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singing and vocal singing technique.

From 96.64 C$ /h

Whether you are a beginner or already advanced in your practice of singing, whether you want to sing alone or in chorus, I propose to work your voice, with attention to the breath, posture, specific exercises, to put a good and healthy technique serving your pleasure of singing.
You can bring the pieces you like, classic or not, and / or I will propose a repertoire adapted to your voice and your desires. I can also help you decipher the pieces or your choral scores, give you notions of music theory singer in order to be more autonomous in your choral practice for example.Work on the connection to the breath, the opening of the body and the resonators, the accuracy and the interpretation, discovery of the repertoire adapted to each voice, exploration of the tessitura, preparation for entrance exams for conservatories, choir parts for choristers. But also for all the other styles (variety, gospel, soul, pop), learning techniques that will allow you to expand your expressive palette: voice of chest / voice of head ..., all supported on a solid technique of breath .
The work on the breath and the voice also allows you to better place your spoken voice, to manage your stress, the public speaking, to gain confidence.

Extra information

Lyric singer, practicing on various national and international stages as a soloist for twenty years, I want to share my professional experience to better target your work and progress goals.
I had the chance to meet singers, conductors and directors from whom I learned a lot. Through their experience, their know-how, their advice I have constantly sought to improve and refine my vocal technique as well as my musical interpretation; scenic as well as my approach to pedagogy.

Location

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At teacher's location :

Avenue de la Division Leclerc, 92320 Châtillon, France

Online from France

About Me

Lyric singer, practicing on different national (and international) stages as a soloist for twenty years, I want to share my professional experience to better target your work and progress objectives.
I had the chance to meet singers, conductors and directors from whom I learned a lot, through their experience, their know-how, their advice and have constantly sought to progress and refine also well my vocal technique as my musical and scenic interpretation.
it has never been possible for me to make a choice between my career as an artist and teaching.
The voice is my passion, it is a magical instrument that reveals many things to us ...

Education

National Conservatory of Tours Region
First price of music theory
First singing prize
London Guildhall School of Music and Drama
Diploma of advanced studies
International Opern Studio Zürich
: State Diploma of Singing

Experience / Qualifications

Professor of clarinet music school Château Gontier
Assistant Professor of Music (solfeggio) National Conservatory of Tours Region
Singing teacher Fleurines music school
Singing teacher municipal music school of Breteuil
Music school singing teacher "Music in herbs" in Amiens
Trainer in vocal technique for ASSECARM of Picardy (association for the expansion and coordination of regional musical activities)
Trainer in vocal technique for the center of polyphonic art of Auvergne and member of the regional octet.

Singing teacher at the Regional Conservatory of Clermont-Ferrand
Trainer of the regional choir of Picardie
Artistic teaching assistant at the Châlons Conservatory in Champagne.
: Artistic teaching assistant at CRR Amiens
: Artistic teaching assistant at the CRD of Ivry sur Seine

Age

Children (7-12 years old)

Teenagers (13-17 years old)

Adults (18-64 years old)

Seniors (65+ years old)

Student level

Beginner

Intermediate

Advanced

Duration

45 minutes

60 minutes

The class is taught in

French

English

Skills

Singing

Opera

Reviews

Availability of a typical week

(GMT -05:00)

New York

At teacher's location and via webcam

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

Sara

5.0

(1)

Do you want to learn how to use your voice better – for singing, speaking or simply for fun?
I am an Italian opera singer (soprano), graduated with a Master's degree in singing from the Royal Irish Academy of Music in Dublin and trained in the Lichtenberg vocal technique.
With 18 years of experience, I offer singing lessons (all styles) and diction in Italian, English and Spanish, adapted to your level and your objectives.
We will work together on breathing, posture, vocalizations, technique, interpretation — always respecting the natural physiology of the voice.

Emmanuelle

5.0

(1)

I am a professional lyric soprano graduated from the CNSM of Lyon.
I participate in productions with the Concert d'Astrée, the Choir of Namur, Accentus, the Opéra National de Lorraine, Choir de la Chapelle Harmonique. I am also on the lists of the Montpellier Opera, Concert Spirituel, Ensemble Correspondances and Radio France choir.
I have just finished a production of Haydn's Die Schöpfung at the Opéra National de Lorraine last January-February, conducted by Marta Gardolinska (Guillaume Fauchère choir director), directed by Kevin Barz.

I sang solo and in chorus the role of the Trojan woman in Campra's Idomenée in 2021 at the Lille Opera and the Berlin Staatsoper, staging of the fura dels baus,
I also sang the solo of Campra's Requiem at the philharmonies of Luxembourg, Lille, Essen Cologne and Berlin with the Concert d'Astrée in 2019 directed by Emmanuelle Haïm.

In 2019, I participated in the production of Les Indes Galantes by Rameau with the Namur Choir at the Opera Bastille, directed by Leonardo Garcia Alarcon and directed by Clement Cogitore. In 2022, I participated in numerous productions, notably with the Accentus choir in Beethoven's 9th symphony, the missa solemnis or even a polyphonic baroque project.
In 2022 I participated in the production of Hulda by Cesar Franck with the Namur Choir at the Grand Manège de Namur, the Liège Philharmonic and the Théatre des Champs Elysées.

