Music Theory Lessons for All Levels with a Composer-Conductor
From 96 C$ /h
Let's learn music theory at your own pace! Whether you're just starting out or looking to deepen your existing knowledge, my Music Theory for All Levels course is designed to be flexible. I've taught many topics, from the basics of reading music, college level ear-training, Renaissance and Baroque counterpoint, Classical harmonic analysis, Jazz harmony, and 20th century techniques.
We’ll use your prefered music and instruments (or voice!) to make the learning process relevant and enjoyable. Whether you're a curious beginner, a performer looking to refine your knowledge, or a composer aiming for a deeper dive, this course is for everyone.
We’ll use your prefered music and instruments (or voice!) to make the learning process relevant and enjoyable. Whether you're a curious beginner, a performer looking to refine your knowledge, or a composer aiming for a deeper dive, this course is for everyone.
Location
At student's location :
- Around Berlin, Germany
At teacher's location :
- Reinickendorfer Straße, Berlin, Germany
Online from Germany
About Me
American conductor and composer Stephen Mulligan works across symphonic, operatic, and contemporary music, and is known for his collaborative approach with musicians and audiences. He maintains a full guest conducting schedule across the United States and Europe; highlights of the 2025–26 season include debuts with the Baltimore Symphony, Syracuse Orchestra, and Cincinnati Opera, and return engagements with the New York Philharmonic and Ensemble MusikFabrik. Following productions of Puccini’s La Rondine and Strauss’s Die Fledermaus, he also continues his collaboration with the University of North Texas Opera in a new staging of Handel’s Alcina.
As a guest conductor, he has also appeared with the Dallas Symphony, Detroit Symphony, Filarmonica Transilvania, Gulbenkian Orchestra, Minnesota Orchestra, San Francisco Symphony, the Royal Danish Opera Academy, and Athelas Ensemble, among others. A passionate advocate for new music, he has conducted numerous premieres and continues to work closely with emerging and established composers.
Alongside his conducting career, Mulligan is increasingly active as a composer. He has studied with Jörg Widmann at the Barenboim-Said Akademie in Berlin, Miroslav Srnka at the Darmstadt Summer Courses, and João Svidzinski at IRCAM, and his works are now published by Universal Edition (Vienna). His solo work Haiku for contrabassist and vocalist Begüm Aslan inspired the creation of the Begüm Aslan Composition Competition; percussionist David Moliner will premiere a new solo work next season at the Elbphilharmonie in Hamburg. This season Mulligan is also an Artist in Residence at the Willapa Bay Artist Residency in Washington State, with upcoming projects with FES Ensemble and the Berlin Academy of American Music (BAAM).
Mulligan’s career launched at the Aspen Music Festival and School, where he studied conducting with Robert Spano and received the Aspen Conducting Prize. Spano and the Atlanta Symphony Orchestra subsequently appointed him Assistant and then Associate Conductor, where he led hundreds of concerts, including three classical subscription jump-ins over six weeks to critical acclaim. As a Dudamel Conducting Fellow with the Los Angeles Philharmonic, he stepped in for Gustavo Dudamel to lead an all-Beethoven program and conducted other performances including Stravinsky’s complete L’Histoire du Soldat. He served as Resident Conductor of the Cincinnati Opera for two seasons and is a three-time recipient of the Solti Foundation U.S. Career Assistance Award.
A native of Baltimore, Maryland, Mulligan began his music studies with his father Gregory, a former violinist with the Baltimore Symphony Orchestra. He studied conducting at Yale University with Toshiyuki Shimada and at the Peabody Institute with Gustav Meier, Markand Thakar, and Marin Alsop.
As a guest conductor, he has also appeared with the Dallas Symphony, Detroit Symphony, Filarmonica Transilvania, Gulbenkian Orchestra, Minnesota Orchestra, San Francisco Symphony, the Royal Danish Opera Academy, and Athelas Ensemble, among others. A passionate advocate for new music, he has conducted numerous premieres and continues to work closely with emerging and established composers.
