Double bass / electric bass lessons, jazz and classical music experience

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My name is Andreas, I am a studied bass player from Essen and offer qualified double bass and electric bass lessons.

possible topics:
-Technology
Bow game
-Improvisation
-Repertoire
-Transcriptions
-Harmony

About my electric bass and double bass lessons:
First and foremost, I see the student's interests. My individual, student-oriented curriculum is based on them. Constant exchange between student and teacher offers the opportunity to learn new things and to discover what makes teaching so exciting for me.

Vita:
2011 - 2013 double bass lessons with John Goldsby (WDR Big Band), Dieter Manderscheid (Hfmt Cologne)
since 2013 workshops with Ben van Gelder, Reinier Baas, Billy Hart, Alex von Schlippenbach, Gerd Dudek, Wolfgang Schmidtke, Chris Potter, Joe Lovano, Terence Blanchard, Danilo Pérez, John Patitucci, among others
2013 - 2016 Youth Jazz Orchestra NRW
2016 - 2018 Federal Jazz Orchestra
2013 - 2018 Folkwang University of the Arts Essen, jazz double bass studies (Bachelor of Music) with Robert Landfermann
since 2018 Folkwang University of the Arts Essen, jazz double bass studies (Master of Music) with Robert Landfermann and Ansgar Striepens
since 2019 classical double bass lessons with Gisèle Blondeau (WDR radio orchestra)

Formats:
Due to the corona, my lessons are currently only taking place via the Zoom platform.

Location

Online from Germany

About Me

Andreas grew up at the largest canal junction in Europe, between former coal heaps, power station towers and industrial ruins. At an early age he felt strongly drawn to music, began to learn the guitar and quickly realized that something was missing. Where is this groove, this deep, organic hum that he feels inside?

He realizes that the bass offers him precisely these missing elements. The end of the search for the right instrument is at the same time the beginning of a new, much deeper journey:
the perfect tone, your own musical language and personal development - for Andreas these things have been inextricably linked ever since.

He begins studying at the Folkwang University of the Arts in Essen, where he is taught by John Goldsby, Dieter Manderscheid and Robert Landfermann, who describes himself as a traditionalist in musical terms Modern. Because, modernity without tradition? Jazz without a story? It would be like the Ruhr area without collieries, New York without jazz and Andreas without a double bass. It just doesn't work.

During his studies there are always new opportunities to test the limits of his instrument. He becomes an integral part of the federal jazz orchestra, writes for his own trio, goes on tour with pop bands and plays on every stage that can withstand the weight of him and his double bass. The encounters with musicians from different genres are a new challenge, let him work on his game and open up new perspectives for him. It is only logical that it is precisely these new perspectives that open up his latest field of research for him. What would music be without Mozart, Brahms or Beethoven? And what would the restless one be without taking on the task of researching the precision and sound aesthetics of the classical period?

But what remains forever is jazz - whether as a technical research field, explosive experimental area or philosophical treatise. The best thing about this, he says, is that everyone can be who they are and what they want to be. It all depends on moving forward and finding your own, very personal language.

Education

Studies / lessons / workshops

2010 - 2011 double bass lessons with Stefan Werni
2011 - 2013 double bass lessons with John Goldsby (WDR Big Band), Dieter Manderscheid (Hfmt Cologne)
since 2013 workshops with Ben van Gelder, Reinier Baas, Billy Hart, Alex von Schlippenbach, Gerd Dudek, Wolfgang Schmidtke, Chris Potter, Joe Lovano, Terence Blanchard, Danilo Pérez, John Patitucci, among others
2013 - 2016 Youth Jazz Orchestra NRW
2016 - 2018 Federal Jazz Orchestra
2013 - 2018 Folkwang University of the Arts Essen, jazz double bass studies (Bachelor of Music) with Robert Landfermann
since 2018 Folkwang University of the Arts Essen, jazz double bass studies (Master of Music) with Robert Landfermann and Ansgar Striepens
since 2019 classical double bass lessons with Gisèle Blondeau (WDR radio orchestra)

Experience / Qualifications

Concert tours

among others to Ireland, Argentina, England, India, Paraguay, Iceland, Poland, Turkey, Belgium and Israel

Played with

Frank Delle, Markus Stockhausen, Florian Weber, Paul Heller, Swingles, RA Ramamani, Karthik Mani, Nils Landgren, The Swingles, WDR Big Band, Moein, Mike Herting, Sigudur Flosason, Hrólfur Vagnsson, Grand Central Jazz Orchestra, Big Band Convention , Michael Heupel

