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I have a unique method of teaching Tabla. I used to teach the students not only to play compositions but also to compose new themes and variations. I work on enhancing the Tonal Correction of students. You will learn Tabla in a very interactive, easy, and planned way in these course manuals. Beginner Syllabus Sem-1: Basic Tabla Bols - Basic Exercises - Ta Tin Tin Ta/ Teen Taal Theka - Basic Kayda 1/2/3/4 - 2 Kaydas (Delhi Gharana) - 2 Kaydas (Punjab Gharana) - Rela(Basic) - Rela(Punjab Gharana) - 5 Tukdas (Delhi/Punjab) Sem 2: Theka And Info of Roopak, Jhap Taal, Dadra, Kehrwa, Ektaal - Solo in Rupak (Based on Sem-1) - Intro with Kehrwa and Dadra Taal Thekas And Some Laggis with Tihai. Intermediate Syllabus Sem-1: Teen Taal Intermediate Solo including(Peshkar, Delhi Kayda(2) - Punjab Kayda(1) - Rela(Delhi) - 5 TukraS (Delhi, Punjab, Banaras, Lucknow) - Chakrdar - Farmaishi Chakardar - KamaliChakardar - Gat(Delhi Gharana). Sem 2: Solo in Roopak (Peshkar, Delhi Kayda(2) - Rela - 5 Tukras (Delhi, Punjab, Banaras, Lucknow) - Chakrdar - Farmaishi Chakardar - Kamali Chakardar - Gat (Delhi Gharana). Sem 3: Solo in Jhaptaal and Ektaal (Based on Sem:1) - Kehrwa & Dadra uthaans, Laggis and tihais. Advanced Syllabus Sem-1: Advanced Solo in Teen Taal - Jhap Taal - Ek Taal - Mat Taal - Char Taal Ki Sawari and PanchamSawari Sem-2: Kehrwa, Dadra, Roopak, Deepchandi, and Jhaptaal Light Music accompaniment techniques and syllabus Sem 3: Rare Gharanedar Compositions of Delhi, Punjab, Lucknow including Gats, Kaydas, Tukras, Kayda, Relas, and more. During your course, you will also learn to compose new themes and variations, Using Single composition in all Taals, Learn Theory Easily and practically, and learning in detail about making Kaydas, Peshkars, and other composition-types According to their Jati in different Taals. We also try modify to modify our syllabus as per the requirement or what suits better for the student. I am available 24X7 to their students to clear their doubts and to fulfill their requirements.

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3Students

Methodology I base my teaching what the student wants to learn and also through years of teaching and learning I can help guide you on this path. Techniques, phrase development, solo, accompaniment, odd rhythms and creation of your own sound. We will cover traditional rhythms from Turkey, the Balkans, Egypt. I can teach darbuka and bendir from beginner to advanced level. Riq, indian tabla, konnakol, cajon, daf, indian tabla and percussion set ups can also be taught A bit about me: I have been playing oriental percussion professionally since 2010 with many groups and touring all over the world and I've recorded albums for groups such as Light in Babylon.

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Sharpen your rhythmic skills and explore advanced rhythmic concepts across genres and traditions. In these lessons, we'll cover: Polyrhythms (3:2, 5:4, 7:4, etc.) Playing in different subdivisions Playing with rhythmical groupings Odd time signatures Carnatic Rhythmical Theory Intro to Konnakol Creative rhythmic techniques for composition I'm a professional guitarist, composer, and teacher with over 10 years of experience in teaching. I specialize in jazz fusion, groove-based music, and progressive styles of music. I studied Carnatic rhythm at the Conservatory of Amsterdam and bring a dynamic, accessible, and creative approach to rhythm training — suitable for all instruments.

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Drum & Percussion Lessons Percussion – African, Orchestral, Middle Eastern, Indian, Latin Western – Drum Set Indian – Tabla, Dholak Middle East – Darabuka, Frame Drum African – Djembe, Donno, Brekete, Kpanlogo, Bugarabu Latin – Bongos, Cajon Hand Percussion Want to play in odd time signatures? Metric Modulation? Additive rhythms? Improvisation? Polyrhythms? Let me know what you want to play!