exercises focusing on accuracy, sound production, "mountains Russian ", time, note hold, diction, vowels etc.)
- work on breathing and breathing management
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- stability
- resonance
- improvisation / free expression
- improved vocal comfort
- varied repertoire (adapting to your preference)
- well-being by the vibration of the voice
- personal or artistic development - accuracy, note keeping and precision - vocal modes including timbre
- volumes: softness and power - sound colors: from dark to light - vocal effects, range requirements - nuances: volumes, mimics, attitudes, sound quality - exploration of musical styles (folk, pop, classical, blues, rock, song, World music ...)
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-interpretation: work on emotions, body language, stage presence.

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As other people do regularly, you can also please your loved ones by offering gift vouchers, available all year round.


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Trained in Grandes Ecoles in France and the United States (Ivy League University), our teacher has specialized and has been working for more than 15 years, in North America and Europe, in the field, in international establishments renowned, and oriented on one axis: effective training with pedagogy and meticulous methodology as the watchwords.

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Introduction to the instrument, posture, and plectrum (risha) technique

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Free and rhythmic improvisation (taqasim)

Performing traditional pieces and selected Arabic songs

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Applying Arabic maqamat on the keyboard

Finger technique and hand coordination

Accompanying vocals in an Oriental style

Distinguishing between Western and Arabic scales

Practical use of Arabic rhythms and modes


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Step-by-step music reading skills

Ear training and melodic recognition

Rhythmic and melodic exercises

Improving intonation and avoiding off-pitch singing or playing

Connecting hearing, voice, and instrument


📚 Music Theory

Structure and theory of Arabic maqamat

Oriental rhythms and rhythmic cycles (iqaat)

Melodic phrasing and musical form

Musical analysis of Arabic repertoire

Fundamentals of composition and melodic development


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Clear explanations supported by practical examples

Application through well-known Arabic songs

Personalized exercises for each student

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Absolute beginners with no musical background

Students seeking a solid academic foundation

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Similar classes
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Maria
Welcome to my online Piano Class.
I am Maria Papadatou, and I will happily help you achieve your musical goals, from zero to the top.
I love all student levels, but only towards the classical piano, of any eras' works and composers.
Don't be afraid, my lesson is human-friendly 😊
Everything goes step by step!
Outside the lesson time, I send you short videos when needed, to support your practice through the week.

As each student is different, I focus on each ones' needs and I am always creative in helping you learn through the simplest ways - "if it's easy, it's correct", that's my motto!
My greatest happiness is to watch my students grow, overcome any limit and expand in full potential!

As a result, many of my students have won top prizes at major international competitions, as the IBLA Grand Prize, the Spoleto International Piano Competition, the Bach au Jazz (Lilia Boyadjieva) International Piano Competition and many others. And also, at renown online competitions, as The Royal, the IYMC, the Forte Academy, and many-many others.

As a Certified teacher on the official RSL Awards Teacher Registry (MusicTeacher.com), I can now offer the RSL Classical Piano programme - a well-established international piano qualification, equivalent in level to ABRSM but with more flexibility.

So, in case you need a competition or exam preparation, here you are at the right place!
I will help you discover the advanced piano technique, and the ways to achieve your best musical interpretation.
Also, I'll help you understand and approach each composers' unique style, and secure your concert / stage presence, with simple and effective solutions for memorisation and control.

I am a very proud piano teacher too, as, except all other distinctions, on Jan 11 2026 four young students of mine were awarded and invited to performed at the winners Gala at the Carnegie Hall in New York City! They also participated to the Juilliard School festival, with masterclass and lessons, a fabulous chance and experience that I wish all young pianists could have!

I wish I can always bring such great opportunities and successes to all of my "piano kids"!
verified badge
Camille
Our teacher using, if necessary, an electro-acoustic guitar to better accompany your voice and guide some of its subtleties, the teaching philosophy is adapted to each level, according to the pace of work and motivation.

Program :
- musical techniques: theory (examples: support, modes, colors, effects such as vibrato, etc.) automatically followed, for each of the exercises, by practice (examples: exercises focusing on accuracy, sound production, "mountains Russian ", time, note hold, diction, vowels etc.)
- work on breathing and breathing management
- body awareness
- stability
- resonance
- improvisation / free expression
- improved vocal comfort
- varied repertoire (adapting to your preference)
- well-being by the vibration of the voice
- personal or artistic development - accuracy, note keeping and precision - vocal modes including timbre
- volumes: softness and power - sound colors: from dark to light - vocal effects, range requirements - nuances: volumes, mimics, attitudes, sound quality - exploration of musical styles (folk, pop, classical, blues, rock, song, World music ...)
- improvisation, effects and vocal games, harmonies
-interpretation: work on emotions, body language, stage presence.