My background as well as my skills in lyrical singing allow me to master my instrument well. I am a very curious and very patient person, and I like to find solutions to problems. Transmitting my passion to students wishing to discover or develop their voices, discover their artistic personality would be a great pleasure for me. If I can transmit this joy that I have from singing as well as my acquired knowledge, it would be a great exploration for them as for me.

Arthur

5.0

(1)

singing

- Basics of vocal art (breath management, articulation and projection);
- Discovery of the vocal possibilities particular to each individual;
- Technical work concerning the creation of a powerful, flexible and healthy voice;
- Learning the correct pronunciation of several languages (English, French, Italian, German, Portuguese, etc.);
- Deep analysis of the interpretations of great singer (s);

Solfège (musical training and composition)

- Development of the relative ear: recognition of intervals, chords (major, minor, diminished, augmented), rhythms and measures;
- Solfeggio: tonal, modal and atonal;

Camille

5.0

(1)

Our teacher using, if necessary, an electro-acoustic guitar to better accompany your voice and guide some of its subtleties, the teaching philosophy is adapted to each level, according to the pace of work and motivation.

Program :
- musical techniques: theory (examples: support, modes, colors, effects such as vibrato, etc.) automatically followed, for each of the exercises, by practice (examples: exercises focusing on accuracy, sound production, "mountains Russian ", time, note hold, diction, vowels etc.)
- work on breathing and breathing management
- body awareness
- stability
- resonance
- improvisation / free expression
- improved vocal comfort
- varied repertoire (adapting to your preference)
- well-being by the vibration of the voice
- personal or artistic development - accuracy, note keeping and precision - vocal modes including timbre
- volumes: softness and power - sound colors: from dark to light - vocal effects, range requirements - nuances: volumes, mimics, attitudes, sound quality - exploration of musical styles (folk, pop, classical, blues, rock, song, World music ...)
- improvisation, effects and vocal games, harmonies
-interpretation: work on emotions, body language, stage presence.

Objective: acquire a solid vocal technique allowing you to sing with accuracy, ease and expressiveness.

Musical learning meanwhile, will develop your ability to listen and reproduce music, your sense of rhythm, your expressiveness, your creativity and musicality as well as reading sheet music.

The work is focused on multidisciplinarity: voice, vocal health, music and bodily expressiveness, with an emphasis on the acquisition of an optimal vocal placement, on stress management in public and on interpretation.

This progressive and tailor-made method aims to develop your voice:
-Breathing techniques
-Vocalises and technical exercises adapted to needs;
- Repertoire work
- Accompaniment for studio recording and scenic performance
-dynamic exploration, diversification and release of one's voice while having fun and going beyond one's limits.

As other people do regularly, you can also please your loved ones by offering gift vouchers, available all year round.

TEACHER / TRAINER

Trained in Grandes Ecoles in France and the United States (Ivy League University), our teacher has specialized and has been working for more than 15 years, in North America and Europe, in the field, in international establishments renowned, and oriented on one axis: effective training with pedagogy and meticulous methodology as the watchwords.

PLACES, FEES
- Locations: Geneva-Lausanne-Friborg-Neuchâtel-Montreux-Bâle-Sion-Sierre-Morges-Bienne. But currently, only by videoconference in accordance with national recommendations on Covid. These sessions also seem to be perfectly unanimous since they have the advantages of direct (example: quality of the interaction), without its disadvantages (ex: loss of travel time), with additional advantages (ex: of notes on the chat, which can be reread afterwards). In this context, these videoconference sessions for which you have requested me, seem to arouse a certain enthusiasm (and a certain enthusiasm). At your request, I therefore continue to offer them.

Eva

5.0

(1)

I am a jazz singing student in France, where I stayed after a year of Erasmus. I would like to teach my students the art of singing. It should be fun, with the accompanying technology!
Music theory and the more theoretical aspects of music are certainly also possible!

Mia

5.0

(1)

My teacher's credo

As an opera singer, I have had the opportunity to perform on international stages while continuing to teach, which is a true vocation for me.

In vocal pedagogy, I believe that each student is the bearer of a unique instrument: their voice. This is why it is essential to adapt teaching and methodological tools to the individuality of each student. This approach allows me to conduct my classes in a variety of ways, choosing the most relevant vocal exercises or repertoire pieces to reveal the individual potential of each voice.

My technique is based on:

* in-depth breathing exercises,
* awareness of the whole body as an instrument,
* understanding the biological principles of breathing and its artistic role,
* the development of a free and resonant vocal emission.

My main objectives are to:

* maintain a feeling of high vocal position, awareness of resonant cavities in singing,
* work on the purity and continuity of vowels (legato), work on diction (Italian, German, French, etc.)
* gradually develop the tessitura,
* harmonize and balance the different vocal registers.

