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Since May 2017
Instructor since May 2017
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General Music Course, Guitar, Audio Production
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From 46 C$ /h
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Offers guitar lessons, general music theory, jazz theory and / or audio production (use of various audio recording, mixing and mastering software).
I can move if there is a metro near the destination.
For audio production courses, you must have your own hardware (if you do not have one I can make free software recommendations).
Extra information
Have your own equipment.
Location
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At teacher's location :
  • 4361 Boulevard LaSalle, Verdun, QC H4G 2B2, Canada
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
30 minutes
45 minutes
60 minutes
90 minutes
The class is taught in
French
English
Availability of a typical week
(GMT -04:00)
New York
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At teacher's location
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
Similar classes
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Thomas
My typical course would go like this:
First meeting: Familiarization with the instrument, the basics, what is a chord, tuning the guitar, etc.
Then: At each lesson a little theory, always applied, and obviously practice, learn pieces and / or repeat those already learned, to measure the progress of the student. At the end of the course I would give technical advice, things to practice or listen to if the student wants to go further. I don't intend to make myself indispensable, on the contrary I want to give the basics so that you can manage and have fun as quickly as possible.
One meeting per week is the best to have rapid progress, but I also adapt to the needs and capacities of the student, the main thing is that the guitar is always a pleasure, and never a chore!

Guitarist with 9 years of experience, having already played in several groups and associations, often specialized in rhythm, but also sometimes soloist. I still participate in jam sessions from time to time.
I myself learned with a particular teacher for the basics before continuing as an autodidact, but the best training remains to play in a real group.
I can initiate you or consolidate your bases and make you practice by making you play with me.
I always take my students' tastes into account because I think you have to like what you do to want to progress, so I don't force them to work on a style or songs that they don't like.

I will teach you:
- to read tablatures,
- the basics of music theory such as scales,
- the notion of rhythm and how to hold it,
- different rhythmic and solo techniques, as well as playing with fingers or with a plectrum (= a pick)

I have an electric guitar and an electro-acoustic one, whatever your style, I can teach you to play on electric or on acoustic. I also have a little knowledge on the material side of guitars and accessories, how to choose the right material is also important!
verified badge
Barbara
Who is this workshop for?
For anyone curious about sound, all music, music in general,
who wants to manufacture, build, examine ... (from 12 or 13 years old).

Do you need to know music theory?
No. But familiarity with music of various styles can be of great help.

DJ? "Electro" music?
No ! We will not learn here to be a DJ or to compose “dance-music”,
“electro” music in the commonly understood sense, not even songs.

Do you need to know the computer?
It is better if it is, but learning can be done at the same time as musical research.

Is this course a software learning course?
No. I give the basics (only on Logic Pro X or Garageband) to be able to compose but I do not teach the deep use of software.

Is it necessary to have a computer?
Yes !

A "workshop" rather than a class?
The course takes the form of a practical workshop, listening sessions, criticism of works.

By computer?
Everything happens on a computer once sound elements of all kinds have been recorded. Editing, transformation, mixing on software designed for this.
No software required. The proposed route can be adapted to any multitrack sequencing software. The computer is only a tool, it is the composer who makes the music.

Practically what do we do?
The composer works “from the sounds” that he has most often recorded himself.
He chooses them, assembles them, deforms them, mixes them according to his project, at will.
of his intuition, his ideas and desires, gradually builds a music.
For those who wish and need it, exercises are offered which allow to approach at the same time techniques of realization
and precise musical proposals.

Composition / Invention
It is not a question of declaring themselves all composers, but of affirming that we can all ask ourselves composers' questions, with both seriousness and imagination.
To confront the game of a free invention.

What musical orientation? What style ?
This is a “musical research” process:
seek to invent a music beyond traditional values - note pitches, regular pulsations, instrumental timbres - without forbidding all that.
A “music of sounds”, in the broadest possible sense, a “music of
all sounds “as opposed to what one could obviously call too simplified“ a music of notes ”.
This choice, which apparently seems to shake up musical uses, is nevertheless part of a tradition of more than a century and rich in a repertoire that is too little known and which has had various names:

- Electroacoustic music
- Concrete music
- Acousmatic music
- Contemporary music

Finally, we each have a precious tool to never forget: our ear, and a fascinating and rewarding job to lead, questioning about oneself.
verified badge
Noémy
English follows

I am a graduate of the highest music schools and universities in Switzerland (HEMU Lausanne, HEM Geneva) and in Canada (McGill Schulich School of Music, Montreal).
I give my lessons at home / online but I also travel if necessary.
I teach cello technique using various teaching methods with great classics such as Navarra, Lee, Feuillard, Dotzauer, Popper, Starker and many more...
I teach for all levels: beginners - adults - intermediate, advanced and professional and in various styles of music: classical, jazz and world music, (Eastern Europe, Balkans, Near and Middle East, Asia Minor, North Africa and Brazil).