Concert halls

Philharmonie Essen, Konzerthaus Dortmund, Nottingham Royal Concert Hall, Kings Place London, Bimhuis Amsterdam, Oper Bonn, Concert Theater Coesfeld, Zeche Zollverein, Centro Cultural Kirchner Buenos Aires, Teatro Independencia Mendoza, Theater Asunción, Ruhrfestspielhaus Recklinghausen, Theater Duisburg,

Festivals

Ao Cork Guiness Jazz Festival, 3rd German Choir Festival Stuttgart, Kurt Weil Festival Dessau, Juicy Beats Dortmund, Gateshead International Jazz Festival, Evangelical Church Congress Berlin & Weimar

Age

Teenagers (13-17 years old)

Adults (18-64 years old)

Seniors (65+ years old)

Student level

Beginner

Intermediate

Advanced

Duration

60 minutes

90 minutes

120 minutes

The class is taught in

German

English

Skills

Double bass

Music teacher training

Jazz music

Availability of a typical week

(GMT -04:00)

New York

Online via webcam

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

Anna

5.0

(6)

🎯 INTRODUCTION
(English version below ⬇️)
Learn violin with a professional concert violinist active on the international scene.
I was trained directly by Maxim Vengerov, one of the world's greatest violinists, and I regularly perform as a soloist in concerts and festivals across Europe.
👉 You don't just learn the technique —
You learn to play, think and sound like a true stage musician.
💎 WHY MY TEACHING IS DIFFERENT
Most violin teachers:
no longer perform on stage
focus solely on the exercises
My teaching is based on genuine concert experience:
develop a powerful and beautiful sound
play with confidence
prepare for concerts and exams
progress efficiently without wasting time
👉 I teach what actually works on stage — not just in the rehearsal room.
🧠 INJURY TECHNIQUE & PREVENTION
A crucial aspect of violin playing is often overlooked: posture and tension management.
Over time, poor technique can lead to:
unnecessary tensions
physical pain (neck, shoulders, back)
limitations in progression
👉 Many students only realize it when problems arise.
From the outset, I focus on:
a natural posture
freedom of movement
an efficient use of the body
This ensures healthy and sustainable progress.
🔧 ADVANCED CORRECTION & SUPPORT
I also work with:
✔ Students who have developed technical difficulties
✔ violinists suffering from tension or discomfort
✔ Musicians who feel “stuck” in their progression
👉 With the right approach, it is entirely possible to rebuild a free, natural and confident technique.
🌍 INTERNATIONAL COURSE
International concert violinist
Winner of international competitions
Experience of concerts across Europe
Working with top-level musicians and ensembles
🎯 TARGET AUDIENCE
✔ motivated beginners
✔ Children starting out on the violin
✔ adult amateurs
✔ Advanced students preparing for exams or concerts
👉 Each course is tailored individually.
💰 STOCK VALUES
You are not paying for a standard course.
You are investing in:
an international level training
a true stage experience
precise and effective teaching
👉 This level of teaching is usually found in top-level conservatories.
✨ FINAL MESSAGE
My goal is not just to teach you the violin —
but to help you develop confidence, freedom and true musical expression.

🎯 INTRODUCTION
Learn violin with a professional concert violinist actively performing on the international stage.
I was trained directly by Maxim Vengerov, one of the greatest violinists in the world, and I regularly perform as a soloist in concerts and festivals across Europe.
👉 You are not learning only technique —
you learn how to play, think, and sound like a real performing musician.
💎 WHY MY TEACHING IS DIFFERENT
Most violin teachers:
no longer perform on stage
focus only on exercises
My teaching is based on real concert experience:
developing a powerful and beautiful sound
playing with confidence
preparing for concerts and exams
progressing efficiently without wasting time
👉 I teach what truly works on stage — not only in the practice room.
🧠 TECHNICAL & INJURY PREVENTION
A crucial aspect of violin playing is often overlooked: posture and tension management.
Over time, incorrect technique can lead to:
unnecessary tension
physical pain (neck, shoulders, back)
limitations in progress
👉 Many students are not aware of this until problems appear.
From the beginning, I focus on:
natural posture
freedom of movement
efficient use of the body
This ensures healthy, sustainable progress.
🔧 CORRECTION & ADVANCED GUIDANCE
I also work with:
✔ students who have developed technical difficulties
✔ violinists with tension or discomfort
✔ musicians who feel “stuck” in their progress
👉 With the right approach, it is absolutely possible to rebuild a free, natural, and confident technique.
🌍 INTERNATIONAL BACKGROUND
International concert violinist
Prize winner of international competitions
Experience performing across Europe
Work with high-level musicians and ensembles
🎯 WHO I WORK WITH
✔ Motivated beginners
✔ Children starting violin
✔ adult hobby learners
✔ advanced students preparing for exams or concerts
👉 Each lesson is individually adapted.
💰 LESSON VALUE
You are not paying for a standard lesson.
You are investing in:
high-level international training
real stage experience
precise and efficient teaching
👉 This level of teaching is usually found in top conservatories.
✨ FINAL MESSAGE
My goal is not only to teach you violin —
but to help you develop confidence, freedom, and true musical expression.

