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Trusted teacher
This teacher has a fast response time and rate, demonstrating a high quality of service to their students.
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Since September 2026
Instructor since September 2026
Piano lessons in Lisbon and Online with a concert pianist and experienced teacher
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From 85 C$ /h
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Would you like to start playing the piano, return to it after a break, or develop your skills further? I offer individual piano and music theory lessons tailored to your level, interests, and musical goals.

We work on technique, music reading, and interpretation through repertoire suited to your experience. Music theory is connected to practical playing, helping you understand the music you learn.

For beginners, the focus is on building solid foundations and gaining confidence at the keyboard. For those who already play, we can explore tone, coordination, phrasing, and specific challenges within the pieces you are studying.

I aim to create a relaxed environment where you can ask questions and experiment, with clear explanations and achievable goals. My experience as a concert pianist, teacher, and collaborative pianist allows me to support students with different backgrounds and interests.

Lessons are available in person in Lisbon or online, in English, Portuguese, Russian, or Ukrainian.

Send me a message telling me about your piano experience and what you would like to learn.
Extra information
You do not need to know how to read music before starting lessons.

If you already play, please let me know which pieces you are studying and what you would like help with.

For online lessons, you will need a piano or keyboard, a stable internet connection, and a camera positioned so that I can see your hands and the keyboard.
Location
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At student's location :
  • Around Odivelas, Portugal
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At teacher's location :
  • Odivelas, Portugal
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Online from Portugal
About Me
My name is Alexander Stretile, and I am a concert pianist, collaborative pianist, and piano teacher.

I have taught piano at Conservatório Artallis, worked as a collaborative pianist at the University of Aveiro, and held an Invited Assistant Lecturer position at the Escola Superior de Artes Aplicadas in Castelo Branco, with collaborative piano duties.

As a soloist, I have performed with the Orquestra Filarmónica Portuguesa, Orquestra Filarmonia das Beiras, and Orquestra Clássica do Centro. My awards include first prizes at the Coimbra World Piano Meeting and the Professor Dichler Competition in Vienna.

I hold a bachelor's degree in Performance from the University of Aveiro and am currently completing a master's degree in Music Education at the same institution.

I enjoy helping students understand their challenges and discover new possibilities at the piano. In my teaching, I bring together technical and musical development with the enjoyment of learning and playing.
Education
Master's degree in Music Education — University of Aveiro, currently completing.

Bachelor's degree in Performance — University of Aveiro, completed in 2020, studying with Shao Ling.

Studies at the Escola Superior de Música de Lisboa and the Escola de Música do Conservatório Nacional, where I studied with Hélder Entrudo.

Further training at the Academia Internacional de Música Aquiles Delle Vigne, studying with Manuel Araújo.
Experience / Qualifications
2025–2026 — Collaborative Pianist, University of Aveiro.

2023–2024 — Piano Teacher, Conservatório Artallis, Loures.

2022–2023 — Collaborative Pianist, Conservatório da Covilhã and Escola de Música Pedro Álvares Cabral, Belmonte.

2020–2023 — Invited Assistant Lecturer, Escola Superior de Artes Aplicadas, Castelo Branco, with collaborative piano duties.

2020–2022 — Collaborative Pianist, Escola Profissional de Artes da Covilhã.

Additional experience includes performing and teaching at the Foz Côa Piano Festival, and working as a collaborative pianist in vocal masterclasses and concerts.
Age
Preschool children (4-6 years old)
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
English
Portuguese
Ukrainian
Russian
Skills
Playing techniques:
Sight-reading
Phrasing
Exam preparation:
Abrsm
Trinity
Gcse
Igcse
A levels
Others
Availability of a typical week
(GMT -05:00)
New York
at teacher icon
At teacher's location and via webcam
at home icon
At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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I try as much as possible to tailor the work with each individual student aiming at the goals set and the student's musical tastes. This becomes more the case the higher the student's level of experience. Nevertheless, beginners are also encouraged to suggest music for themselves to learn.

