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This teacher has a fast response time and rate, demonstrating a high quality of service to their students.
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Since May 2021
Instructor since May 2021
Violin Lessons - The Creative Violin Academy - Classical / Folk / Jazz
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From 86.39 C$ /h
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I am offering violin lessons for adults (all levels) in Kreuzberg/Neukölln and online.

- Solid and profound training of basic violin technique
- Creative learning and developing skills going hand in hand
- Play alongs to help you in your practice
- Options to go into (Gipsy) Jazz, Folk or Rock/Funk

About your teacher:
BA in Classical Violin (NL), specialization in Jazz Violin (FR)
+10 years of teaching experience
co-founder of Academy of Improvising Strings

Looking forward to working with you!

Warmest,
Karin
Location
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At teacher's location :
  • Manitiusstraße, Berlin, Germany
About Me
About me:
+10 years of teaching experience
- co-founder of Academy of Improvising Strings
- active in rock and jazz bands, founder of an improvising string quartet
Education
BA in Classical Violin (Fontys Hogeschool vd Kunsten - Netherlands)
specialization in Jazz Violin (Didier Lockwood School - France)
Resonanzlehre and Feldenkrais method (currently in training)
Experience / Qualifications
BA in Classical Violin (Fontys Hogeschool vd Kunsten - Netherlands)
specialization in Jazz Violin (Didier Lockwood School - France)
Resonanzlehre and Feldenkrais method (currently in training)
Age
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
45 minutes
The class is taught in
English
French
German
Dutch
Skills
Musical styles:
Classical
Rock
Jazz
Availability of a typical week
(GMT -05:00)
New York
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At teacher's location
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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Toby
Professional violin and viola teacher based in Berlin, teaching in person at students' location or online, in English, German or Russian.

As well as instrumental teaching and ensemble coaching of at all levels over the last 12 years, I’ve led numerous professional workshops, including ‘Music First’ and ‘Music Masters’ workshops in London and was an assistant on the Primary Arpeggione viola course and at the Springgrove music competition. As a member of the European String Teachers’ Association, I participated in their conferences across Europe.

I have prepared students for music exams at all levels, working with them on music theory, aural and sight reading skills, and regularly accompany students on the piano.

As a performing musician, I appear as a soloist and chamber musician internationally, recently including at the ‘Gstaad Menuhin’, ‘Schiermonnikoog’ and 'Rome Chamber Music' festivals. I have participated in several international competitions, notably receiving the Barbirolli prize at the Lionel Tertis International Viola Competition 2019, 1st prize at the Małopolska competition, and the Len Lickorish Memorial Prize at the Royal Overseas League International Strings Competition.

I hold a masters degree with first class honours from the class of Tabea Zimmermann at the Hochschule für Musik Hanns Eisler Berlin, and Bachelors with the same distinction from the Royal Academy of Music in London. I attended the International Musicians Seminar at Prussia Cove on four occasions and have collaborated with composers Garth Knox, Vasilis Alevizos and Thomas Jones on their new works, with performances in London and at the Agora Music Festival in Luxembourg.

As a chamber musician I have played with the 12, Seida and 4|12 ensembles, as well as with musicians of the Berlin Philharmonic and clarinettist Matthew Hunt at HellensMusic festival, with Tabea Zimmermann at the Laeiszhalle Hamburg, with Claudio Martínez Mehner and Christoph Poppen in Santander, and with members of the ARC ensemble at the Music of Exile Festival in Toronto, Canada, amongst others.

I was a member of the European Union Youth Orchestra in 2018, and a member of the National Youth Orchestra of Great Britain from 2014-2015, appearing on BBC Radio 3 broadcasts and a televised BBC Prom, as well as being involved in the NYO outreach programme ‘inspire’ in schools across London, including workshops and interactive performances at the Royal Festival Hall.

** Reviews Below **
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Joe
Playing the drums is both fun and very rewarding, but it also carries a significant amount of responsibility. The drummer is the backbone of any musical community, creating a vital foundation for the other instruments to thrive upon. With a wealth of exercises and content available online at your fingertips to study, I can offer you valuable, personalized advice on three key aspects: technique, time, and touch. I like to call them the 3Ts.

Technique: Playing the drums is physically demanding, requiring an awareness of proper posture to safely build the muscles needed to maintain a seamless flow of movement for hours on end.

Time: Keeping a steady pulse is the primary focus of being a drummer. We need to build up our confidence to consistently maintain the desired time, even under adverse conditions.

Touch: While presenting steady time, we need to open our awareness to make our beat feel good. It’s an attitude. It’s about being musical. This means using dynamics and personalizing our four limbs to create our own unique groove. This is where it gets deep.

