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Since July 2024
Instructor since July 2024
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Classical tradition piano lessons according to the principles of Russian and French methods (Couperin-style pearl playing) for beginners
From 48.32 C$ /h
We work from the manual entitled "Let's play the piano" by Russian teachers Elvira Caflers and Natalia Godbillon which can be ordered online from Renmusic editions.
Regarding the French beaded game, we become familiar with its technique gradually and from the start. Particularly when working on non-legato playing.
The teaching is intended for students who are just starting out on the piano.
Regarding the French beaded game, we become familiar with its technique gradually and from the start. Particularly when working on non-legato playing.
The teaching is intended for students who are just starting out on the piano.
Extra information
It is not necessary to have previously been introduced to reading music to begin. This learning is part of the course which begins and is carried out gradually.
Location
At student's location :
- Around Strasbourg, France
About Me
I have been playing the clarinet since the age of 11 and I trained at the Departmental Conservatory of Colmar, class of Willy van Dorsselear, great interpreter of Artie Shaw's clarinet concerto, with also musical training courses, some of which have were given by the remarkable jazz guitarist and keyboardist Bernard Struber as well as the no less remarkable double bassist Werner Brum.
I myself practice the classical and klezmer clarinet diligently and I have undivided admiration for the clarinetists of Central Europe, especially Bulgarian, and notably the astonishing Ivo Papazov.
I am currently building learning paths and workshops for young klezmerim clarinetists.
This is an innovation; to date, this learning and transmission is oral and rather confidential and the manuals for beginning klezmerim students have yet to be invented.
On the other hand, I learned classical piano as an autodidact but from a solid initial musical culture. Initially, the idea was simply to accompany my clarinet students on the keyboard, but one thing led to another another passion was born which I have not stopped developing since, for at least 8 hours of classical piano per day for 3 years.
I do not ask such a daily amount of work from my students, I reassure you, but I ask them to acquire the good basics of playing based on the remarkable principles of the great Russian piano school, as well as the formidable achievements of the French technique of pearl playing à la Couperin, Louis and François, a school itself originating from the Renaissance and the Baroque at a time when the keyboards were still virginals, harpsichords and small positive eight-footers for the organist.
We work on the piano using the remarkable and very accessible manual by Elvira Caflers and Natalia Godbillon. This manual for beginners according to the principles of the Russian school is entitled "Let's play the piano" and is available online from RENMUSIC.
I was also a French teacher in several universities in South Korea, after a second training course, in an oriental language and carried out at Inalco in Paris.
I myself practice the classical and klezmer clarinet diligently and I have undivided admiration for the clarinetists of Central Europe, especially Bulgarian, and notably the astonishing Ivo Papazov.
I am currently building learning paths and workshops for young klezmerim clarinetists.
This is an innovation; to date, this learning and transmission is oral and rather confidential and the manuals for beginning klezmerim students have yet to be invented.
On the other hand, I learned classical piano as an autodidact but from a solid initial musical culture. Initially, the idea was simply to accompany my clarinet students on the keyboard, but one thing led to another another passion was born which I have not stopped developing since, for at least 8 hours of classical piano per day for 3 years.
I do not ask such a daily amount of work from my students, I reassure you, but I ask them to acquire the good basics of playing based on the remarkable principles of the great Russian piano school, as well as the formidable achievements of the French technique of pearl playing à la Couperin, Louis and François, a school itself originating from the Renaissance and the Baroque at a time when the keyboards were still virginals, harpsichords and small positive eight-footers for the organist.
We work on the piano using the remarkable and very accessible manual by Elvira Caflers and Natalia Godbillon. This manual for beginners according to the principles of the Russian school is entitled "Let's play the piano" and is available online from RENMUSIC.
I was also a French teacher in several universities in South Korea, after a second training course, in an oriental language and carried out at Inalco in Paris.
Education
MASTER 2 LLCER KOREA,INALCO PARIS
Master’s degree in Korean LLC, PARIS 7
KOREAN LICENSE, INALCO PARIS
END OF STUDY DIPLOMA AND MEDAL OF VERMEIL CLARINET COLMAR CONSERVATORY
Master’s degree in Korean LLC, PARIS 7
KOREAN LICENSE, INALCO PARIS
END OF STUDY DIPLOMA AND MEDAL OF VERMEIL CLARINET COLMAR CONSERVATORY
Experience / Qualifications
French reader at several South Korean universities from 2003 to 2013.
Currently Professor of Musical Training and Clarinet at the Pays de Bitche Music School (Moselle)
Currently Professor of Musical Training and Clarinet at the Pays de Bitche Music School (Moselle)
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Duration
60 minutes
90 minutes
The class is taught in
French
German
English
Korean
Thai
Skills
Availability of a typical week
(GMT -05:00)
New York
At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
Clarinet lessons based on klezmer clarinet standards mainly intended for beginner learners and the setting up of duos and trios for klezmerim apprentices, lessons given in Strasbourg, but also available live on zoom.
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