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Trusted teacher
This teacher has a fast response time and rate, demonstrating a high quality of service to their students.
Since September 2023
Instructor since September 2023
1 repeat student
Trusted choice for 1 returning student
Translated by Google
VOCAL COACH.
From 79 C$ /h
Lessons are designed according to the needs of each singer.
We work on respiratory awareness, physical exercises to develop respiratory capacity in singing, we work on intonation and even if it is difficult for you, we develop listening skills, everything is possible, if you believe in yourself!
You will learn to discover your voice through different vocalizations and vocal training exercises that will allow you to broaden your horizons in terms of vocal range.
We will work on different aspects such as: vocal agility, legato, purity of sound, vocal effects, expressiveness, theatrical engagement, interpretation, diction, pronunciation of singing in different languages, etc. .
The limits of voice may be further than you think!
We will work on reading sheet music if you are interested, or on aspects of music theory that we consider necessary for your progress.
We will establish a priority list for you based on your research. We will make a work plan and organize the learning with objectives.
My experience in the field allowed me to acquire a set of diverse skills: the field of different lyrical and popular techniques, the direction of vocal assemblies, knowledge of comparative vocal pedagogy, theatrical resources, teaching with students of all levels, a vast experience of the stage which allows me to give many tools to students to strengthen their self-confidence.
Dare to educate your instrument, use your voice to the fullest, impress with your own style!
We work on respiratory awareness, physical exercises to develop respiratory capacity in singing, we work on intonation and even if it is difficult for you, we develop listening skills, everything is possible, if you believe in yourself!
You will learn to discover your voice through different vocalizations and vocal training exercises that will allow you to broaden your horizons in terms of vocal range.
We will work on different aspects such as: vocal agility, legato, purity of sound, vocal effects, expressiveness, theatrical engagement, interpretation, diction, pronunciation of singing in different languages, etc. .
The limits of voice may be further than you think!
We will work on reading sheet music if you are interested, or on aspects of music theory that we consider necessary for your progress.
We will establish a priority list for you based on your research. We will make a work plan and organize the learning with objectives.
My experience in the field allowed me to acquire a set of diverse skills: the field of different lyrical and popular techniques, the direction of vocal assemblies, knowledge of comparative vocal pedagogy, theatrical resources, teaching with students of all levels, a vast experience of the stage which allows me to give many tools to students to strengthen their self-confidence.
Dare to educate your instrument, use your voice to the fullest, impress with your own style!
Extra information
Classes are booked in advance, either online or in person.
The schedule will be agreed between the teacher and the student and constitutes a commitment on the part of both parties. Classes that cannot be given by the teacher will be notified in advance. Courses agreed with a fixed day and time may be changed by students with more than one day's notice.
Classes canceled less than 24 hours in advance will not be rescheduled and will need to be paid.
The schedule will be agreed between the teacher and the student and constitutes a commitment on the part of both parties. Classes that cannot be given by the teacher will be notified in advance. Courses agreed with a fixed day and time may be changed by students with more than one day's notice.
Classes canceled less than 24 hours in advance will not be rescheduled and will need to be paid.
Location
At teacher's location :
- Strasbourg, France
- Kessler Andre David, Rue Adèle Riton, 67000 Strasbourg, France
Online from France
About Me
My experience has enabled me to develop a wide range of skills: expertise in various operatic and popular singing techniques, conducting vocal ensembles, knowledge of comparative vocal pedagogy, theatrical techniques, teaching pupils of all levels, and extensive stage experience, which allows me to provide pupils with a wealth of tools to boost their self-confidence.
Dare to develop your vocal skills, make the most of your voice, and impress others with your own unique style!
See you soon!
Giuliana
www.giulianaseguino.com
www.instagram.com/giulianaseguino_soprano
Dare to develop your vocal skills, make the most of your voice, and impress others with your own unique style!
See you soon!
Giuliana
www.giulianaseguino.com
www.instagram.com/giulianaseguino_soprano
Education
Giuliana Seguino was a member of the Swiss Opera Studio at the Bern University of the Arts (HKB) in Biel, Switzerland. It was there that she obtained her second Master’s degree in opera and performing arts, with distinction, in 2025.
In 2023, she obtained her Master’s degree in Opera Singing from the Haute École des Arts du Rhin – University of Strasbourg, in France.
In 2021, she studied opera at the Instituto Superior de Arte del Teatro Colón, in Argentina.
