Translated by Google
Piano lessons (Ludovico Einaudi,
From 80 C$ /h
To create the best context for learning music it is very important that you like the music you are playing and that you enjoy while you practice. That is why I like to offer a wide range of possibilities and discover together with each student what is the best way to go. And the answer is always in the tastes, desires and expectations of the one who is learning.
I believe that technique, improvisation, notions of musical composition, theory and analysis must be learned through the music that you want to play and the music that you already know how to play. And not as an abstract knowledge. The best way to assimilate music is by playing it and facing the challenges that each piece, song or composition offers.
It is important to remember that music can be made from scratch regardless of your level or age.
I believe that technique, improvisation, notions of musical composition, theory and analysis must be learned through the music that you want to play and the music that you already know how to play. And not as an abstract knowledge. The best way to assimilate music is by playing it and facing the challenges that each piece, song or composition offers.
It is important to remember that music can be made from scratch regardless of your level or age.
Extra information
The student will be provided with all the material during the classes: books and scores in pdf format, music to have as a reference to listen to ...
Location
At student's location :
- Around Madrid, Spain
At teacher's location :
- Paseo de la Esperanza, Madrid, España
Online from Spain
About Me
Eduardo desarrolla su actividad profesional en diferentes campos: como pianista, compositor/arreglista/orquestador, programador musical y docente. Su trabajo está caracterizado por la influencia de diferentes tipos de música, principalmente por la música folk, clásica y jazz.
Ha ganado varios premios internacionales, destacando el Bargajazz Contest International Competition for Jazz Orchestra Arranging and Composition (2015 y 2016, Italia) y el Concurso Internacional de Composición y Arreglos para Orquesta de Jazz «Scrivere in Jazz» (2016 y 2020, Italia). En 2017 obtiene el 2 premio en el IV Concurso de composición y arreglos para Big Band organizado por la SGAE (España) además de ser finalista en el “International Animated Film Music Competition” (Grecia) y en el Bargajazz Contest International Competition for Jazz Orchestra Arranging and Composition 2019 (Italia).
Ha ganado varios premios internacionales, destacando el Bargajazz Contest International Competition for Jazz Orchestra Arranging and Composition (2015 y 2016, Italia) y el Concurso Internacional de Composición y Arreglos para Orquesta de Jazz «Scrivere in Jazz» (2016 y 2020, Italia). En 2017 obtiene el 2 premio en el IV Concurso de composición y arreglos para Big Band organizado por la SGAE (España) además de ser finalista en el “International Animated Film Music Competition” (Grecia) y en el Bargajazz Contest International Competition for Jazz Orchestra Arranging and Composition 2019 (Italia).
Education
Grado en Piano en el conservatorio de la ESMUC (Barcelona).
Berklee “Music Composition for Film and TV” (EEUU).
Grado en Composición en CODARTS (Holanda).
Máster en Composición en CODARTS (Holanda).
Berklee “Music Composition for Film and TV” (EEUU).
Grado en Composición en CODARTS (Holanda).
Máster en Composición en CODARTS (Holanda).
Experience / Qualifications
Ha trabajado, entre otros, con Dennis Mackrel (Count Basie, Maria Schneider, Mel Lewis Orchestra…), Jazz Orchestra of the Concertgebouw, Nederlands Blazers Ensemble, AKOM Ensemble, el guitarrista flamenco Gerardo Núñez, la bailadora Carmen Cortés, Codarts Big Band, Peter-Jan Wagemans, Paul M. Van Brugge, Tim Kliphuis, Barga Jazz Orchestra, Big Band de Canarias, The New Music Ensemble of Rotterdam o Sole Giménez.
Actualmente es profesor de Piano, Instrumentación, Composición y Arreglos en el centro universitario TAI (Universidad Juan Carlos I).
Actualmente es profesor de Piano, Instrumentación, Composición y Arreglos en el centro universitario TAI (Universidad Juan Carlos I).
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
English
Spanish
Reviews
Availability of a typical week
(GMT -04:00)
New York
At teacher's location and via webcam
At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
To create the best context for learning music it is very important that you like the music you are composing or playing and that you enjoy the process. That is why I like to offer a wide range of possibilities and discover together with each student what is the best way to go. And the answer is always in the tastes, desires and expectations of the one who is learning.
I believe that technique, improvisation, notions of musical composition, theory and analysis should be learned through the music that you like to compose and the music that you already know how to play. And not as an abstract knowledge. The best way to assimilate music is by writing and playing it and facing the challenges that each piece, song or composition offers.
It is important to remember that music can be made from scratch regardless of your level or age.
I believe that technique, improvisation, notions of musical composition, theory and analysis should be learned through the music that you like to compose and the music that you already know how to play. And not as an abstract knowledge. The best way to assimilate music is by writing and playing it and facing the challenges that each piece, song or composition offers.
It is important to remember that music can be made from scratch regardless of your level or age.
Similar classes
Similar classes
Good-fit Instructor Guarantee
Contact Eduardo