John

5.0

(6)

Graduated musician offers music lessons for all ages, experiences and interests. The main process will take place considering the previous knowledge of the student, in order to start a personal and individual learning path. Lessons can be about Drums, but also music theory, harmony, ear training, rhythm, percussions, double bass. The main tool will be the listening and the comprehension of musical sounds, forms and feelings, in order to avoid a mere intellectual study. Playing and listening first!

5.0

(6)

The rule is simple: don't be afraid to make a fool of yourself! Students are encouraged to try, fail, and overall be proactive in learning new information in bite-sized chunks: all of that in a warm and comforting environment.

Depending on the personal goal of the student, we will learn/refine/explore the following topics:
- Fundamental techniques of playing piano
- How to read and play chords
- How to play an improvised solo
- How to change the underlying harmonies of a song to make it sound cooler (or weirder!)
- Understanding how the musical elements are glued in a song, and if you dare, how to write one yourself
- How to learn music or play music by ear
- Exploring piano-looking-like instruments such as electric keyboards and subtractive synthesizers

Languages: English (fluent), German (B1 and improving), Korean (native)

Evelyn

5.0

(6)

Argentinian-Italian musician graduated (Haute école de musique, Geneva / National University of Arts, Buenos Aires) offers personalized guitar lessons for all levels and ages. All styles (classical, jazz, rock, blues, pop, bossa, tango) and method adapted to the student's interests.

Courses available: French, Spanish, English, Italian.

Over 15 years of experience teaching guitar.

Natia

5.0

(6)

Hello!

I’m Natia, a lifelong music enthusiast with a deep passion for sharing the transformative power of music. My journey began with a Bachelor’s degree in Music Performance from Tbilisi State Conservatoire, followed by a Master’s degree from Zurich University of the Arts. Over the past decade, I’ve had the privilege of nurturing budding musicians, having started teaching when I was just 16 years old.

My teaching style is dynamic and tailored to your unique goals. Whether you’re drawn to the elegance of Classical music, the charm of Jazz, or the rhythm of Pop, I’ll guide you every step of the way. Together, we’ll unlock your potential and transform your love for music into a lifelong skill.

No matter your level of experience, all you need is motivation, determination, and a little time to practice—I’ll take care of the rest!

Let’s make music together and bring your passion to life. 🎵

Juan

5.0

(6)

The trumpet: its correct technical execution and the interpretation of popular and academic universal repertoires, is available to everyone regardless of their age. We will build a logical sequence of studies that will help develop the technical aspects. And we will address repertoires according to the age and taste of the student. we will draw a path with short, medium and long term goals. we will build a technical routine and healthy habits to progress correctly. In addition, we will select musical pieces by mutual agreement to mature the technical development hand in hand with musical growth.

I am a professional trumpeter, I have participated in symphony orchestras, wind bands, big band, and small chamber and jazz ensembles. I have extensive experience teaching children, youth and adults.

For me it is very important to make music from the first lesson, because there must be a balance between technical practice and its application in small melodies or musical pieces. No matter the musical genre, we will always find a repertoire according to the level and interest of each student.

If you already know how to play and you need to perfect a piece or prepare a recital or audition, you can count on my experience and accompaniment as well.

Mayssa

5.0

(6)

I offer comprehensive and specialized lessons in Arabic and Oriental music, designed to help students build a strong musical foundation that combines theoretical understanding with practical performance. The course follows a clear, progressive methodology, adapted to each student’s level, background, and personal goals.