I work a lot on posture in my teaching, because it is an element that I believe is essential in teaching a musical instrument and which is unfortunately not taken seriously or considered enough. I had the chance to work with Mrs. Aude Hauser who is a recognized physiotherapist in Switzerland and Europe specialized in musicians.

I am a certified teacher from the Conservatories and Higher Music Schools of Switzerland, but also from the Association of Graduate Music Teachers of Quebec (APMQ), as well as universities in Canada.
Instrument-wise, I also have a small cello collection, to be discussed.
I also teach on weekends, depending on my availability.

I am a graduate of the Universities of Music in Switzerland, HEMU, Lausanne, HEM, Geneva and in Canada (McGill Schulich School of Music). I give my classes at my studio or online but I also move if necessary.
I teach the cello technique using various teaching methods of great classics such as Navarra, Lee, Feuillard, Dotzauer, Popper, Starker and many others... I teach for all levels (beginner adults and children), in various styles of classical music, jazz, world music, (Eastern Europe, Balkans, Middle East, North Africa and Brazil).

I work a lot on posture and had the chance to work with Madame Aude Hauser, a renowned physiotherapist in Switzerland and Europe who specializes in musicians.

I am a certified professor at the Conservatories and Hautes Ecoles de Musique de Suisse, but also at the Association des enseignants de musique diplômée du Québec (APMQ), as well as at universities in Canada.
Talking about the instrument: I also have a small collection of cello, to discuss.
I also teach on the weekend, depending on my schedule.
verified badge
Nadine
**Instruments:**
- **Guitar:** Beginner, Intermediate, Advanced
- **Keyboard:** Beginner, Intermediate
- **Lute and Oud:** Beginner, Intermediate
- **Piano:** Beginner, Intermediate
- **Piano Jazz / Pop:** Beginner, Intermediate
- **Songwriting and Composition:** Beginner, Intermediate, Advanced
- **Theory and Ear Training:** Beginner, Intermediate, Advanced


**Biography:**

Nadine holds a B.F.A. in Integrative Music Studies from Concordia University with a focus on guitar. She has been a certified teacher at Montreal Academy since 2009.

As a vibrant presence in Montreal’s music scene, Nadine performs regularly with her solo project as well as with various local and international artists. Her musical journey began at the age of five, inspired by her grandmother's Arabic piano classics. She transitioned to guitar during high school, where she played in rock bands, and continued her studies in jazz and classical guitar at CEGEP and university. Over the past six years, she has delved into the oud, integrating it into her original compositions.

With 26 years of teaching experience, Nadine offers instruction in a diverse range of styles, including Pop, Funk, Blues, Rock, R&B, Jazz, and Classical. Whether you aim to learn an instrument, write songs, prepare for an audition, or explore creativity across various musical genres, Nadine provides the tools and guidance needed to achieve your goals. Her lessons cover sight-reading, songwriting, ear training, improvisation, fingerpicking techniques, and more, all tailored to each student’s musical interests.

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Similar classes
arrow icon previousarrow icon next
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Thomas
My typical course would go like this:
First meeting: Familiarization with the instrument, the basics, what is a chord, tuning the guitar, etc.
Then: At each lesson a little theory, always applied, and obviously practice, learn pieces and / or repeat those already learned, to measure the progress of the student. At the end of the course I would give technical advice, things to practice or listen to if the student wants to go further. I don't intend to make myself indispensable, on the contrary I want to give the basics so that you can manage and have fun as quickly as possible.
One meeting per week is the best to have rapid progress, but I also adapt to the needs and capacities of the student, the main thing is that the guitar is always a pleasure, and never a chore!

Guitarist with 9 years of experience, having already played in several groups and associations, often specialized in rhythm, but also sometimes soloist. I still participate in jam sessions from time to time.
I myself learned with a particular teacher for the basics before continuing as an autodidact, but the best training remains to play in a real group.
I can initiate you or consolidate your bases and make you practice by making you play with me.
I always take my students' tastes into account because I think you have to like what you do to want to progress, so I don't force them to work on a style or songs that they don't like.

I will teach you:
- to read tablatures,
- the basics of music theory such as scales,
- the notion of rhythm and how to hold it,
- different rhythmic and solo techniques, as well as playing with fingers or with a plectrum (= a pick)

I have an electric guitar and an electro-acoustic one, whatever your style, I can teach you to play on electric or on acoustic. I also have a little knowledge on the material side of guitars and accessories, how to choose the right material is also important!
verified badge
Barbara
Who is this workshop for?
For anyone curious about sound, all music, music in general,
who wants to manufacture, build, examine ... (from 12 or 13 years old).

Do you need to know music theory?
No. But familiarity with music of various styles can be of great help.

DJ? "Electro" music?
No ! We will not learn here to be a DJ or to compose “dance-music”,
“electro” music in the commonly understood sense, not even songs.

Do you need to know the computer?
It is better if it is, but learning can be done at the same time as musical research.

Is this course a software learning course?
No. I give the basics (only on Logic Pro X or Garageband) to be able to compose but I do not teach the deep use of software.

Is it necessary to have a computer?
Yes !