Alongside his conducting career, Mulligan is increasingly active as a composer. He has studied with Jörg Widmann at the Barenboim-Said Akademie in Berlin, Miroslav Srnka at the Darmstadt Summer Courses, and João Svidzinski at IRCAM, and his works are now published by Universal Edition (Vienna). His solo work Haiku for contrabassist and vocalist Begüm Aslan inspired the creation of the Begüm Aslan Composition Competition; percussionist David Moliner will premiere a new solo work next season at the Elbphilharmonie in Hamburg. This season Mulligan is also an Artist in Residence at the Willapa Bay Artist Residency in Washington State, with upcoming projects with FES Ensemble and the Berlin Academy of American Music (BAAM).
Mulligan’s career launched at the Aspen Music Festival and School, where he studied conducting with Robert Spano and received the Aspen Conducting Prize. Spano and the Atlanta Symphony Orchestra subsequently appointed him Assistant and then Associate Conductor, where he led hundreds of concerts, including three classical subscription jump-ins over six weeks to critical acclaim. As a Dudamel Conducting Fellow with the Los Angeles Philharmonic, he stepped in for Gustavo Dudamel to lead an all-Beethoven program and conducted other performances including Stravinsky’s complete L’Histoire du Soldat. He served as Resident Conductor of the Cincinnati Opera for two seasons and is a three-time recipient of the Solti Foundation U.S. Career Assistance Award.
A native of Baltimore, Maryland, Mulligan began his music studies with his father Gregory, a former violinist with the Baltimore Symphony Orchestra. He studied conducting at Yale University with Toshiyuki Shimada and at the Peabody Institute with Gustav Meier, Markand Thakar, and Marin Alsop.
Education
Yale University, Bachelor of the Arts, Violin and Conducting
Peabody Institute, Masters in Music, Orchestral Conducting
Barenboim-Said Akademie (Berlin), Artist Diploma in Composition
Peabody Institute, Masters in Music, Orchestral Conducting
Barenboim-Said Akademie (Berlin), Artist Diploma in Composition
Experience / Qualifications
Los Angeles Philharmonic, Dudamel Fellow
Atlanta Symphony Orchestra, Assistant/Associate Conductor
Cincinnati Opera, Resident Conductor
Atlanta Symphony Orchestra, Assistant/Associate Conductor
Cincinnati Opera, Resident Conductor
Age
Preschool children (4-6 years old)
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
90 minutes
120 minutes
The class is taught in
English
German
Skills
Reviews
Availability of a typical week
(GMT -04:00)
New York
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
Are you stuck? I can help!
In our composition lessons, we’ll both learn how to get more from basic elements, like pitch and rhythm, and also the things we can do to help make a composition more poetic. We can work on how to get more music from fewer ideas to create a consistent musical language, and also explore the idea of opposites in your compositions, blending and smearing contrasting elements to add depth and complexity to your work.
Through the analysis of great music, the composition of miniatures, and feedback on your current projects, you’ll both increase your technical fluency and simultaneously learn to love and develop your unique voice. This class is for any level of composer, whether you're a beginner or an experienced composer seeking to enhance your creative skills. Don't wait any longer :)
In our composition lessons, we’ll both learn how to get more from basic elements, like pitch and rhythm, and also the things we can do to help make a composition more poetic. We can work on how to get more music from fewer ideas to create a consistent musical language, and also explore the idea of opposites in your compositions, blending and smearing contrasting elements to add depth and complexity to your work.
Through the analysis of great music, the composition of miniatures, and feedback on your current projects, you’ll both increase your technical fluency and simultaneously learn to love and develop your unique voice. This class is for any level of composer, whether you're a beginner or an experienced composer seeking to enhance your creative skills. Don't wait any longer :)
As an American with a C1 Goethe-Institut certificate in German, I understand the long journey of learning this difficult language! I can help you wherever you are on your German path, from the basics to complex grammar, from understanding everyday language to working on your pronunciation.
I have spent time carefully collecting resources that help native English speakers...for example, things that help with speech rhythm and accentuation...which not a lot of teachers teach, but which make a huge difference. In any case, I can custom-tailor our lessons based on your needs.
I have spent time carefully collecting resources that help native English speakers...for example, things that help with speech rhythm and accentuation...which not a lot of teachers teach, but which make a huge difference. In any case, I can custom-tailor our lessons based on your needs.
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