Course Content:

🎵 Oud

Introduction to the instrument, posture, and plectrum (risha) technique

Study of fundamental and advanced Arabic maqamat

Understanding maqam pathways and modulations

Free and rhythmic improvisation (taqasim)

Performing traditional pieces and selected Arabic songs

Developing authentic Oriental musical expression

🎹 Keyboard

Applying Arabic maqamat on the keyboard

Finger technique and hand coordination

Accompanying vocals in an Oriental style

Distinguishing between Western and Arabic scales

Practical use of Arabic rhythms and modes

🎼 Solfeggio & Sight Reading

Step-by-step music reading skills

Ear training and melodic recognition

Rhythmic and melodic exercises

Improving intonation and avoiding off-pitch singing or playing

Connecting hearing, voice, and instrument

📚 Music Theory

Structure and theory of Arabic maqamat

Oriental rhythms and rhythmic cycles (iqaat)

Melodic phrasing and musical form

Musical analysis of Arabic repertoire

Fundamentals of composition and melodic development

Teaching Approach:

Progressive and structured learning path

Clear explanations supported by practical examples

Application through well-known Arabic songs

Personalized exercises for each student

Continuous guidance and performance evaluation

Who Is This Course For?

Absolute beginners with no musical background

Students seeking a solid academic foundation

Hobbyists aiming to improve their skills

Musicians wishing to deepen their understanding of Arabic music

Carol

5.0

(6)

As an Oud and music teacher, I am driven by my passion for music and my desire to help others discover the beauty of this art form. I have always been fascinated by the unique sounds and rhythms of the Oud, and I feel privileged to share my knowledge and experience with students of all ages and backgrounds.
My goal is to help students develop the skills and confidence needed to perform music .

David

5.0

(6)

I am a Spanish pianist and composer (MMus graduate from Codarts Rotterdam in both directions) with many years of teaching experience, and also very active in performing in various contexts.

I give private piano lessons for all levels and styles (classical, jazz, Latin, new age, pop...), as well as music theory, composition and improvisation lessons. My lessons are distinguished by their dynamics, practical approach and adaptation to the needs and interests of the student.

The lessons (live or online) take place in my studio next to the Maastunnel, where I have a premium stage piano and a top-quality webcam setup.

I speak Dutch at an intermediate level, which is improving every day.

Viktor

5.0

(6)

🎻 Violin lessons for children and adults, from beginners to students who want to improve their level, prepare for conservatory exams or work on a specific repertoire.

My methodology combines a solid technical foundation, musicality, and personalized instruction. For children, I place special emphasis on dynamic and motivating classes, while with adults we work practically and with a focus on their goals.

* Technique and posture
* Music reading and solfège
* Preparation for exams and conservatory
* Classical repertoire
* Preparation of specific works
* Development of interpretation and musicality
* Introduction to violin

Classes can be held online or in person in Madrid.

If you want to learn to play the violin or want to take your level to the next level, I'd be happy to help you.

Viktor 🎻

Steve

5.0

(6)

Would you classify improvisation as composition or performance? Well actually it is both! When you improvise you are composing music on the spot, performing what you have made up at the same time as you have composed it.

For many people improvisation is a scary word and having to improvise in a group or band is an alarming prospect. However, this really does not need to be the case. As long as you have a basic knowledge of how to play your instrument you will be able to improvise. Once you know the principle of how chords are formed you will soon be improvising with ease.

The key to success is understanding chords. Once you know how chords are formed and know what notes make up a few chords you will be well on your way towards being able to improvise. We will, therefore, start by ensuring a firm knowledge of certain chords. After this we will progress to improvising a simple melody over the top of these chords. The next stage is to start using notes that are not in the chord. The process is then open ended with emphasis on developing the melody.

If you play a keyboard instrument you will be able to improvise your own pieces and be able to entertain your friends at a moments notice. On the other hand if you play in a band or a group you will be well equipped to do a real 'jam' session.

Whether you play a single line instrument (flute, saxophone, trumpet, violin etc.) or keyboard instruments, this class is for you.

Delaram

5.0

(6)

Singing is for everyone — whether you’re a complete beginner, a casual music lover, or an aspiring performer. In my online vocal lessons, we’ll explore your voice, build your confidence, and make singing a joyful part of your life.

