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Since April 2021
Instructor since April 2021
Translated by GoogleSee original
Trombone or trumpet lessons in Krimpen / Capelle aan den IJssel
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From 63.32 C$ /h
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Trombone lessons

Learning to master the trombone is no easy task. It is an infinitely variable instrument, it has no valves or valves, which means that the hearing in particular must be well trained. Solfège is an important part of my lessons. If you can sing something, you can also play it, is my vision. Besides trombone lessons I also give trumpet lessons for beginners. Even then I use the ear training method.

At music schools I teach according to the AMV principle. With that you can get your diplomas, A to D. The latter is, as it were, the audition for the conservatory.

In my studio close to Rotterdam, I give music lessons according to your needs. This can be technique, or being able to present an etude or concert beautifully. But also learning to play over a chord progression, improvising, being able to play freely.

COVID-19 update 2021: Due to the corona crisis, I am currently also teaching online via Skype. However, my studio is so big that the 1.5 meters can be maintained for the 1 on 1 lessons.
Extra information
It is important that you bring your own instrument. If you don't have that, please contact me.
Location
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At teacher's location :
  • Klaproosveld, Krimpen aan de Lek, Nederland
About Me
I have been involved with music for many years. I grew up with jazz and later I started studying light music, but my first steps were taken with a wind band.
As a performing musician I have been most active so far and then in a wide spectrum of styles, from jazz, via latin to funk and soul. Mostly on the trombone, but also occasionally with my other passion, on the bass guitar.
In recent years I have devoted myself more to teaching. I enjoy transferring my knowledge to my students in my own way. This can be instrument control or knowledge of the musical notation, but also learning to improvise over a chord progression. I always do this with a lot of dedication and I love the contact with people from young to old (er). Music keeps you young anyway!
Education
I studied music in Rotterdam and Utrecht, which I completed in 2001. I provide trombone lessons, music theory lessons and jazz workshops. I also arrange and compose music
Experience / Qualifications
I have been involved in music in a professional way since 1995, through performances, organizing workshops and teaching music.
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
45 minutes
60 minutes
The class is taught in
Dutch
English
French
Availability of a typical week
(GMT -05:00)
New York
at teacher icon
At teacher's location
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
Trombone lessons
Learning to master the trombone is no easy task. It is an infinitely variable instrument, it has no valves or valves, which means that the hearing in particular must be well trained. Solfège is an important part of my lessons. If you can sing something, you can also play it, is my vision. Besides trombone lessons I also give trumpet lessons for beginners. Even then I use the ear training method.

At music schools I teach according to the AMV principle. With that you can get your diplomas, A to D. The latter is, as it were, the audition for the conservatory.

In my studio in Krimpen aan de Lek, near Rotterdam, I give music lessons according to your needs. That can be technical mastery, or being able to recite an étude or concert beautifully. But also learning to play over a chord scheme, improvising, being able to play freely.

I can come to you if you live, for example, in Capelle aan den IJssel, in Dordrecht or Rotterdam.

COVID-19 update 2021: Due to the corona crisis, I am currently also teaching online via Skype. However, my studio is so large that the 1.5 meters can be maintained at the 1 on 1 classes. In addition, there is a screen between the student and myself
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Duygu
Duygu is a singer, vocal coach, improviser and conductor came from Izmir\Turkey. After her study on Business and Economic Sciences, she enrolled at Ege University, State Turkish Music Conservatory ,the Department of Voice in Izmir and majored in Classical Turkish Music. While her study, she started to perform in Middle Eastern and European countries. Also she started to work as a vocal teacher at conservatory of Suleymaniah (Iraq) on vocals -Classical Turkish Music theory. She graduated with her MA studies at Codarts, University of Arts Rotterdam.After and during her study at Codarts , she started to work as a vocal coach- music teacher and conductor in various schools and choirs in Netherlands. She gave workshops on vocal technique and Classical Turkish Music -Maqam theory in Belgium and Netherlands.

Duygu performed in various international festivals and venues with multiple languages such as Armenian, Kurdish, Hebrew, Arabic such as the Utrecht Rasa ,Paradiso Amsterdam , Theather Dakota, Saad Abdullah Palace Conference hall( Iraq) , Ahmet Adnan Saygun Concert Hall (Turkey) , Izmir Ataturk Culture Centre (Turkey), Newlands Festival, Amsterdam Literature Festival, Zurich Festival ,The Kurdish Cultural Festival( Cologne), Anywhere the Wind Blows, North Sea Round town Festival, Operadagen Rotterdam.Also She participated with her quartet to the Nederlands Blazers Ensemble in Den Haag at Zuiderstrand Theater.


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Solo singing performance Championship in Antalya - Turkey by Ministry of Culture
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Born and raised in Iran, Khorshid grew up in an artistic family. When she was seven years old she started her musical journey playing setar with her father. After entering the Conservatory of Tehran she chose Tar. Tanbour was another dimension in her exploration. For her playing, all these instruments happened so naturally. She was just sixteen when she started her professional activities playing with Shams ensemble. During those years she played all around Iran and other countries such as France, Italy, Austria, Morocco, Sweden, Netherlands. She has been teaching from the age of seventeen. After she got her Bachelor from the Conservatory of Tehran, her curiosity led her to Netherlands and got her Master degree at the World Music Department of Codarts Conservatory of Rotterdam Codarts. During her study at Codarts she learned playing Baglama in Turkish department.
When I teach, apart from teaching the technique of the instrument is so important to me, I also help them to understand and have more awareness about music and be able to perform all their musical ideas in a successful way. I analyze the student in order to choose which is the best approach in order to motivate him or her.

Tar
To become a professional Tar player is important for me to have a good technique. I teach all different schools of Tar players by giving repertories and etudes. I also teach about Dastgahi music and in advance level how to improvise based on Dastgahi and Modal music.
Setar
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As a performer of Tanbour, Sonority is so important to touch the ear. I teach you unique techniques of tanbour with my own method. By playing different compositions and etudes you learn Makams of Tanbour. In the advance level I mostly concentrate on improvisation.
Baglama
I teach you the basic techniques of this instrument and we play together different repertories of regions in Turkey consist of Anatolian music and Ottoman Music.
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- Tanbour
Playing Tanbour is a journey into the heart of Sufi and mystical thought. This instrument demands a high level of technique, Sonority, and Musicality, allowing you to connect deeply with the music and touch your audience's soul. I will guide you through a contemporary approach to playing Tanbour, including improvisation and composition, through a series of classified pieces and exercises. Get ready to be inspired and to inspire others with the epic power of the Tanbour.

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Music appreciation is designed to teach students how to understand and describe the contexts and creative processes involved in music composition, recognize what is being heard and what to listen for, and understand sound and melody. What is the time signature? What instruments are being played? What are you feeling while listening to this piece, and why? The term "appreciation" has roots in philosophy, described in this context as the understanding of the value and merit of different styles of music. Our primary focus for this method is a cognitive approach to the practice of Iranian Cultural Civilisation, known as Persian Music.
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