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Since January 2023
Instructor since January 2023
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Vocal coaching - Singing lessons - Free your voice and find your way!
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From 59.96 C$ /h
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Free your voice and find your way!
Singing lessons - Tailor-made vocal coaching!
No need to know music theory. Here we work on the songs YOU want, whatever your level, there are always things to learn, no matter the song! It's a holistic approach. Beyond improving your vocal technique, you will get to know your voice and the extent of your abilities. You will gain confidence, dare to express yourself, release buried emotions.
The voice is the reflection of the soul. So I suggest you establish a real virtuous circle! Surprise you, reveal yourself, surpass yourself... And believe me, singing, like any other artistic or sporting discipline, will allow you to assert yourself, to dare, to believe in yourself, in all the other areas of your life !
Location
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At teacher's location :
  • Les Essarts-le-Roi, France
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Online from France
About Me
Hello, my name is Jennifer and I am a vocal coach, sound therapist and artist.
I have gone through different ordeals and singing has always been my outlet, my therapy... After various trainings, I aspire today to help women to emancipate themselves, to gain self-confidence through singing.
Beyond vocal coaching, I also use music in my sound therapy sessions with a varied audience. It is a sound therapy which essentially aims to relax but which has other virtues, as well from a physical, psychological and spiritual point of view.
Well-being is essential for me, and we come out of each coaching relaxed and full of resources!
Education
Music school with music theory, piano lessons, acoustic and electric guitar.
voice coaching
Bachelor's and Master's degree in English-speaking arts
Sound therapy training - Yoga of sound
Experience / Qualifications
Richard Cross School - Paris
Sound Art Training - Green and love
Volunteer at the Hat Factory - Rambouillet 78
Age
Teenagers (13-17 years old)
Adults (18-64 years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
French
English
Availability of a typical week
(GMT -05:00)
New York
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At teacher's location and via webcam
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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Jérôme
Indian music is enjoying growing success with Western audiences. Because more and more artists are performing in our latitudes (especially in venues such as the Théâtre de la Ville, the Musée Guimet in Paris, etc.), and also because the discovery of music with a traditional system of learning arouses the interest of many people who would like to approach music differently; and there are many links between the Indian and Western tradition, due to the universal character of music but also to the fact that India has been able to preserve modes of transmission that have long since disappeared in the West, but which have nothing to envy in terms of efficiency. to modern methods.

I propose learning the song of North India, in the dhrupad style, the oldest still transmitted today. Its advantage is that it offers a gradual approach to ragas (musical motifs that could be compared to modes), note by note, without the need for prior knowledge or talent as a virtuoso: the practice is based on the 'listen. Over the course of practice, it nevertheless makes it possible to acquire a great mastery of the voice.

The lesson, which lasts one hour (half for children), takes place accompanied by the tampura, an instrument that gives the "drone" or fundamental/tonic note. It is from this persistent note that the student will learn to place his voice, to find the correctness of tone and timbre. This is done gently, the pace of learning adapting to that of the student.
In addition, the achievements in this style of singing can always be useful later for other styles of music, even outside India, up to jazz and classical/baroque music.
My apprenticeship was for twelve years with one of the 19th generation masters teaching this tradition, Ustad H. Sayeeduddin Dagar, belonging to the illustrious family which made this style and Indian music known in the West in the years 1960. It has now continued for four years with his nephew Ustad F. Wasifuddin Dagar.

Lessons are private, or in weekly workshops in Paris near Bastille (see my website musicosophe[point]fr).
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Similar classes
arrow icon previousarrow icon next
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Jérôme
Indian music is enjoying growing success with Western audiences. Because more and more artists are performing in our latitudes (especially in venues such as the Théâtre de la Ville, the Musée Guimet in Paris, etc.), and also because the discovery of music with a traditional system of learning arouses the interest of many people who would like to approach music differently; and there are many links between the Indian and Western tradition, due to the universal character of music but also to the fact that India has been able to preserve modes of transmission that have long since disappeared in the West, but which have nothing to envy in terms of efficiency. to modern methods.

I propose learning the song of North India, in the dhrupad style, the oldest still transmitted today. Its advantage is that it offers a gradual approach to ragas (musical motifs that could be compared to modes), note by note, without the need for prior knowledge or talent as a virtuoso: the practice is based on the 'listen. Over the course of practice, it nevertheless makes it possible to acquire a great mastery of the voice.

The lesson, which lasts one hour (half for children), takes place accompanied by the tampura, an instrument that gives the "drone" or fundamental/tonic note. It is from this persistent note that the student will learn to place his voice, to find the correctness of tone and timbre. This is done gently, the pace of learning adapting to that of the student.
In addition, the achievements in this style of singing can always be useful later for other styles of music, even outside India, up to jazz and classical/baroque music.
My apprenticeship was for twelve years with one of the 19th generation masters teaching this tradition, Ustad H. Sayeeduddin Dagar, belonging to the illustrious family which made this style and Indian music known in the West in the years 1960. It has now continued for four years with his nephew Ustad F. Wasifuddin Dagar.

Lessons are private, or in weekly workshops in Paris near Bastille (see my website musicosophe[point]fr).
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