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Professor qualified by the Royal College of Music and the Guildhall School of London.
From 43.32 C$ /h
Face-to-face and online lessons available for different levels and ages.
STRUCTURE of 1 hour class:
10 min warm-up. Scales, arpeggios, double strings, and mechanics exercises: Feuilleard, Sevsik, Cossmann, Starker, Tortelier....
15min to work on whims, studies and technical works by Popper, Piatti, Dotzauer, Duport, Lee, Servais, Lindley, Franchomme, Grutzmacher etc.
35min of free repertoire, working on a multitude of styles, techniques and languages.
METHODOLOGY:
-Pedagogical material and free sheet music with fingerings and bows.
-Preparation for entrance exams: 4/4 students pass the entrance exam for professional education in 2022.
-Suzuki and preparation for ABRSM and Trinity College exams (RU)
-Stretches, physical therapy exercises, mindfulness and Alexander Technique.
-Free service via WhatsApp.
-Analysis of videos and recordings with score annotation
-Microphones and HD cameras for an optimal connection, optional recorded classes.
-Free advice when testing, renting and buying instruments.
-Pedagogical experience, friendly, honest treatment and positive attitude.
ARTISTIC BIOGRAPHY:
His work ranges from modern music recordings at Abbey Road Studios to concerts for the BBC, New Generation Baroque 2021.
Recent doctorate and scholarship with Distinction at the Royal College of Music in London (Artist Diploma), Javier has also studied at the Guildhall School of Music and Drama with Rebecca Gilliver, London Symphony Orchestra, as well as at the Koninklijk Conservatorium in The Hague, Netherlands and the COSCYL of Salamanca. He currently works as a cellist giving concerts throughout the country, as a researcher at the National Library of Spain and is studying a degree in Musicology at the Royal Conservatory of Music in Madrid.
LOCATION: In my music studio or online, although travel to the student's home is contemplated, calculating time and costs.
STRUCTURE of 1 hour class:
10 min warm-up. Scales, arpeggios, double strings, and mechanics exercises: Feuilleard, Sevsik, Cossmann, Starker, Tortelier....
15min to work on whims, studies and technical works by Popper, Piatti, Dotzauer, Duport, Lee, Servais, Lindley, Franchomme, Grutzmacher etc.
35min of free repertoire, working on a multitude of styles, techniques and languages.
METHODOLOGY:
-Pedagogical material and free sheet music with fingerings and bows.
-Preparation for entrance exams: 4/4 students pass the entrance exam for professional education in 2022.
-Suzuki and preparation for ABRSM and Trinity College exams (RU)
-Stretches, physical therapy exercises, mindfulness and Alexander Technique.
-Free service via WhatsApp.
-Analysis of videos and recordings with score annotation
-Microphones and HD cameras for an optimal connection, optional recorded classes.
-Free advice when testing, renting and buying instruments.
-Pedagogical experience, friendly, honest treatment and positive attitude.
ARTISTIC BIOGRAPHY:
His work ranges from modern music recordings at Abbey Road Studios to concerts for the BBC, New Generation Baroque 2021.
Recent doctorate and scholarship with Distinction at the Royal College of Music in London (Artist Diploma), Javier has also studied at the Guildhall School of Music and Drama with Rebecca Gilliver, London Symphony Orchestra, as well as at the Koninklijk Conservatorium in The Hague, Netherlands and the COSCYL of Salamanca. He currently works as a cellist giving concerts throughout the country, as a researcher at the National Library of Spain and is studying a degree in Musicology at the Royal Conservatory of Music in Madrid.
LOCATION: In my music studio or online, although travel to the student's home is contemplated, calculating time and costs.
Extra information
FREQUENT QUESTIONS
Do I need my own instrument?
Yes! It will be your companion on this journey. If you're just starting out, I suggest you rent it and eventually buy it.
I can help you check the equipment and advise you in everything I can.
What if I am a beginner?
Absolutely nothing, any musician who wants to learn is welcome in my class.
Keep in mind that if you have no notions of musical language, you must receive simultaneous classes to have basic notions.
You can't make music without knowing its language.
How often can we teach?
It depends on your circumstances, maturity and your schedule. I always try to adapt to the needs of my students, combining it with my concert schedule. For the little ones, I recommend shorter classes. If, for example, you work, classes every two weeks are a good option.
Where are the classes held?