Finally, I place great importance on the student's personal development. Building a voice also means supporting an artistic personality: this involves guiding each student toward a repertoire adapted to their stage of vocal development, while nurturing their sensitivity and self-confidence.

Audrey

5.0

(1)

Building vocal technique in principle or helping you find your operatic voice. If you love opera, opera arias, French, English, or Italian melodies, if you have already learned to sing but want to improve your vocal technique, if you are passionate about the operatic voice and love to sing, even if you are a beginner, do not hesitate to contact me.

Katherine

5.0

(1)

[Please note that lessons are only available for serious students looking to be a professional musician or artist]

Katherine has been vocally trained in contemporary for 25 years and studied classical voice for three years. After developing Muscular Tension Dysphonia in 2010 and not singing for almost two years, she overcame this vocal disorder after working with some of the best voice and voice rehabilitation specialists in the UK. This experience further motivated her interest in teaching the following to her students in contemporary voice* using knowledge and training gained by renowned vocal coaches, ENTs and voice rehabilitation specialists:

- Vocal technique, health and hygiene
- Guidance in voice rehabilitation with students experiencing or recovering from vocal issues
- Managing Performance Anxiety
- Breath control
- Microphone technique and stage performance
- Basic music theory
- Artist development and mentoring

Katherine has over 15 years experience in one-to-one lessons, teaching students aged 4 years old to 50 years old of all levels and has developed programs for small choirs. Please be advised students under the age of 9 years old will be offered 30 min lessons only and will comprise of a combination of music and singing-related games and exercises.

Also offering:
- Live performance workshops

*Contemporary music styles like R&B, soul, neosoul, pop, country. She does not teach classical or jazz.
**Please note, 30 min lessons are only for students aged 10 and under. Adult students will be required to book one-hour lesson times to ensure they get the most out of their lessons and therefore their money's worth. Requests for 30 min lessons from adults will be declined and asked to book a one hour lesson.

Thomas

5.0

(1)

I teach lyrical singing during a lesson which is broken down into two sequences: first work on pure technique, based on muscular coordination with breath, breathing and posture. Then, depending on the student's level, interpretation work on one or more pieces, putting the technique into practice, to which we add actual musical work.

Mel

5.0

(1)

My watchword is pleasure! The singing lesson should above all be a moment of relaxation. I therefore offer courses accessible to all, in which we will cover the basic techniques of singing so that you can sing while adopting good habits. The first class will above all be a meeting, so that we can determine your expectations and determine your level. I will then build a personalized lesson plan for you.

Romain

5.0

(1)

Hello,

My name is Romain,

I am a Lyrical Singer, Musical Comedy, Circus Artist and I offer Singing and Circus Lessons for young and old from Beginner to Advanced.

Looking forward to meeting you,

Artistically,

Romain T

Levy

5.0

(1)

My singing lessons are fully personalized based on your level and musical needs. We will work on various techniques to improve your vocal control and develop your potential.

Course of the sessions:

• Short body warm-up

• Vocal exercises to warm up the voice and work on technique, with emphasis on:

- breathing and breath control
- the development of the larynx
- relaxation of the jaw and resonator muscles
- projection / power techniques
- accuracy

• Repertoire adapted and specialized to your voice type and your vocal evolution, in order to fully express your musicality and artistic personality. Each course will be adapted to your progress, in a caring and motivating atmosphere, to sing with more ease, confidence and pleasure. Let's discover the world of your voice together!

Franck

5.0

(1)

Opera conductor (more than 200 performances conducted), trained in Italy (singing and conducting), 1st prize in international competition.
Passionate about voice and vocal art since childhood, I studied piano, singing, and then orchestral conducting. I offer comprehensive training for both professionals and motivated beginners.

Tom

5.0

(1)

As a singer myself for around ten years, I am learning to sing healthily and quickly, without forcing, with a modern and caring method.

My teaching method is based on the body, breathing and voice placement to create a clear, stable and comfortable sound.
We work on accuracy, rhythm, diction and interpretation directly on your songs.

Typical course outline (60 min):
→ 15' guided warm-up: body, breathing, vocal warm-up)
→ 20' vocal exercises: placement, resonances, vowels
→ 20' work on phrases on your piece: interpretation
→ 5' homework plan (1 exercise + 1 measurable objective).
Before/after recordings allow you to see progress.

My specialties: active songwriter and artist, clear and structured approach, 4 to 8 week goals, concise written follow-up after each session, demanding but caring atmosphere. I prioritize vocal health and realistic progression: positioning the voice, gaining in pitch, lengthening the breath, daring to interpret.

Who is it for? Beginners (including shy people), teens and adults, pop/variety/soul/folk styles.

Classes in Paris or online. Ideal for learning to sing in tune to your favorite songs, preparing for a stage/open mic, or simply gaining confidence, quickly and sustainably.

Sabrina

5.0

(1)

A teaching method that is both demanding and supportive, where vocal technique is at the service of music and interpretation.
Pleasure is paramount.
Singing is the reflection of the soul.
The course is tailored to the singer's request and needs.