She undertook further training in singing and vocal acoustics with Kenneth Bozeman (United States).
She holds a degree in Musical Arts – Opera Singing – from the National University of the Arts in Buenos Aires, Argentina, and a diploma in Opera Singing from the Manuel de Falla Conservatoire of Music in Buenos Aires.
In 2023, she obtained her Master’s degree in Opera Singing from the Haute École des Arts du Rhin – University of Strasbourg, in France.
In 2021, she studied opera at the Instituto Superior de Arte del Teatro Colón, in Argentina.
She undertook further training in singing and vocal acoustics with Kenneth Bozeman (United States).
She holds a degree in Musical Arts – Opera Singing – from the National University of the Arts in Buenos Aires, Argentina, and a diploma in Opera Singing from the Manuel de Falla Conservatoire of Music in Buenos Aires.
Experience / Qualifications
Argentinian Italian soprano. She was born in Villa Regina in Argentinian Patagonia.
She was part of the Swiss Opera Studio at the Hochschule der Künste Bern HKB in Biel, Switzerland. There she obtained her second Master's degree in Opera and Performance in 2025 with honors.
In 2025 she made her debut in Italy performing the opera-performance by Fernando Strasnoy, Giuliana Kiersz, Michele Petrosino and Gaetano Palermo at the Festival Aperto at the Teatro Ariosto and at the Festival Verdi at the Teatro Farnese di Parma.
In 2025 she made her debut in the role of the First Lady in the opera The Magic Flute by W. A. Mozart at the Berne Theatre, Switzerland.
In 2025 she made her debut in the role of Vitellia in Mozart's opera La Clemenza di Tito at the TOBS Theatre in Biel, Switzerland.
In 2025 she was cover in Wagner's Die Götterdämmerung at the Berne Theatre.
In 2024 she made her debut at the Berne Theatre in the role of the First Witch in the opera Dido and Æneas by Purcell.
In 2023 she obtained her Master's degree in Singing Performance at the Haute Ecole des Arts du Rhin - Université de Strasbourg, France.
In 2023 she sang the French premiere of the piece "El Mar y las Campanas" by the composer Nelson Jesús with the HEAR Brass Orchestra under the baton of Miguel Etchegoncelay.
Since 2023, she has participated as a backup soprano in the choir of the Opera National du Rhin, France.
In 2022, she has been awarded by the Richard-Wagner-Stipendienstiftung to attend the Bayreuth Festival, Germany. She has also been awarded a scholarship to participate in the International Sommerakademie in Rhein, Germany.
In 2021 and 2022 she sang with the Philharmonie de Baden-Baden at the Kurhaus in Baden-Baden, Germany.
She has been the soloist of Poulenc's Stabat Mater under the baton of Conductor Claude Schnitzler, at the Palais des Fêtes in Strasbourg.
She has participated in two creative residencies with the composer Fernando Strasnoy (Logellòu, Bretagne and Auditorium de la HEAR with the Accroche Note Ensemble)
In 2021, she studied opera at the Instituto Superior de Arte del Teatro Colón in Argentina.
She has perfected her singing and vocal acoustics with Kenneth Bozeman (USA).
She has a degree in Musical Arts (Lyrical Singing), National University of Arts of Buenos Aires and Technician in Music, Manuel de Falla Conservatory of Music in Buenos Aires.
She studied with prestigious teachers such as Melanie Moussay, Monika Mauch, Jean-Noël Briend and Judith Gauthier (France), Marina Viotti (Switzerland), Raúl Gimenez (Barcelona), Marta Blanco, Myriam Toker, Guillermo Opitz (Argentine Chamber Music Foundation), Graciela Ulibarri and Eduviges Piccone (Argentina). In 2020, she studied dance applied to singing with the dancer and choreographer Maximiliano Martino Ávila.
In 2019, together with the Young Opera Company (Dir. Marta Blanco) she performed the role of Anaide from the opera Il Cappello di Paglia di Firenze by Nino Rota, performing at the Empire Theater in Buenos Aires. She participated as a soloist with the José de San Martín National Youth Symphony Orchestra in the Symphony Hall of the Kirchner Cultural Center. She performed the contemporary chamber opera Una red de mirada el hombre y su dolerme by Fernando Strasnoy, under the direction of Marcelo Delgado. She performed a Claude Debussy Concert in the Chamber Auditorium of the Usina del Arte with the pianist Graciela Ulibarri. She was a member of the Pergolesi Vocal Ensemble, covering a repertoire of opera and zarzuela. She was invited by the University of San Marcos in Lima-Peru to teach a masterclass on vocal technique and interpretation of Argentine folk music with the guitarist and composer Fernando Strasnoy. Also, in Lima, she performed a lyrical concert in the Auditorium of the National Conservatory of Music of Lima with the pianist Christian Hurtado Carrillo.
