Trombone and Brass, Guitar, Piano, Theory, Improvising, Music Lesson
From 86.65 C$ /h
This class is for beginner-intermediate-advanced musicians who aim to explore more about music and get better at their playing on their instrument.
This doesn't refer only to professional but includes amateur and passionated students interested about how to gain more music knowledge.
Music is one. there's no differences between its styles.
Learning it means learning about yourself, your strengths and weaknesses and the class will be self designed for the student starting from his/her desires.
moreover music will be researched eventually from its main topic such as improvisation, time feel, resonance and intonation for brass , harmonic knowledge and music theory.
This doesn't refer only to professional but includes amateur and passionated students interested about how to gain more music knowledge.
Music is one. there's no differences between its styles.
Learning it means learning about yourself, your strengths and weaknesses and the class will be self designed for the student starting from his/her desires.
moreover music will be researched eventually from its main topic such as improvisation, time feel, resonance and intonation for brass , harmonic knowledge and music theory.
Extra information
ears and heart required
Location
Online from Denmark
About Me
I'm a musician based in Denmark.
I've been into music since my childhood and i always wanted to play as well as get into music theory and its rules. For me it have always been like dealing with magic.
Everybody can learn about music just as learning about him/herself.
Teaching and sharing this know-how is a beloved activity of mine and it's a real pleasure when i can find people interested in learning this wonderful art.
Feeling and passion are basically required.
And not being too much serious about.
Music is fun, moreover sharing.
I've been into music since my childhood and i always wanted to play as well as get into music theory and its rules. For me it have always been like dealing with magic.
Everybody can learn about music just as learning about him/herself.
Teaching and sharing this know-how is a beloved activity of mine and it's a real pleasure when i can find people interested in learning this wonderful art.
Feeling and passion are basically required.
And not being too much serious about.
Music is fun, moreover sharing.
Education
Master trombone jazz @ Codarts, Rotterdam
Artistic research Internship @ UNO university, New Orleans
Bachelor trombone jazz @ Royal Conservatory, The Hague
Bachelor jazz guitar @ Conservatory G. Verdi, MIlano
Artistic research Internship @ UNO university, New Orleans
Bachelor trombone jazz @ Royal Conservatory, The Hague
Bachelor jazz guitar @ Conservatory G. Verdi, MIlano
Experience / Qualifications
Trombone player and , the Netherlands
Bajonet Brass Band, music arranger/conductor Rotterdam
New Orleans Internship
50° Tumba festival , Curacao
Jazz big band
Jazz combo
Afrobeat/Funk/Disco/Steady
Guitar&Brass teacher
Bajonet Brass Band, music arranger/conductor Rotterdam
New Orleans Internship
50° Tumba festival , Curacao
Jazz big band
Jazz combo
Afrobeat/Funk/Disco/Steady
Guitar&Brass teacher
Age
Preschool children (4-6 years old)
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
English
Italian
French
Spanish
Skills
Reviews
Availability of a typical week
(GMT -05:00)
New York
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
The course focus on concepts that will make any student of any level developing their own approach to improvisation. It can be designed depending on the instrument played by student and his/her atttude.
Books and materials used in the course.
How to improvise by Al Crook ed Advance Music, for horn players,
This book describes a nice way of approaching improvisation through specific exercises that can be tested on students of any kind of level. It divides in 4 section and requires a minimum knowledge of scales, chords and familiarity with musical vocabulary
Hearing the Changes by jerry Cooker, Bob knapp, Larry Vincent, ed advance Music, for all musicians
With this book the student will learn how to recognize progressions by ear thanks on a selection of jazz tunes chosen from the standard repertoire. It will be taught at the piano and it will let students of any level to deal with harmony and theory progressively but starting codifying harmonic traits that will clarify the reader's understanding of how progressions and improvisation "work".
Books and materials used in the course.
How to improvise by Al Crook ed Advance Music, for horn players,
This book describes a nice way of approaching improvisation through specific exercises that can be tested on students of any kind of level. It divides in 4 section and requires a minimum knowledge of scales, chords and familiarity with musical vocabulary
Hearing the Changes by jerry Cooker, Bob knapp, Larry Vincent, ed advance Music, for all musicians
With this book the student will learn how to recognize progressions by ear thanks on a selection of jazz tunes chosen from the standard repertoire. It will be taught at the piano and it will let students of any level to deal with harmony and theory progressively but starting codifying harmonic traits that will clarify the reader's understanding of how progressions and improvisation "work".
Course proposal
Blues Guitar, by Keith Wyatt ed. Musician Institute
From the origin of Chicago to most complex jazz Blues, 15 units of progressive difficulty suitable for any guitar from basic level. Included transcription of J. Hendrix, S. R. Vaughan, A. King, E. Clapton.
Funky Guitar by Ross Bolton ed. Musician Institute
Thecniques in this class, divided in 10 units, are relate to traditional old “school”funk guitar playing and the groove guitar. Developing funk skills will make the student a better overall rhythm guitarist and generally it will improve the time feel. Transcription from JB's,Parliament, Funkadelic, Sly and the family stones, Fela Kuti
Jazz Guitar
Thecniques in this class are related to jazz repertoiore history and vocabulary. This course is suitable for intermediate/advanced guitarist who want to go deeper in the knowledge of the jazz guitar tradition.
Studying materials are taken from 10years period lessons had with: R Cecchetto, F. Cerri G. Monteforte, R. Bianchi, C.de cicco.
Books from S. Henderson, “Jazz guitar chord system the essential guide to jazz chord voicings and Substitutions”, ed Hal Leonard corp. and M. Goodrick”The advanced guitar player”
Blues Guitar, by Keith Wyatt ed. Musician Institute
From the origin of Chicago to most complex jazz Blues, 15 units of progressive difficulty suitable for any guitar from basic level. Included transcription of J. Hendrix, S. R. Vaughan, A. King, E. Clapton.
Funky Guitar by Ross Bolton ed. Musician Institute
Thecniques in this class, divided in 10 units, are relate to traditional old “school”funk guitar playing and the groove guitar. Developing funk skills will make the student a better overall rhythm guitarist and generally it will improve the time feel. Transcription from JB's,Parliament, Funkadelic, Sly and the family stones, Fela Kuti
Jazz Guitar
Thecniques in this class are related to jazz repertoiore history and vocabulary. This course is suitable for intermediate/advanced guitarist who want to go deeper in the knowledge of the jazz guitar tradition.
Studying materials are taken from 10years period lessons had with: R Cecchetto, F. Cerri G. Monteforte, R. Bianchi, C.de cicco.
Books from S. Henderson, “Jazz guitar chord system the essential guide to jazz chord voicings and Substitutions”, ed Hal Leonard corp. and M. Goodrick”The advanced guitar player”
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