The work on pieces is combined with other important activities designed to develop finger dexterity, hand coordination, rhythmic sense, music reading, playing by ear, etc. The Cortot, Hanon and scale exercises are some of my frequent choices for the technical work.

For young beginners, I defend a no-book approach during the first 2 or 3 months, for three main reasons: it makes learning more fun, it unlocks our creative potential and it allows us to explore the instrument rather confidently and freely. Instead of learning how to read right from the start, students have the opportunity to play games, listen to music, sing, compose, and improvise over backing tracks, developing the core skills necessary for any musical activity later on. After this period, it is then time to introduce them to a method book. The one I recommend the most is Piano Safari.

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Similar classes
arrow icon previousarrow icon next
verified badge
I am a piano teacher with a specialized Master in Music Education and 19 years of teaching experience, in official music conservatoires, academies and private lessons. I am currently doing my PhD in Musical Sciences: Teaching and Psychology of Music.
I also have a Master in Music: Piano, and a Postgraduation in Music in Childhood: Intervention and Research.

I tailor my lessons to each student, according to their interests, levels, and learning goals.
I love to teach and I have continuously done it privately and in official music schools, with students from beginner to advanced levels, from 3 to about 70 years old.
With my help you can learn from a basic to an advanced level, develop musically and technically, read and interpret any score.

I have also participated in several piano masterclasses with world-renowned pianists and performed as a soloist and as a chamber musician in venues in Portugal, The Netherlands, Sweden, Belgium and the United Kingdom.
verified badge
At the piano we can learn how to play music you love, how to freely improvise (through a practical use of theoretical knowledge of music) and how to write musical thoughs you may have.
I am Francesca, 31, italian, i had a strong classical training, and after my academic piano studies i needed to open to jazz and songwriting.

My will is to offer a comprehensive and pleasurable approach to music, and to keep the focus on the needs and desires that bring my student close to the piano.
verified badge
It is never too late to start or resume learning piano! My teaching experience makes me a witness to this.

Perhaps you came looking for piano lessons because you wish to be able to play some particular pieces, or to develop specific skills. Or maybe you don't know what your goal is yet, but are fond of the sound of the piano and want to dive into this wonderful instrument. Whatever the case, I am looking forward to hearing from you and discussing your next step!

I try as much as possible to tailor the work with each individual student aiming at the goals set and the student's musical tastes. This becomes more the case the higher the student's level of experience. Nevertheless, beginners are also encouraged to suggest music for themselves to learn.

The work on pieces is combined with other important activities designed to develop finger dexterity, hand coordination, rhythmic sense, music reading, playing by ear, etc. The Cortot, Hanon and scale exercises are some of my frequent choices for the technical work.

For young beginners, I defend a no-book approach during the first 2 or 3 months, for three main reasons: it makes learning more fun, it unlocks our creative potential and it allows us to explore the instrument rather confidently and freely. Instead of learning how to read right from the start, students have the opportunity to play games, listen to music, sing, compose, and improvise over backing tracks, developing the core skills necessary for any musical activity later on. After this period, it is then time to introduce them to a method book. The one I recommend the most is Piano Safari.

For teenage and adult beginners, the activities described above are selected and adjusted, and theory concepts may be introduced at an earlier stage. If desired, graded level series such as the RSL Classical or Contemporary Piano, among others, may be opted for.

Please notice that my scheduling may not always be up to date on this website, so the best way to know my availability is sending me a message. Feel free to get in touch for any other questions as well!

Looking forward to meeting you soon,

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verified badge
Let’s do something together about music, whic is our common language. We know that age does not matter.
What classrs can you take with me;

1-SING
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- Musical awakening for the little ones
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- Score reading
- Singing lessons
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Music is something I am passionate about! When I teach, I teach technique, theory, and how to read. Learning to read music is a big part of my lessons. We will work on learning songs as well as scales and theory. My lessons are very tailored to the goals of the individual! We could work on Beethoven one day and a Beatles song the next! It is based on the student's goals.
verified badge
Whether you want to learn to sing or the basics of music theory, I love to adapt my classes and lessons to my students' needs. I am a trained classical singer and would love to teach you everything I know about how to sing, how to approach music, and how to fall in love with your voice.