Each lesson is tailored to your goals. We’ll work on:
• Healthy Vocal Technique – learn to sing with freedom and without strain
• Breath Control & Support – the foundation for a strong, expressive voice
• Articulation & Tone – bring clarity and beauty to your sound
• Expression & Storytelling – let your voice share emotion and connect with your audience
• Personalized Song Choices – sing music you truly enjoy

I teach students of all ages and levels, especially beginners who are discovering their voice for the first time. My aim is to make lessons engaging, supportive, and inspiring so that you leave each session feeling more confident and excited to sing.

Your voice is unique — let’s work together to help it shine!

Leandro

5.0

(6)

PROFESSIONAL GUITARIST, COMPOSER, MUSIC AND GUITAR TEACHER

Beginner-Advanced Level

Experience:
I am a professional musician and have been teaching students of all ages for over 20 years. My experience as a teacher and my pursuit of self-improvement as a musician have led me to develop an effective method that I have already tested with over a hundred students.
Throughout my career I had the satisfaction of studying with great masters of different specialties or styles, each one emphasizing different aspects of flamenco, classical or modern guitar and each one has given me their approach (technique, rhythms, accompaniment, harmony, etc.), which has led me after years of study and compilation to take the best from each one to develop my method.

My role in my classes is more that of a personal trainer than a teacher, where I will be very attentive to bringing out the best in my students, finding the right technique to help them develop a good rhythm, working on their rhythm, etc.
For me, the role of a teacher, in addition to teaching, is to be part of a team, to maintain morale and constantly improve oneself while always maintaining a love for music.

Methodology:
I tailor the lessons to the student's level, style, or goals. Generally, the first half of the lesson is dedicated to technique, focusing on proper placement, execution, and relaxation, which will result in a good sound. Over time, I've realized that it's also a way to connect with the guitar, concentrate, and warm up. So, little by little, we'll develop our routine, which will begin by working on basic rhythmic aspects.
The second half is dedicated to playing, trying to put into practice what we learned about the technique with the sticks or studying other concerns of the student, which may be a theme, harmony, falsetas, improvisation, or even other styles, etc., always obviously taking into account the search or interest of the student.

FLAMENCO
- Flamenco technique
- Palos (Tangos, Bulerías, Alegrías, Soleá, Taranta...)
- Accompaniment to singing and dancing
- Clapping and rhythms

MODERN GUITAR
- Harmony
- Improvisation
- Repertoire (rumbas, pop, jazz, rock, etc.)

CLASSIC
- Reading, solfège and interpretation.
- Works
- I work with progressive learning books

Giulio

5.0

(6)

Jazz and Modern Saxophone Lessons, Harmony and Music Theory.

Are you passionate about music and want to delve deeper into the study of the saxophone or music theory?
I offer private jazz and modern saxophone lessons for all levels: from beginners to advanced musicians. I also teach harmony and music theory, ideal for musicians, singers, composers, or enthusiasts who want to better understand the language of music.

Personalized programs tailored to your goals:
- Practical, creative, and motivating approach
- Online lessons

Andrea

5.0

(6)

Do you need help preparing for the entrance exams for Intermediate or Advanced Level Jazz courses? Or are you looking for extra support in your modern music studies?
I'm Andrea, a specialized teacher with over 10 years of teaching experience. I offer:
– Intensive preparation for the theoretical part of entrance exams for intermediate and advanced levels of jazz and modern music
– Reinforcement in subjects such as musical language, modern harmony, arranging and composition
– Practical classes from day one, tailored to your needs
– Teaching materials and personalized follow-up with a teaching platform
My approach combines academic rigor with a relaxed atmosphere. I firmly believe that you can learn seriously without losing your passion for music. We will work on:
– The repertoire you need to master for your exams
– Harmonic and melodic analysis of standards, modern songs, large ensembles, etc. Or any style you need, 100% adaptability :)
– Development of musical ear
– Composition and arrangement techniques
– All from a practical and applied perspective.
If you're looking for a teacher who combines experience, professionalism, and a personal touch, I'd be delighted to help you on your musical journey. Don't hesitate to contact me for more information or to schedule your first lesson.
Availability for face-to-face classes in Barcelona and online.

If you like this approach, write to me! Learning music is an exciting journey, and I'd love to be your guide :)

Important! I combine classes with concerts and various musical projects. I appreciate occasional flexibility to reschedule (only when strictly necessary).

The schedule is for summer; it changes during the school year.