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Since January 2024
Instructor since January 2024
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Colorimetry: the color theory necessary for visual artists and makeup artists
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From 57 C$ /h
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Colorimetry is a fundamental tool to begin to understand the behavior of colors, where they come from, and how to obtain them.

We will see the color wheel, primary and secondary colors, and how to apply them to create different types of palettes. In turn, we will see the triads of colors to generate cold and warm palettes, and you will experience first-hand how to create those colors.

We will also have a brief part of research into pigments (the source of color) and works of art throughout history, to see the use of different painting techniques.

Since we are going to focus in our classes on color theory, it is not strictly necessary that you know how to draw or paint, or that you have knowledge of perspective or others.

This course is designed to complement your knowledge of art and improve your ability to choose the colors and palette you want to work with.

As a bonus, this course will also help you apply your knowledge when applying makeup or applying makeup, since if it is something that interests you, let me know and we will incorporate it into the course. We will see how to apply colors according to the person's eye color and skin tones.

I have a degree in Visual Arts with a Painting orientation from the National University of the Arts of Argentina and a theatrical makeup artist at the Theater Complex of the City of Buenos Aires and I am happy to be able to share my knowledge with you.

If this is what you were looking for, welcome and I hope we start a very nice working relationship!

See you in class,
Camila.
Extra information
Throughout the classes you will need white and colored papers, acrylics, colored pencils, crayons... it all depends on what you can get.
Location
location type icon
Online from Argentina
About Me
My likes are very varied, but in general I like everything related to art, both visual and audiovisual, and languages.
My classes are dynamic, if it's English, I like to spend half of the class talking and then see some theoretical issues or do exercises.
If they are colorimetry classes, we see the theory and we create examples; in all cases, what I always do and I find very useful, is that the student can tell me with his/her words what he/she understood from the lesson, and generate a flow of communication in that way.
Education
UNA – National Arts Universiy, Argentina.
• Bachelor's degree in visual arts.

FX, special effects art school.
• Makeup artist. 2013.

Cambridge University, UK.
• Pearson Test of English. B2/C1 level.
Experience / Qualifications
10 years teaching English, both in small groups (of children and adults) and individually on a freelance and online basis.
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Duration
45 minutes
60 minutes
The class is taught in
Spanish
English
Availability of a typical week
(GMT -05:00)
New York
at teacher icon
Online via webcam
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
The history of art is vast and wonderful. By studying it, we not only learn techniques, but we also discover the richness of the different cultures that exist in the world.
Our differences are reflected in the beliefs that give rise to our works, and in the techniques developed thanks to the ingredients from each area.
From cave paintings to contemporary art, we will see the history of humanity captured in pieces that defy the passage of time.
This course is ideal for:
- Students of artistic careers (I have a degree in visual arts).
- Students who need school support.
- Fans who love our history.


The History of art is vast and wonderful. By studying it, we not only learn techniques, but we discover the richness of the different cultures that exist in the world.
Our differences are reflected in the beliefs that inspire the works and in the techniques developed thanks to the ingredients of each area.
From cave paintings in caves to contemporary art, we will see humanity's history captured in pieces that defy the passage of time.

This course is ideal for:
- Art majors. (I have a degree in visual arts).
- Students who need school support.
- Amateurs who love our history.
Read more
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A teaching method directly informed by my professional experience
My approach is based on one conviction: the mechanisms of cinema are best understood when observed in action and when one learns to use them.

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For a film analysis, we can start with a sequence, observe its construction and understand how the choices of writing, directing or editing guide our perception.

For project support, we work directly on your documents, with reasoned observations and suggestions for rewriting or development.

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For:
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This approach is particularly aimed at writing enthusiasts, screenwriters, and people who want to understand how a cinematic narrative is constructed.

Using a film of your choice, we analyze its narrative architecture: exposition, conflict development, scene construction, character trajectories, dramatic twists and resolution.

We can study the intentions of the screenwriters, identify potential difficulties in the narrative and consider other writing possibilities.

This method allows you to acquire analytical reflexes directly applicable to your own scenarios.

Genre cinema: horror, fantasy, thriller and exploration of film genres

Genre cinema is one of my main areas of specialization, with a particular interest in horror, fantasy, and thrillers.

I offer sessions dedicated to the analysis of these universes and their narrative mechanisms: construction of suspense, management of fear, creation of an atmosphere, anticipation, surprise, subversion of conventions and spectator expectations.

How do you construct a truly terrifying scene? Why do some revelations work better than others? How do you renew the conventions of a genre without losing what makes it unique?

We can study existing films, explore a particular subgenre, or work on writing your own project.

This specialization is aimed at both film enthusiasts wishing to deepen their knowledge of genre cinema and authors eager to master its dramatic mechanisms.

Film development and production

How do you transform an idea into a project that can be presented to a production company?

Drawing on my experience in production and my work at Somnivore Films, I can help you understand the different stages of film development.

We can work on writing a synopsis, a treatment, a statement of intent, an artistic dossier or a pitch, but also address financing mechanisms, the search for producers and the organization of film development.

The support can be based on your personal project or take the form of an introduction to professional practices in the sector.

Documentary writing and development

Thanks to my specialized training in documentary filmmaking and my experience in this field, I also offer courses dedicated to the design of documentary projects.

Choosing the subject, research, defining an angle, constructing a point of view, documentary writing, preparing interviews, articulation between narration and filmed reality: we address the particularities of this cinematic form.

I can also assist you in writing a documentary development file.