I have experience working with kids and teaching music to them. Don't hesitate to ask me any questions!
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I studied at Leeds Conservatory of Music in the UK. As a professional musician I have played shows with the likes Arooj Aftab (Grammy winner), and renowned British Folk Artists such as Martin Simpson as well as having my own compositions played on the BBC. I have significant experience in Jazz, Folk and Rock Projects. My lessons are good for focusing on performance, creativity, technique and theory. Learn to play all over the whole neck of the guitar, improvise with freedom, and feel effortless movement around the instrument.
verified badge
My piano lessons are built around one goal: awakening a genuine desire to explore music, and above all, helping each student develop their own taste for musical expression and the technical tools to master them, both mechanical and mental.

Music is a unique challenge that gives us a new way of seeing ourselves, teaching patience, self-belief, and problem-solving along the way. I pair this outlook with solid technical grounding, adapted to any level of experience, and lessons shaped around each student's own musical goals. I regularly bring in musical analysis and theory, which often unlocks the "secrets" hiding inside the pieces we play.

As a symphonic conductor and choral singer, I bring a broader, more complete musical perspective into every lesson. I'm also particularly effective with children — I have a strong track record of making music genuinely interesting to them and building real curiosity rather than rote practice.

I've been teaching piano for over a decade, working with students from age 2 to 70, amateurs and professionals alike. As a performing musician, I've taken part in international competitions and hold a degree from the University of York.

I teach in Portuguese, English, German, French, Italian, and Spanish, and offer lessons at my home, at the student's home, or online — whatever works best for you.
verified badge
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Setting up and navigating Ableton Live

Understanding audio vs. MIDI and using instruments effectively

Recording, sampling, and arranging

Mixing essentials: EQ, effects, and dynamics

Developing your own workflow and creative process

Whether you're into electronic music, beats, or songwriting, the focus is on helping you build confidence, finish ideas, and express your musical voice through Ableton.

Lessons are available in Lisbon or online — and always shaped around your needs and style.
verified badge
A healthy and expressive voice stems from the balance of body, mind, and spirit. When the individual—and not just the voice—functions like a finely tuned instrument, they are able to naturally and creatively express their talents and capabilities.

Ilana presents tools for participants to vocalize more harmoniously, expressively, and authentically—effortlessly.

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. Classes aimed at people interested in developing their speaking/singing voice
. No prior experience required
. Appropriate for both beginners and voice professionals—such as teachers, journalists, actors, singers, podcasters, and influencers

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. Body awareness
. Breathing and air coordination in vocal production
. Vocal exercises
. Song practice – repertoire development and interpretation study

BENEFITS
. Body awareness
. Proper use of breathing in speaking and singing.
. Quality of diction, pronunciation, articulation, and vocal presence.
. Pitch, flexibility, and vocal range.
. Vocal health.
. Creativity and musicality.
. Style, expression, consistency.
. Connection with voice, music, lyrics, instruments, and audience.
verified badge
Understanding music theory and composition is essential for musicians (whether performers or composers) of any genre and level. With this course, I hope to share my 10 years of experience in composition and music theory, as well as a great enjoyment for the field. I aim to exemplify the discussed theory through listening and (if applicable) playing examples, combining the established theories by discussing compositional parameters, making the playing of pieces and composing more accessible and organic.
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Lessons are adapted to each student's interests, experience level, and goals. Whether you wish to improve your technique, connect with Argentine musical traditions, or discover new ways of improvising and creating music, the focus is always on learning through exploration and enjoyment.

A space to explore creativity, listening, rhythm, and collective improvisation through games, musical exercises, and conducting signs.

Inspired by collaborative improvisation practices and my experience in music education, performing arts, and creative facilitation, these workshops help participants develop confidence, communication, and musical expression in a playful and supportive environment.

Suitable for musicians, non-musicians, educators, artists, and anyone interested in creativity and group dynamics.
Good-fit Instructor Guarantee
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Contact Alexander