My journey :
A singer and actress with diverse training, I have built my artistic journey through complementary experiences and an insatiable curiosity. After six years of conservatory studies in music theory and choir, I turned to pop and variety music. I then explored opera with Zoé Gosset, before joining Les Glotte-Trotters Institute for Vocal Research and Training, directed by Martina A. Catella, where I spent five years developing an approach to singing that I now consider foundational to my practice. Throughout this journey, I have explored various repertoires and sung in numerous languages (French, Greek, Spanish, Armenian, Russian, Arabic, Ukrainian, etc.), each one a window onto different musical worlds and a unique way to inhabit my voice. In parallel, I pursued training in dramatic arts, first with a semi-professional company, then at the Hector Berlioz Conservatory in Paris where I studied for three years, and at the Nadia and Lili Boulanger Conservatory where I dedicated a year to musical theatre. These different approaches gave me a very embodied and comprehensive understanding of singing and vocal techniques in general.
A teaching approach that listens to you:
My teaching draws heavily on the Glotte-Trotters method: an approach that places the body and sensory awareness at the heart of the work, with particular attention to support, breathing, resonators, and body awareness. A solid theoretical foundation is complemented by exercises that are both playful and challenging, designed to refine vocal perception and production, and develop a keen awareness of oneself.
But beyond the exercises, you choose what you sing. Pop, variety, jazz, gospel, world music, folk, rock... the repertoire is open and it's yours. Working on songs that truly move you is the best way to stay motivated and progress with pleasure. The only guideline: that the music speaks to you and that your voice can flourish within it.
How a lesson unfolds:
Each session follows a structured approach designed to nurture both the voice and the entire body. We begin with a moment of relaxation and breathing exercises, to settle the breath and fully immerse ourselves in the classroom environment. Next comes a physical awakening: the body is the singer's instrument, and it deserves to be awakened before singing. Then come vocal exercises and warm-ups, often interwoven, always tailored to the student's profile and needs. Finally, we delve into the heart of the matter: singing, with attention paid to both technique and interpretation. Because singing well is also about telling a story.
Tailor-made courses for all levels:
I offer private lessons at my home in Paris, whether you're a beginner or an experienced singer, child or adult. Each lesson is tailored to your individual goals, your vocal style, and your current vocal development. My aim is to help you make your voice an ally and to enjoy exploring and sharing it.