I love teaching beginners. They usually can jump ahead quickly in a short time. There is no mystery. The way forward means dedicating a little (or a lot) of time daily to the drums. Even just 10 minutes a day can lead to significant improvements. That’s the secret.

I recommend using an intensive approach with the classes.

Beginners take 5 weeks of 60-minute classes to learn the basics and then continue working on your own, returning for follow-up “check-ups” as needed.
For intermediate-level students, I recommend a 90-minute class where I present a comprehensive overview, all tailored to your immediate needs. You then come back for more when the information has been digested.
For advanced-level students, the same. There is so much to cover that we can focus on very specific topics. Styles, the rudiments etc... I have a lot of experience with traditional jazz and the rudimental history behind the craft.

In the end, it's about creating time to connect with the drums every day. This connection is a wonderfully rewarding and grounding addition to our lives. I look forward to meeting and working with you.
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Contact Karin
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Similar classes
arrow icon previousarrow icon next
verified badge
Toby
Professional violin and viola teacher based in Berlin, teaching in person at students' location or online, in English, German or Russian.

As well as instrumental teaching and ensemble coaching of at all levels over the last 12 years, I’ve led numerous professional workshops, including ‘Music First’ and ‘Music Masters’ workshops in London and was an assistant on the Primary Arpeggione viola course and at the Springgrove music competition. As a member of the European String Teachers’ Association, I participated in their conferences across Europe.

I have prepared students for music exams at all levels, working with them on music theory, aural and sight reading skills, and regularly accompany students on the piano.

As a performing musician, I appear as a soloist and chamber musician internationally, recently including at the ‘Gstaad Menuhin’, ‘Schiermonnikoog’ and 'Rome Chamber Music' festivals. I have participated in several international competitions, notably receiving the Barbirolli prize at the Lionel Tertis International Viola Competition 2019, 1st prize at the Małopolska competition, and the Len Lickorish Memorial Prize at the Royal Overseas League International Strings Competition.

I hold a masters degree with first class honours from the class of Tabea Zimmermann at the Hochschule für Musik Hanns Eisler Berlin, and Bachelors with the same distinction from the Royal Academy of Music in London. I attended the International Musicians Seminar at Prussia Cove on four occasions and have collaborated with composers Garth Knox, Vasilis Alevizos and Thomas Jones on their new works, with performances in London and at the Agora Music Festival in Luxembourg.

As a chamber musician I have played with the 12, Seida and 4|12 ensembles, as well as with musicians of the Berlin Philharmonic and clarinettist Matthew Hunt at HellensMusic festival, with Tabea Zimmermann at the Laeiszhalle Hamburg, with Claudio Martínez Mehner and Christoph Poppen in Santander, and with members of the ARC ensemble at the Music of Exile Festival in Toronto, Canada, amongst others.

I was a member of the European Union Youth Orchestra in 2018, and a member of the National Youth Orchestra of Great Britain from 2014-2015, appearing on BBC Radio 3 broadcasts and a televised BBC Prom, as well as being involved in the NYO outreach programme ‘inspire’ in schools across London, including workshops and interactive performances at the Royal Festival Hall.

** Reviews Below **
verified badge
Joe
Playing the drums is both fun and very rewarding, but it also carries a significant amount of responsibility. The drummer is the backbone of any musical community, creating a vital foundation for the other instruments to thrive upon. With a wealth of exercises and content available online at your fingertips to study, I can offer you valuable, personalized advice on three key aspects: technique, time, and touch. I like to call them the 3Ts.

Technique: Playing the drums is physically demanding, requiring an awareness of proper posture to safely build the muscles needed to maintain a seamless flow of movement for hours on end.

Time: Keeping a steady pulse is the primary focus of being a drummer. We need to build up our confidence to consistently maintain the desired time, even under adverse conditions.

Touch: While presenting steady time, we need to open our awareness to make our beat feel good. It’s an attitude. It’s about being musical. This means using dynamics and personalizing our four limbs to create our own unique groove. This is where it gets deep.

I love teaching beginners. They usually can jump ahead quickly in a short time. There is no mystery. The way forward means dedicating a little (or a lot) of time daily to the drums. Even just 10 minutes a day can lead to significant improvements. That’s the secret.

I recommend using an intensive approach with the classes.

Beginners take 5 weeks of 60-minute classes to learn the basics and then continue working on your own, returning for follow-up “check-ups” as needed.
For intermediate-level students, I recommend a 90-minute class where I present a comprehensive overview, all tailored to your immediate needs. You then come back for more when the information has been digested.
For advanced-level students, the same. There is so much to cover that we can focus on very specific topics. Styles, the rudiments etc... I have a lot of experience with traditional jazz and the rudimental history behind the craft.

In the end, it's about creating time to connect with the drums every day. This connection is a wonderfully rewarding and grounding addition to our lives. I look forward to meeting and working with you.
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Contact Karin