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This teacher has a fast response time and rate, demonstrating a high quality of service to their students.
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Since August 2022
Instructor since August 2022
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Professional singer, jazz singing teacher, contemporary music at all levels
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From 79.98 C$ /h
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My lessons go in search of the right vocal gesture, the one that we produce comfortably, while finding our own voice.
The course revolves around a warm-up, vocal exercises, explorations and is based on the repertoire that the student chooses or that he wants me to suggest.
The objectives are to develop vocal skills, interpretation, even for some, to discover jazz improvisation. But it is also and above all to take pleasure in singing, to have fun, to be surprised.

Aware that daring to go on stage is an achievement for some singers, one of my work objectives is also to accompany my students so that they perform in front of an audience and in the company of musicians with confidence.

My private lessons are aimed at an amateur public, of all ages, beginners and intermediates.
The lessons are adapted to the level, experience and projects of the students.
Reading music theory is not a prerequisite.

Professional singer of jazz, bossa nova, French song, singing is a real passion and an authentic pleasure. It is in this state of mind that I sing and teach.

For several years, I studied singing, notably in jazz, with various teachers (Sara Lazarus at the Bill Evans Piano Academy, Letizia Morelli, Sonia Alvarez, Thierry Péala, Roger Letson...).
In training "Singing, Voice and Body" with Emmanuelle Trinquesse, I develop an expertise in vocal technique and the pleasure of singing always in comfort.
Location
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At student's location :
  • Around Vauréal, France
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At teacher's location :
  • Rue du Cordon, Triel-sur-Seine, France
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Online from France
About Me
Professional singer of jazz, bossa nova, French song, singing is a real passion and an authentic pleasure. It is in this state of mind that I sing and teach.
Education
For several years, I studied singing, notably in jazz, with various teachers (Sara Lazarus at the Bill Evans Piano Academy, Letizia Morelli, Sonia Alvarez, Thierry Péala, Roger Letson...).
Experience / Qualifications
In training "Singing, Voice and Body" with Emmanuelle Trinquesse, I develop an expertise in vocal technique and the pleasure of singing always in comfort.
Age
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
French
English
Skills
Reviews
Availability of a typical week
(GMT -05:00)
New York
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At teacher's location and via webcam
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At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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Jérôme
Indian music is enjoying growing success with Western audiences. Because more and more artists are performing in our latitudes (especially in venues such as the Théâtre de la Ville, the Musée Guimet in Paris, etc.), and also because the discovery of music with a traditional system of learning arouses the interest of many people who would like to approach music differently; and there are many links between the Indian and Western tradition, due to the universal character of music but also to the fact that India has been able to preserve modes of transmission that have long since disappeared in the West, but which have nothing to envy in terms of efficiency. to modern methods.

I propose learning the song of North India, in the dhrupad style, the oldest still transmitted today. Its advantage is that it offers a gradual approach to ragas (musical motifs that could be compared to modes), note by note, without the need for prior knowledge or talent as a virtuoso: the practice is based on the 'listen. Over the course of practice, it nevertheless makes it possible to acquire a great mastery of the voice.

The lesson, which lasts one hour (half for children), takes place accompanied by the tampura, an instrument that gives the "drone" or fundamental/tonic note. It is from this persistent note that the student will learn to place his voice, to find the correctness of tone and timbre. This is done gently, the pace of learning adapting to that of the student.
In addition, the achievements in this style of singing can always be useful later for other styles of music, even outside India, up to jazz and classical/baroque music.
My apprenticeship was for twelve years with one of the 19th generation masters teaching this tradition, Ustad H. Sayeeduddin Dagar, belonging to the illustrious family which made this style and Indian music known in the West in the years 1960. It has now continued for four years with his nephew Ustad F. Wasifuddin Dagar.

Lessons are private, or in weekly workshops in Paris near Bastille (see my website musicosophe[point]fr).
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Similar classes
arrow icon previousarrow icon next
verified badge
Jérôme
Indian music is enjoying growing success with Western audiences. Because more and more artists are performing in our latitudes (especially in venues such as the Théâtre de la Ville, the Musée Guimet in Paris, etc.), and also because the discovery of music with a traditional system of learning arouses the interest of many people who would like to approach music differently; and there are many links between the Indian and Western tradition, due to the universal character of music but also to the fact that India has been able to preserve modes of transmission that have long since disappeared in the West, but which have nothing to envy in terms of efficiency. to modern methods.

I propose learning the song of North India, in the dhrupad style, the oldest still transmitted today. Its advantage is that it offers a gradual approach to ragas (musical motifs that could be compared to modes), note by note, without the need for prior knowledge or talent as a virtuoso: the practice is based on the 'listen. Over the course of practice, it nevertheless makes it possible to acquire a great mastery of the voice.

The lesson, which lasts one hour (half for children), takes place accompanied by the tampura, an instrument that gives the "drone" or fundamental/tonic note. It is from this persistent note that the student will learn to place his voice, to find the correctness of tone and timbre. This is done gently, the pace of learning adapting to that of the student.
In addition, the achievements in this style of singing can always be useful later for other styles of music, even outside India, up to jazz and classical/baroque music.
My apprenticeship was for twelve years with one of the 19th generation masters teaching this tradition, Ustad H. Sayeeduddin Dagar, belonging to the illustrious family which made this style and Indian music known in the West in the years 1960. It has now continued for four years with his nephew Ustad F. Wasifuddin Dagar.

Lessons are private, or in weekly workshops in Paris near Bastille (see my website musicosophe[point]fr).
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