, I teach classes only in my studio, since here I have all the scores, instruments, gadgets and facilities that I use to teach.
If you live far away, the online model works great, in fact, that's how all my students have passed the tests this year.
Both can also be combined effectively.
What are we going to work on in class?
What you want and need, depending on your goals eg. an entrance test, we will approach music as a science. That is to say from mathematics, acoustics, physics, neurology and anatomy of the human body.
We will work on the technique, methodology, research, historical analysis and similar procedures.
In class we will also practice the values of effort, perseverance, hard work or respect, in a relaxed way but without stopping working.
How will I achieve my goals?
Through supervision, honesty, and my total dedication, I love this job, and my students' successes are my own, as are their failures.
How much do I have to study?
The important thing is to be constant, depending on age and level. If the study is efficient, between 45min and 1h a day.
In addition, I will teach you study and memorization techniques so that you can progress quickly. It is important that you get a metronome.
What material did you bring to class?
Don't forget to bring your instrument and bow, Strap, rosin, correctors, sheet music, a notebook of staves and a normal notebook to jot down ideas and exercises.
What kind of teacher am I going to find?
Methodical. Consistent, empirical disciplined, flexible, relaxed, but above all, honest and empathic.
Do I need my own instrument?
Yes! It will be your companion on this journey. If you're just starting out, I suggest you rent it and eventually buy it.
I can help you check the equipment and advise you in everything I can.
What if I am a beginner?
Absolutely nothing, any musician who wants to learn is welcome in my class.
Keep in mind that if you have no notions of musical language, you must receive simultaneous classes to have basic notions.
You can't make music without knowing its language.
How often can we teach?
It depends on your circumstances, maturity and your schedule. I always try to adapt to the needs of my students, combining it with my concert schedule. For the little ones, I recommend shorter classes. If, for example, you work, classes every two weeks are a good option.
Where are the classes held?
, I teach classes only in my studio, since here I have all the scores, instruments, gadgets and facilities that I use to teach.
If you live far away, the online model works great, in fact, that's how all my students have passed the tests this year.
Both can also be combined effectively.
What are we going to work on in class?
What you want and need, depending on your goals eg. an entrance test, we will approach music as a science. That is to say from mathematics, acoustics, physics, neurology and anatomy of the human body.
We will work on the technique, methodology, research, historical analysis and similar procedures.
In class we will also practice the values of effort, perseverance, hard work or respect, in a relaxed way but without stopping working.
How will I achieve my goals?
Through supervision, honesty, and my total dedication, I love this job, and my students' successes are my own, as are their failures.
How much do I have to study?
The important thing is to be constant, depending on age and level. If the study is efficient, between 45min and 1h a day.
In addition, I will teach you study and memorization techniques so that you can progress quickly. It is important that you get a metronome.
What material did you bring to class?
Don't forget to bring your instrument and bow, Strap, rosin, correctors, sheet music, a notebook of staves and a normal notebook to jot down ideas and exercises.
What kind of teacher am I going to find?
Methodical. Consistent, empirical disciplined, flexible, relaxed, but above all, honest and empathic.
Location
At student's location :
- Around Salamanca, Spain
At teacher's location :
- Calle de la Encomienda de Palacios, Madrid, España
About Me
PROFESSIONAL EXPERIENCE
Concerts, "Side by Side Projects" and "repertoire sessions" with the London Symphony Orchestra,
Ancient Academy of Music, Orquesta La Folia and Florilegium since 2017.
Recordings at Abbey Road Studios, 2020.
BBC Radio 3 "New Generation Baroque Ensemble 2021" and participation in the Documentary on His Majesty the Prince of Wales, 2021.
Young National Orchestra of Spain 2015-19.
London Handel Festival 2019 (UK); Young Euro Classics 2018 (Germany); Gstaad Menuhin Festival Academy 2019 (Switzerland); Carinthia Summer Festival 2015 (Austria); Gustav Malher Festival 2014 (Italy) or Festival de la Alhambra de Granada (Spain) 2018.
AWARDS, SCHOLARSHIPS AND INSTRUMENTS
1st Prize in the early music competition "Brian Nisbet" with the group Apollo's Cabinet, finalist in the 2021 soloists competition of the Royal College of Music, playing the Boccherini N * 6 concert with chamber orchestra.
Full scholarship at the Academia-Encuentro de Santander, Albéniz Foundation. 2019.
