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Drawing courses with a unique approach. You'll be amazed at how quickly you level up! For over 10 years, I have been developing a method that allows my students to learn observational drawing at record speed. Through pictorial and observational exercises, my students become adept at drawing *any and all* observational subjects in: 4 months with 1 day/wk classes at 4 hrs/day 2 weeks at 6 days/wk classes at 6 hrs/day . Please choose one of the two courses: >> OBSERVATIONAL DRAWING (B/W): If you don't know how to draw, pick this one. If you "know how to draw except for" portraits/perspective/etc, this is the best program for you too. (details below) >> COLOR OBSERVATIONAL DRAWING: If you can draw anything from observation, but want to understand how color works, pick this one. If your goal is to make oil paintings and you already know how to draw, this is your program too. (details below) . >> OBSERVATIONAL DRAWING (black/white) << For those who want to learn drawing or those who want to improve their drawing skills quickly *Observational Drawing Topics*: Line quality Drawing the hand Using negative space in drawing and in composition Making strong compositions Measuring sizes and angles Drawing plants and furniture Drawing the human figure Shading methods Drawing perspective Drawing with light Composing with light Drawing the interior Drawing the face, proportions Drawing light and shadow Portraiture Materials used: Graphite, Charcoal, Markers/India ink, paper Since this is a technique class, I recommend that you take at least 4 hours/week to be able to experience your improvement class by class. If you wish to take less hours, please note that with a 2 hours/day course, you will complete the program in 10-12 months, which will be caused by not gaining enough momentum during class time. >> COLOR OBSERVATIONAL DRAWING << For those who want to learn color in representational art. Become skillful at using color in your works. *Color Observational Drawing Topics*: Basic color theory Interrelationship of colors Mixing colors Composition with colors: Creating abstract drawings Drawing the self-portrait Drawing the nature-morte Drawing interior/exterior architecture Drawing plants and gardens Materials used: Color pencils, soft pastels, photography, color paper Please note that this course is designed for students who already Can do observational drawings. If you are unsure of your level, I recommend starting with the "Observational Drawing" program.

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Photography, video, manipulation of images and sounds of all kinds, robotics, circuit bending, programmed art, electronic music or web art ... these workshops will allow young and old to become familiar with the technologies that we surround while creatively exploring our relationship to the world. Adapted to the desires and needs of all, they can take different forms to match the personalities, favorite mediums, themes and interests of each.es (creation of synthesizers, welding, introduction to arduino, programming, javascript) , photoshop, audio and video recording, multidisciplinary creative workshops ...) Graduate of the National School of Arts and Crafts in Paris in multimedia graphic design and a Bachelor of Visual Arts and Media at UQAM Marion works in the emerging digital art circuit. She presents her work in several venues in Montreal and is involved with Perte de Signal and the Eastern Bloc on an ad hoc basis. His committed and conceptual work revolves around poetics and feeds on themes such as the environment, nature, gender, data or even virtuality.

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Hello! I offer knitting and embroidery (cross stitch) classes for all ages. Do you want to learn how to make clothes, accessories or other? I will teach you the basics, how to read patterns and help you with your projects. Personalized plan and adaptation to the student's needs.

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3Students

These sessions allow the development of skills and knowledge of the trade, with the game facing the camera, familiarization with the audiovisual environment and the camera tool, in the art of acting. Your inventiveness and your uniqueness being at the center of your training, it is a question of dwelling on the objective criteria, such as the voice, the use of the body, the relationship with the partner, the capacity to occupy the space. But it is also the singularity and the commitment that are decisive. The objective of this training is to be able to: - Analyze and dissect a text - Create, develop and embody a character - Understand the artistic and technical writings of a film or a play - Create, cultivate and develop one's artistic identity and singularity (...) Through simulations and role-playing, the association between theory and practice makes it possible to achieve its objectives. PLACES : - Locations: Geneva - Lausanne - Friborg - Neuchâtel - Montreux - Basel - Sion - Sierre - Morges - Bienne. But currently and until further notice, only by videoconference in accordance with national recommendations on Covid. These sessions, for which you have asked me, also seem to be perfectly unanimous since they arouse a certain enthusiasm (and a certain enthusiasm). Indeed, they have the advantage of face-to-face sessions (ex: quality of the interaction), without its disadvantages (ex: loss of travel time) with additional advantages (ex: the entire session transcribed in writing on the chat). That is why, at your request, I continue to offer this option. - As other people do regularly, you can also please your loved ones by offering gift vouchers available all year round. THE TRAINER From a Grande Ecole post-preparatory class in France & Ivy League University in the United States, our teacher has specialized and has worked for more than 14 years in the field, in international establishments, intervening in forums and conferences. CONTACT / PROGRAM A la carte program: evaluated and adapted to each need.

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1Students

Remember the goal - you want to make good art. A good critique will give you new insight, new direction, career advice and energy to do this! Where am I going with this? Too much or not enough? Learn to define your position, your place and your market. I will offer perspective on your strengths and constructive feedback on what needs to be improved. There are ways to inspire what is working and how to improve your weaker points that builds confidence, technique and style. Editing is key - colour, form, aesthetic, emotion, influence and pace. I can help you understand exciting trends in Contemporary Art and that relevance to Art History. I will provide you with the resources to dig deeper and show you your next steps. At the end of the critique you will feel equipped and excited to get to work. Recommended booking - 3 classes including introduction, follow up and final presentation.