In 2018, she won First Prize in the XX Singing Competition of the Scala de San Telmo and the award for best Argentine chamber music performer. In the same year, she was summoned as a solo singer by the Río Negro Philharmonic Orchestra to sing at the Teatro Circulo Italiano.
In 2017, she obtained a special mention in the XIX Contest for young lyrical singers of the Scala de San Telmo- Buenos Aires.
She took interpretation courses and Lieder concerts by Johannes Brahms and Robert Schumann from the Chamber Music Foundation taught by Maestro Guillermo Opitz.
In 2016, she performed concerts as a soloist with the Sinfonietta Hebraica of Buenos Aires, the Youth Orchestra of the Argentine National Radio and the Argentine Academic Sinfonietta under the baton of Bracha Waldman.
In 2014, she made her opera debut singing the role of Cherubino (Mozart's Le nozze di Figaro) in an Independent Opera company under the baton of Natalia Salinas.
She was a member of the GCC (Choral Singing Group) directed by Nestor Andrenacci and the Contemporary Vocal Music Octet directed by Eduardo Pugliese, among others.
With guitarist Fernando Strasnoy, she is a member of the Dúo Diez Cuerdas, tackling academic repertoire as well as Argentine popular music.
Among the most notable venues in which she has sung are Opera National Du Rhin, Kurhaus Baden-Baden, Palais du Fêtes de Strasbourg, Teatro Colón, CCK, Usina del Arte, Argentine Embassy (Rome), Art Base (Brussels), Auditorium of Radio Nacional Argentina, National Center of Music, Belgrano Auditorium, Golden Hall of the “House of Culture of the City of Buenos Aires”, Auditorium of the “General Archive of the Nation” Argentina, Recoleta Cultural Center, Faculty of Law Auditorium, El Círculo Theater (Rosario), Circulo Italiano Theater (Villa Regina), Guido Miranda Theater (Resistencia), Arakur Hotel Auditorium (Ushuaia), etc.
My experience on stage has enabled me to acquire many important tools for singing with style and a high level of technique.
I invite you to discover your own sound, your own voice!
When your vocal technique is solid and your performance is rooted in what you’re feeling, then – yes – you can really move the audience!
She was part of the Swiss Opera Studio at the Hochschule der Künste Bern HKB in Biel, Switzerland. There she obtained her second Master's degree in Opera and Performance in 2025 with honors.
In 2025 she made her debut in Italy performing the opera-performance by Fernando Strasnoy, Giuliana Kiersz, Michele Petrosino and Gaetano Palermo at the Festival Aperto at the Teatro Ariosto and at the Festival Verdi at the Teatro Farnese di Parma.
In 2025 she made her debut in the role of the First Lady in the opera The Magic Flute by W. A. Mozart at the Berne Theatre, Switzerland.
In 2025 she made her debut in the role of Vitellia in Mozart's opera La Clemenza di Tito at the TOBS Theatre in Biel, Switzerland.
In 2025 she was cover in Wagner's Die Götterdämmerung at the Berne Theatre.
In 2024 she made her debut at the Berne Theatre in the role of the First Witch in the opera Dido and Æneas by Purcell.
In 2023 she obtained her Master's degree in Singing Performance at the Haute Ecole des Arts du Rhin - Université de Strasbourg, France.
In 2023 she sang the French premiere of the piece "El Mar y las Campanas" by the composer Nelson Jesús with the HEAR Brass Orchestra under the baton of Miguel Etchegoncelay.
Since 2023, she has participated as a backup soprano in the choir of the Opera National du Rhin, France.
In 2022, she has been awarded by the Richard-Wagner-Stipendienstiftung to attend the Bayreuth Festival, Germany. She has also been awarded a scholarship to participate in the International Sommerakademie in Rhein, Germany.
In 2021 and 2022 she sang with the Philharmonie de Baden-Baden at the Kurhaus in Baden-Baden, Germany.
She has been the soloist of Poulenc's Stabat Mater under the baton of Conductor Claude Schnitzler, at the Palais des Fêtes in Strasbourg.