A "workshop" rather than a class?
The course takes the form of a practical workshop, listening sessions, criticism of works.

By computer?
Everything happens on a computer once sound elements of all kinds have been recorded. Editing, transformation, mixing on software designed for this.
No software required. The proposed route can be adapted to any multitrack sequencing software. The computer is only a tool, it is the composer who makes the music.

Practically what do we do?
The composer works “from the sounds” that he has most often recorded himself.
He chooses them, assembles them, deforms them, mixes them according to his project, at will.
of his intuition, his ideas and desires, gradually builds a music.
For those who wish and need it, exercises are offered which allow to approach at the same time techniques of realization
and precise musical proposals.

Composition / Invention
It is not a question of declaring themselves all composers, but of affirming that we can all ask ourselves composers' questions, with both seriousness and imagination.
To confront the game of a free invention.

What musical orientation? What style ?
This is a “musical research” process:
seek to invent a music beyond traditional values - note pitches, regular pulsations, instrumental timbres - without forbidding all that.
A “music of sounds”, in the broadest possible sense, a “music of
all sounds “as opposed to what one could obviously call too simplified“ a music of notes ”.
This choice, which apparently seems to shake up musical uses, is nevertheless part of a tradition of more than a century and rich in a repertoire that is too little known and which has had various names:

- Electroacoustic music
- Concrete music
- Acousmatic music
- Contemporary music

Finally, we each have a precious tool to never forget: our ear, and a fascinating and rewarding job to lead, questioning about oneself.
verified badge
Noémy
English follows

I am a graduate of the highest music schools and universities in Switzerland (HEMU Lausanne, HEM Geneva) and in Canada (McGill Schulich School of Music, Montreal).
I give my lessons at home / online but I also travel if necessary.
I teach cello technique using various teaching methods with great classics such as Navarra, Lee, Feuillard, Dotzauer, Popper, Starker and many more...
I teach for all levels: beginners - adults - intermediate, advanced and professional and in various styles of music: classical, jazz and world music, (Eastern Europe, Balkans, Near and Middle East, Asia Minor, North Africa and Brazil).

I work a lot on posture in my teaching, because it is an element that I believe is essential in teaching a musical instrument and which is unfortunately not taken seriously or considered enough. I had the chance to work with Mrs. Aude Hauser who is a recognized physiotherapist in Switzerland and Europe specialized in musicians.

I am a certified teacher from the Conservatories and Higher Music Schools of Switzerland, but also from the Association of Graduate Music Teachers of Quebec (APMQ), as well as universities in Canada.
Instrument-wise, I also have a small cello collection, to be discussed.
I also teach on weekends, depending on my availability.

I am a graduate of the Universities of Music in Switzerland, HEMU, Lausanne, HEM, Geneva and in Canada (McGill Schulich School of Music). I give my classes at my studio or online but I also move if necessary.
I teach the cello technique using various teaching methods of great classics such as Navarra, Lee, Feuillard, Dotzauer, Popper, Starker and many others... I teach for all levels (beginner adults and children), in various styles of classical music, jazz, world music, (Eastern Europe, Balkans, Middle East, North Africa and Brazil).

I work a lot on posture and had the chance to work with Madame Aude Hauser, a renowned physiotherapist in Switzerland and Europe who specializes in musicians.

I am a certified professor at the Conservatories and Hautes Ecoles de Musique de Suisse, but also at the Association des enseignants de musique diplômée du Québec (APMQ), as well as at universities in Canada.
Talking about the instrument: I also have a small collection of cello, to discuss.
I also teach on the weekend, depending on my schedule.
verified badge
Nadine
**Instruments:**
- **Guitar:** Beginner, Intermediate, Advanced
- **Keyboard:** Beginner, Intermediate
- **Lute and Oud:** Beginner, Intermediate
- **Piano:** Beginner, Intermediate
- **Piano Jazz / Pop:** Beginner, Intermediate
- **Songwriting and Composition:** Beginner, Intermediate, Advanced
- **Theory and Ear Training:** Beginner, Intermediate, Advanced


**Biography:**

Nadine holds a B.F.A. in Integrative Music Studies from Concordia University with a focus on guitar. She has been a certified teacher at Montreal Academy since 2009.

As a vibrant presence in Montreal’s music scene, Nadine performs regularly with her solo project as well as with various local and international artists. Her musical journey began at the age of five, inspired by her grandmother's Arabic piano classics. She transitioned to guitar during high school, where she played in rock bands, and continued her studies in jazz and classical guitar at CEGEP and university. Over the past six years, she has delved into the oud, integrating it into her original compositions.

With 26 years of teaching experience, Nadine offers instruction in a diverse range of styles, including Pop, Funk, Blues, Rock, R&B, Jazz, and Classical. Whether you aim to learn an instrument, write songs, prepare for an audition, or explore creativity across various musical genres, Nadine provides the tools and guidance needed to achieve your goals. Her lessons cover sight-reading, songwriting, ear training, improvisation, fingerpicking techniques, and more, all tailored to each student’s musical interests.

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