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Discover the Best Private Music teacher training Classes in Paris

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16 music teacher training teachers in Paris

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(1 review)
Saina - ParisC$58
Trusted teacher: Beginner level : Expected duration: approximately 12 and 18 months / 1 hour of lessons per week 1. 3 or 4 music theory sessions containing instrument structure and Western notation (with a brief historical explanation of why we use this notation system today). 2. Start with the first and second music conservatory books which emphasize precise execution of notes and rhythm. Concrete listening exercises: Before explaining a musical concept, students are encouraged to listen to suggested examples of a specific form, genre, or style and express their analysis in class. 3. Teaching correct posture and how to focus on body and breathing during play. 4. Beginning of improvisation exercises based on the rhythms of Persian poems: At this level, we do not use Western notation and we rely solely on the repetitive rhythms of the poems and melodic creativity. Intermediate level : Expected duration: approximately 2 and 3 years / 1 or 2 hours of lessons per week 1. Teaching studies and technical pieces with emphasis on the use of Western notation and paying attention to verbal points that are not included in the notation (At this level, students should not have any difficulty reading notes). 2. The beginning of teaching Radif (practical repertoire of Persian music) without using notation and entirely orally. 3. Continue the listening exercises to understand the difference between modes and concepts related to Iranian music. 4. Memorize the pieces, perform them based on memory and precision of sentence logic and modal precision. 5. Improvisation exercises based on Iranian music modes. The student is asked to make musical sentences after having learned each mode (according to the logic that he has heard and learned in the pieces). 6. The first concert and professional recording experiences of the pieces taught with the advice of the teacher. Higher level : Expected duration: approximately 2 and 3 years / 1 or 2 hours of lessons per week 1. Achieve a comprehensive understanding of the modal system in Persian music through the interpretation and analysis of the Iranian musical repertoire. 2. Beginning of composition exercises based on the rhythmic and modal system of Iranian music. 3. Teaching the principle and methods of modulation in improvisation in three stages: • Listen, memorize and accurately perform the improvisations of the ancient masters. • Make a collage of phrases from the master's recorded improvisations. • Create pieces based on the common logic of improvisation in Iranian music. Additional explanation: - This planning is a completely personal method and its auditory and oral aspects are different from the academic method. - As is evident, my teaching style is based on the knowledge and ability to use European music theory while preserving the traditional and historical characteristics of Iranian music. I have two reasons for using and emphasizing learning Western notation: first, it has become the common way to write and record our music today. Substituting any other method will cause problems for the student. Second, using Western notation speeds up the training process (especially at the elementary level). From experience, the training time of those who have only been trained in the traditional and oral way is longer, and in addition, in the oral way there is no analysis in the way to train. - Traditional and oral teachings are anchored in the concepts of Iranian mysticism. The use and reference to Persian poems, the discussion of ethics, appreciation and reliability of the artist are all positive points of this method, which I also try to address in my teaching.
Music theory · Music teacher training
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Online classes via Skype or similar platform. Adrián was born in 2002 in Santa Lucía de Tirajana, where he began his music studies at the municipal school (Ateneo de Vecindario). At the same time, he trained with maestro Blas Sánchez at his Foundation. He completed his Professional Degree at the Conservatory. Music professional from Las Palmas de Gran Canaria with professor Fernando Bautista, earning a first-class honors in guitar in every year of his studies, as well as in other subjects. At just 20 years old, he made his solo debut with the Gran Canaria Philharmonic Orchestra in the Symphony Hall of the Alfredo Kraus Auditorium (Las Palmas de Gran Canaria), under the direction of Maestro Josep Gil, after passing the Audition for Young Canarian Soloists conducted by Maestro Karel Mark Chichon. He also participated as a member of the Joven Orquesta de Canarias in its 18th Meeting (2023), conducted by Maestro Víctor Pablo Pérez on its tour of various renowned auditoriums on the islands. He has expanded his guitar training by attending various festivals and taking master classes with guitarists such as Joaquín Clerch, David Martínez, Mitsutoshi Tanaka, Andrea Dieci, Gaëlle Solal, Javier Somoza, Enno Voorhorst, and more. He has also created the projects " Cuerdas Literatas" and "La guitarra de las Islas Afortunadas y de tierra Latinoamericanas." In 2024, he was selected to perform at the National Museum of Anthropology in Madrid as part of the renowned MusaE (Music in State Museums) project, which is part of the Spanish Ministry of Culture. He also completed his studies in Performance (Guitar) at the Conservatorio Superior de Música de Canarias under the tutelage of José María Ramírez, with the highest grades, having been awarded Honors in various subjects. He completed the Master's Degree in Artistic Teachings in Classical and Contemporary Music Performance at the Fundació Conservatori Liceu (Barcelona) with the renowned guitarist Anabel Montesinos, thanks to a prestigious scholarship from the MAPFRE Canarias Foundation. He has extensive concert experience and has won more than 25 awards.
Guitar · Music theory · Music teacher training
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Only reviews of students are published and they are guaranteed by Apprentus. Rated 5.0 out of 5 based on 11 reviews.

Online Classes of Piano, Keyboards and Musical Language
Damián
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Damian is an excellent teacher both personally and professionally. My 10yo daughter loves her lessons with him and is making progress after just three classes. We look forward to more classes with Damian! Thank you Olga
Review by OLGA
Piano Lessons In Tbilisi For People Of Every Age And Every Level (Tbilisi)
Natia
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I started to learn from 0 and Natia was a great teacher, she could both motivate and teach in easy to understand way! Thank you!
Review by LASMA
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