

from51.48CAD/ h
Private Contemporary Dance Classes - Creative Corporalities
In our experiences together we will exercise your presence as an integrated body, in a realistic, creative and imaginative way.
Through psychosomatic sensitizations (methods: BMC®, Bartenieff Fundamentals and Klauss Vianna Technique) we will visit improvisation and compositional dance techniques. The procedures intend to stimulate your anatomic structures as parts of a complete organism, such as the expansion of your vocabulary in dance, the conscious autonomy of your self-body and the creative connection between your movements in dance and your movements in daily life.
Each class lasts about one hour and a half and may contain diferent levels of warming up, stretching, fortification, choreographies, improvisation and composition practices, along with theoretical contextualizations, depending on your objectives and interests. A teaching plan adapted to your wishes and needs will be prepared.
This experience is perfect for beginners in dance of all ages or amateurs/professionals dancers who want to expand their movement vocabularies in a private and intimate class.
Through psychosomatic sensitizations (methods: BMC®, Bartenieff Fundamentals and Klauss Vianna Technique) we will visit improvisation and compositional dance techniques. The procedures intend to stimulate your anatomic structures as parts of a complete organism, such as the expansion of your vocabulary in dance, the conscious autonomy of your self-body and the creative connection between your movements in dance and your movements in daily life.
Each class lasts about one hour and a half and may contain diferent levels of warming up, stretching, fortification, choreographies, improvisation and composition practices, along with theoretical contextualizations, depending on your objectives and interests. A teaching plan adapted to your wishes and needs will be prepared.
This experience is perfect for beginners in dance of all ages or amateurs/professionals dancers who want to expand their movement vocabularies in a private and intimate class.
Location
At teacher's location: Kruisplein, Rotterdam, Netherlands
At student's location: Around Rotterdam, Netherlands






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General info
Age: | Infants (0-3 years old) Preschool children (4-6 years old) Children (7-12 years old) Teenagers (13-17 years old) Adults (18-64 years old) Seniors (65+ years old) |
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Student level: | Beginner Intermediate Advanced |
Duration: | 90 minutes |
The class is taught in: | English, Portuguese, Spanish |
About Me
Hi! I'm Clara, I'm Brazilian by birth and I'm currently living in Netherlands.I started dancing when I was four years old through classical dance. In 2013 I started studying the contemporary dances, along with the methods of Somatic Education (Body-Mind Centering®, Bartenieff FundamentalsSM and Klauss Vianna Technique), through which I approached dialogical proposals and improvisation techniques that reframed my perceptual, motor and conceptual classic dance habits.
In the course of my trajectory I worked as a dancer with four different contemporary dance companies in Brazil and Spain (Anti Status Quo cia de Dança, Cia Cielo rasO, Foco cia de Dança and Tempos Dança-Teatro), which inspires me to adopt a multiple approach in my creative processes as an artist and a teacher.
In 2019 I graduated with a Degree in Dance-Education at the Federal Institute of Brasília and since 2014 I carry independent projects of dance classes for all ages in schools, gyms, studios and social projects. I'm currently a masters student of Dance Movement Therapy at Codarts - University of Arts, in Rotterdam.
Today, grounded on dance and education specifics contents, I'm interested in exploring strategies of transdisciplinary body experiences in its anatomic, creative, cultural and therapeutical layers.
I'm all in for cultural exchange and mutual learning!
Education
Dance Degree - Federal Institute of Brasília (2019)Sociopsychology - Foundation School of Sociology and Politics of São Paulo (2021)
Masters in Dance Movement Therapy - Codarts University of Arts (2025)
Body-Mind Centering®, Bartenieff Fundamentals and Klauss Vianna Technique (2020)
Experience / Qualifications
Worked as a dancer at Anti Status Quo Dance Company (2016 - 2018), Desaparecer Research Group (2018 - 2020), Tempos Collective (2016 - 2020), Prelude (2001 - 2016) and Foco Dance Company (2014 - 2020) while, since 2014, carrying out independent projects of dance classes for young people and adults in schools, studios and social projects. Danced and resided with cia Cielo rasO (Spain) in “Jardín de Invierno” (2018 - 2019), with Denise Stutz in “Corpo presente” (2018), with the Staatliche Ballettschulle Berlin at the "Brasil-Germany Cultural Exchange" (2015), Elisabete Finger in “Práticas de Encantamento da Matéria” (2018), Isabel Marques in “Artist-teacher” and “Language of Dance” (2018), Jussara Miller in “Escuta do Corpo e Presença Cênica” (2020) and Gustavo Ciríaco in "Amanhãs de Ontem" (2020).Reviews (3)
Clara was personable and friendly. Her dance class was well prepared and delivered professionally.
Clara is an amazing teacher. She's kind, patient and very encouraging. I 100% recommend taking her class!
I had a really good experience. i got connected to my body and mind. I learned a lot about movement!
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from C$51.48At teacher's location
from C$57.92At student's home
100% Satisfaction Guarantee
Good-fit Instructor Guarantee
If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.
Online reputation
- Instructor since October 2021
- Phone number verified
- Facebook connected
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- Linkedin connected
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from C$51.48At teacher's location
from C$57.92At student's home
Good-fit Instructor Guarantee
If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.
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course
---------------
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----------------------------
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_____
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● Other questions? Do not hesitate to contact me!
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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