Objective: acquire a solid vocal technique allowing you to sing with accuracy, ease and expressiveness.

Musical learning meanwhile, will develop your ability to listen and reproduce music, your sense of rhythm, your expressiveness, your creativity and musicality as well as reading sheet music.

The work is focused on multidisciplinarity: voice, vocal health, music and bodily expressiveness, with an emphasis on the acquisition of an optimal vocal placement, on stress management in public and on interpretation.

This progressive and tailor-made method aims to develop your voice:
-Breathing techniques
-Vocalises and technical exercises adapted to needs;
- Repertoire work
- Accompaniment for studio recording and scenic performance
-dynamic exploration, diversification and release of one's voice while having fun and going beyond one's limits.

As other people do regularly, you can also please your loved ones by offering gift vouchers, available all year round.


TEACHER / TRAINER

Trained in Grandes Ecoles in France and the United States (Ivy League University), our teacher has specialized and has been working for more than 15 years, in North America and Europe, in the field, in international establishments renowned, and oriented on one axis: effective training with pedagogy and meticulous methodology as the watchwords.

PLACES, FEES
- Locations: Geneva-Lausanne-Friborg-Neuchâtel-Montreux-Bâle-Sion-Sierre-Morges-Bienne. But currently, only by videoconference in accordance with national recommendations on Covid. These sessions also seem to be perfectly unanimous since they have the advantages of direct (example: quality of the interaction), without its disadvantages (ex: loss of travel time), with additional advantages (ex: of notes on the chat, which can be reread afterwards). In this context, these videoconference sessions for which you have requested me, seem to arouse a certain enthusiasm (and a certain enthusiasm). At your request, I therefore continue to offer them.
verified badge
Mayssa
I offer comprehensive and specialized lessons in Arabic and Oriental music, designed to help students build a strong musical foundation that combines theoretical understanding with practical performance. The course follows a clear, progressive methodology, adapted to each student’s level, background, and personal goals.

Course Content:

🎵 Oud

Introduction to the instrument, posture, and plectrum (risha) technique

Study of fundamental and advanced Arabic maqamat

Understanding maqam pathways and modulations

Free and rhythmic improvisation (taqasim)

Performing traditional pieces and selected Arabic songs

Developing authentic Oriental musical expression


🎹 Keyboard

Applying Arabic maqamat on the keyboard

Finger technique and hand coordination

Accompanying vocals in an Oriental style

Distinguishing between Western and Arabic scales

Practical use of Arabic rhythms and modes


🎼 Solfeggio & Sight Reading

Step-by-step music reading skills

Ear training and melodic recognition

Rhythmic and melodic exercises

Improving intonation and avoiding off-pitch singing or playing

Connecting hearing, voice, and instrument


📚 Music Theory

Structure and theory of Arabic maqamat

Oriental rhythms and rhythmic cycles (iqaat)

Melodic phrasing and musical form

Musical analysis of Arabic repertoire

Fundamentals of composition and melodic development


Teaching Approach:

Progressive and structured learning path

Clear explanations supported by practical examples

Application through well-known Arabic songs

Personalized exercises for each student

Continuous guidance and performance evaluation


Who Is This Course For?

Absolute beginners with no musical background

Students seeking a solid academic foundation

Hobbyists aiming to improve their skills

Musicians wishing to deepen their understanding of Arabic music
verified badge
Efstratia
I teach cello to students of all ages and levels: from complete beginners to those preparing for conservatory auditions. My goal is to build your technique and musicality together, step by step, so that you're always challenged but never overwhelmed.

A typical lesson works on a mix of technique (posture, bow control, tone production), repertoire suited to your level and taste, and — if you want it — music theory and sight-reading. I'll set clear short-term goals with you each lesson and check in regularly on your progress, so you always know what you're working toward and why.

I have experience teaching students with dyslexia and ADHD, and I adjust my pacing and explanations so lessons stay clear and comfortable rather than stressful. If you're an absolute beginner, don't worry — I've taught people who've never held a cello before, and we start exactly where you are.

A bit about my background: I hold a Master of Music from the Conservatorium van Amsterdam, where I studied under Ella van Poucke, and I graduated cum laude from the Conservatory and University of Thessaloniki. With my quartet, I won First Prize and the Young Jury Prize at the Storioni Festival Competition 2026, and I've performed at venues including Concertgebouw Amsterdam, Muziekgebouw Amsterdam, and Muziekgebouw Eindhoven.

Lessons can be in English, Dutch, German, or Greek, in Amsterdam or online. Get in touch and tell me a bit about your goals — I'll tailor our first lesson around them.

If you’re interested, feel free to contact me with any questions.
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