She has participated in two creative residencies with the composer Fernando Strasnoy (Logellòu, Bretagne and Auditorium de la HEAR with the Accroche Note Ensemble)
In 2021, she studied opera at the Instituto Superior de Arte del Teatro Colón in Argentina.
She has perfected her singing and vocal acoustics with Kenneth Bozeman (USA).
She has a degree in Musical Arts (Lyrical Singing), National University of Arts of Buenos Aires and Technician in Music, Manuel de Falla Conservatory of Music in Buenos Aires.
She studied with prestigious teachers such as Melanie Moussay, Monika Mauch, Jean-Noël Briend and Judith Gauthier (France), Marina Viotti (Switzerland), Raúl Gimenez (Barcelona), Marta Blanco, Myriam Toker, Guillermo Opitz (Argentine Chamber Music Foundation), Graciela Ulibarri and Eduviges Piccone (Argentina). In 2020, she studied dance applied to singing with the dancer and choreographer Maximiliano Martino Ávila.
In 2019, together with the Young Opera Company (Dir. Marta Blanco) she performed the role of Anaide from the opera Il Cappello di Paglia di Firenze by Nino Rota, performing at the Empire Theater in Buenos Aires. She participated as a soloist with the José de San Martín National Youth Symphony Orchestra in the Symphony Hall of the Kirchner Cultural Center. She performed the contemporary chamber opera Una red de mirada el hombre y su dolerme by Fernando Strasnoy, under the direction of Marcelo Delgado. She performed a Claude Debussy Concert in the Chamber Auditorium of the Usina del Arte with the pianist Graciela Ulibarri. She was a member of the Pergolesi Vocal Ensemble, covering a repertoire of opera and zarzuela. She was invited by the University of San Marcos in Lima-Peru to teach a masterclass on vocal technique and interpretation of Argentine folk music with the guitarist and composer Fernando Strasnoy. Also, in Lima, she performed a lyrical concert in the Auditorium of the National Conservatory of Music of Lima with the pianist Christian Hurtado Carrillo.
In 2018, she won First Prize in the XX Singing Competition of the Scala de San Telmo and the award for best Argentine chamber music performer. In the same year, she was summoned as a solo singer by the Río Negro Philharmonic Orchestra to sing at the Teatro Circulo Italiano.
In 2017, she obtained a special mention in the XIX Contest for young lyrical singers of the Scala de San Telmo- Buenos Aires.
She took interpretation courses and Lieder concerts by Johannes Brahms and Robert Schumann from the Chamber Music Foundation taught by Maestro Guillermo Opitz.
In 2016, she performed concerts as a soloist with the Sinfonietta Hebraica of Buenos Aires, the Youth Orchestra of the Argentine National Radio and the Argentine Academic Sinfonietta under the baton of Bracha Waldman.
In 2014, she made her opera debut singing the role of Cherubino (Mozart's Le nozze di Figaro) in an Independent Opera company under the baton of Natalia Salinas.
She was a member of the GCC (Choral Singing Group) directed by Nestor Andrenacci and the Contemporary Vocal Music Octet directed by Eduardo Pugliese, among others.
With guitarist Fernando Strasnoy, she is a member of the Dúo Diez Cuerdas, tackling academic repertoire as well as Argentine popular music.
Among the most notable venues in which she has sung are Opera National Du Rhin, Kurhaus Baden-Baden, Palais du Fêtes de Strasbourg, Teatro Colón, CCK, Usina del Arte, Argentine Embassy (Rome), Art Base (Brussels), Auditorium of Radio Nacional Argentina, National Center of Music, Belgrano Auditorium, Golden Hall of the “House of Culture of the City of Buenos Aires”, Auditorium of the “General Archive of the Nation” Argentina, Recoleta Cultural Center, Faculty of Law Auditorium, El Círculo Theater (Rosario), Circulo Italiano Theater (Villa Regina), Guido Miranda Theater (Resistencia), Arakur Hotel Auditorium (Ushuaia), etc.
My experience on stage has enabled me to acquire many important tools for singing with style and a high level of technique.
I invite you to discover your own sound, your own voice!
When your vocal technique is solid and your performance is rooted in what you’re feeling, then – yes – you can really move the audience!
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
French
Italian
Spanish
English
Availability of a typical week
(GMT -04:00)
New York
At teacher's location and via webcam
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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