Preparation for film schools and university support

Do you want to attend a film school or pursue film studies?

Having myself completed several university and professional training courses in this field, I can assist you in preparing your applications: compiling a file, presenting your projects, preparing for interviews and training for analysis or writing tests.

I also offer support to film students for their film analyses, dissertations, research papers and screenwriting exercises.
A teaching method directly informed by my professional experience
My approach is based on one conviction: the mechanisms of cinema are best understood when observed in action and when one learns to use them.

In my professional activity, I analyze scripts, identify their dramaturgical difficulties, support authors in their rewrites and participate in the development of projects intended to be presented to producers.

I apply this approach to my classes, combining explanations, film examples and exercises tailored to each student.

What happens during a session ?

We begin by identifying your expectations and the difficulties you wish to work on. Each lesson is then structured around a specific objective.

For a writing course, we can, for example, examine your storyboard, analyze the dramatic function of several scenes, rework a character, or compare different narrative solutions.

For a film analysis, we can start with a sequence, observe its construction and understand how the choices of writing, directing or editing guide our perception.

For project support, we work directly on your documents, with reasoned observations and suggestions for rewriting or development.

The sessions devoted to a particular film are prepared around a work and questions defined together beforehand.

I favour exchange and reflection: it is not about imposing a single interpretation or method on you, but about giving you the means to understand the possible choices, their consequences and their relevance according to your intentions.

You will therefore leave with knowledge, working methods and, where the course allows, concrete suggestions to continue your progress.
Who are my courses for?
My courses are open to all levels and different profiles:
- Film buffs and enthusiasts, wishing to deepen their understanding of films, explore film genres or discover the mechanisms of writing and directing.
- Beginners and aspiring authors, eager to learn to write, structure their ideas or develop a film project.
- Experienced screenwriters and authors, seeking an outside perspective on their work, dramaturgical support or tools to deepen their practice.
- Students and candidates for film schools, wishing to progress in their studies, prepare for admission tests or benefit from methodological support.
- Project leaders wishing to better understand the professional practices of film development and production.
You can come with a screenplay in progress, a film idea, a work you wish to analyze, a file to prepare or simply a curiosity for cinema.

Each course is built around what you want to learn, understand or develop, with support that takes into account your experience and objectives.
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I will teach you core skills in art & design, whether that's in painting, drawing or digital (art) painting & drawing.
I provide detailed resources, including PowerPoints and reference images to guide you through key art skills, along with the GCSE and A-level curriculum.
I can also provide guidance to applying for a degree course (portfolio preparation).
I can go through your art, whether that's sketchbooks, paintings or portfolios to give you detailed feedback and identify clearly how you can improve.
I can give live demonstrations during the lesson of painting/drawing, whether that's physical painting or digital painting (on a tablet).
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Ever wanted to create those beautiful, intricate henna designs you see on hands? Why not turn that curiosity into a new artistic skill?
Henna, or Mehendi, is a beautiful art form that combines patterns, creativity and tradition. In this class, you'll get to explore the world of henna, learn to create your own designs and discover the artist in you!
Whether you're someone who loves art, is looking for a new hobby or simply wants to learn something different, this class is for you. No previous artistic experience is required, just curiosity and a willingness to create!

What will you explore?
1. Handling a henna cone and mastering basic strokes.
2. Creating different elements such as flowers, leaves, paisleys, swirls and patterns.
3. Exploring Indian, Arabic, Indo-Arabic and contemporary henna styles.
4. Learning how to combine individual motifs into beautiful, flowing designs.
5. Practising both on paper and on hands to develop your technique.
6. Gradually creating your own designs and developing your artistic style.
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My classes have a personalized, practical and creative approach, adapted to the age, interests and level of each student.
I teach different drawing and painting techniques, working on aspects such as shapes, proportions, light and shadow, perspective and the use of color.
Each class combines explanations and practical exercises, allowing students to experiment, develop their skills, and find their own artistic style.
I aim to create a pleasant and dynamic space where learning is a fun and enriching experience.
The classes are for children, teenagers, and adults, from beginners to those looking to refine their skills. No prior experience is necessary, just a desire to create!
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I’m Eleonora, a curator, writer and art historian living in Rome. I’m currently completing my master’s degree in medieval art, but my curiosity goes far beyond it. I love modern and contemporary art too, and I’ve curated contemporary art exhibitions. My favorite thing is standing in front of a work, whether it’s a mosaic in Santa Maria in Trastevere or a contemporary installation, and slowly working out what it’s telling me.

That’s what I’d like to teach you. In my lessons we look at art together and ask simple questions: What am I looking at? How was this made? Why does it look like this, and not like the painting next to it? Little by little you start recognizing styles.

We can follow your interests: a city you’re about to visit, a period, a single artist, or the whole story. I share images on screen, we compare works side by side, and I’ll answer every “why” you have.
You don’t need any background. Some of my favorite conversations about art have been with people who’d never opened an art book.
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For:
People who want to learn floristry as a hobby.
Beginners interested in pursuing a career as a florist.
Aspiring entrepreneurs interested in starting a flower business.

You are learning:
Understanding flower care, conditioning, and proper handling techniques.
Basic colour theory and floral design principles.
How to select and combine flowers for beautiful arrangements.
Introduction to bouquet styles, shapes, and compositions.
Basic techniques for wrapping and presenting bouquets.
Essential florist tools, materials, and supplies.
Tips on sourcing flowers and understanding the floral industry.
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