Javier has performed with different historical instruments; N. Cross of 1731, J. Horenstainer of 1765, C. Lunemann 1915, donated by different foundations and luthiers such as the London City Corporation, Neizert and Bridgewood or Florian Leonhard fine violins. Now, he plays a W. Foster from 1804, from the Royal Collection that belonged to Charles of Windsor (1948-) and the composer R. Lindley (1776-1855).
LINKS OF INTEREST
Concerts, "Side by Side Projects" and "repertoire sessions" with the London Symphony Orchestra,
Ancient Academy of Music, Orquesta La Folia and Florilegium since 2017.
Recordings at Abbey Road Studios, 2020.
BBC Radio 3 "New Generation Baroque Ensemble 2021" and participation in the Documentary on His Majesty the Prince of Wales, 2021.
Young National Orchestra of Spain 2015-19.
London Handel Festival 2019 (UK); Young Euro Classics 2018 (Germany); Gstaad Menuhin Festival Academy 2019 (Switzerland); Carinthia Summer Festival 2015 (Austria); Gustav Malher Festival 2014 (Italy) or Festival de la Alhambra de Granada (Spain) 2018.
AWARDS, SCHOLARSHIPS AND INSTRUMENTS
1st Prize in the early music competition "Brian Nisbet" with the group Apollo's Cabinet, finalist in the 2021 soloists competition of the Royal College of Music, playing the Boccherini N * 6 concert with chamber orchestra.
Full scholarship at the Academia-Encuentro de Santander, Albéniz Foundation. 2019.
Javier has performed with different historical instruments; N. Cross of 1731, J. Horenstainer of 1765, C. Lunemann 1915, donated by different foundations and luthiers such as the London City Corporation, Neizert and Bridgewood or Florian Leonhard fine violins. Now, he plays a W. Foster from 1804, from the Royal Collection that belonged to Charles of Windsor (1948-) and the composer R. Lindley (1776-1855).
LINKS OF INTEREST
Education
ACADEMIC INFORMATION
"Artist Diploma" at the Royal College of Music, London, awarded by the Laing Foundation, 2020-21.
"Master in Performance" at the Guildhall School of Music and Drama, London, student of Rebecca Gilliver, principal cello at the London Symphony Orchestra. 2017-19.
"Foundation course" at the Koninklijk Conservatorium in The Hague, The Netherlands, 2016-17.
Higher Degree in Music, Conservatorio Superior de Salamanca, 2012-16
"Artist Diploma" at the Royal College of Music, London, awarded by the Laing Foundation, 2020-21.
"Master in Performance" at the Guildhall School of Music and Drama, London, student of Rebecca Gilliver, principal cello at the London Symphony Orchestra. 2017-19.
"Foundation course" at the Koninklijk Conservatorium in The Hague, The Netherlands, 2016-17.
Higher Degree in Music, Conservatorio Superior de Salamanca, 2012-16
Experience / Qualifications
TEACHING EXPERIENCE
Assistant Professor Guildhall School of Music Young Artist, City of London Academy, 2019.
Assistant Professor in the “Sparks” program Royal College of Music 2021.
Digital Learning Ambassador, Royal College Music, 2022
"Mini Residency" at Taunton Center of Young Musicians 2018.
Educational workshops in different schools through the Brighton Early Music Festival 2019.
Visiting professor since 2017 at the Royal Conservatory of Music and Dance of Albacete.
CERTIFICATES
Trinity College English Certificate, Grade 7.
TOEFL English Certificate, C1
Renewable DBS certificate.
Training course in ABRSM exams and preparatory experience. Driving license.
Assistant Professor Guildhall School of Music Young Artist, City of London Academy, 2019.
Assistant Professor in the “Sparks” program Royal College of Music 2021.
Digital Learning Ambassador, Royal College Music, 2022
"Mini Residency" at Taunton Center of Young Musicians 2018.
Educational workshops in different schools through the Brighton Early Music Festival 2019.
Visiting professor since 2017 at the Royal Conservatory of Music and Dance of Albacete.
CERTIFICATES
Trinity College English Certificate, Grade 7.
TOEFL English Certificate, C1
Renewable DBS certificate.
Training course in ABRSM exams and preparatory experience. Driving license.
Age
Preschool children (4-6 years old)
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
30 minutes
45 minutes
60 minutes
90 minutes
120 minutes
The class is taught in
Spanish
English
Skills
Availability of a typical week
(GMT -05:00)
New York
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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