1/10
Trusted teacher
This teacher has a fast response time and rate, demonstrating a high quality of service to their students.
Since February 2024
Instructor since February 2024
Translated by Google
Drums and percussion classes /
From 46 C$ /h
Percussion classes, congas, bongos, cajon, bata drums, drums, modern teaching methods, no previous knowledge or music reading required. You can start at any time and at any age.
Also ask about classes related to topics from any of my 14 musical books published
Classes half Spanish half English.
Also ask about classes related to topics from any of my 14 musical books published
Classes half Spanish half English.
Location
At student's location :
- Around Québec, 10, Canada
Online from Canada
About Me
I love teaching, transmitting and sharing the musical knowledge that I have had to experience in my path as a professional musician. I am deeply moved by contemplating the growth of students, both those who want to dedicate themselves professionally or as an amateur. For me, music is a way of life but also a very broad philosophy, a true form of self-knowledge and improvement, one of the richest I have ever known. I am very patient with my students, and I ask them to be patient with themselves since the requirement does not apply to the moment of playing, but to the consistency of our practice habits.
Education
I am an Argentine musician, percussionist, drummer, composer, arranger, musical director, singer-songwriter, drum and percussion teacher, artistic producer, author of 14 books for musicians in general.
Titles of the editorial catalog of my books:
* The book of movements (volume 1) 8/8
* The book of movements (volume 2) 5/8
* The book of movements (volume 3) 6/8
* The book of movements (volume 4) 7/8
* The book of movements (volume 5) Palindromes 1
* The book of movements (volume 6) Palindromes 2
* The book of movements (volume 7) Rhythmic Counterpoints for two voices
* The book of movements (volume 8) Plasticity of rhythmic form
* The book of movements (volume 9) Multimetric System
* The book of movements (volume 10) Rhythmic counterpoints for two voices 6/8
* The book of movements (volume 11) Rhythmic counterpoints for two voices Palindromic
* The Great Book of Movements
* Movement Control
* The easiest method in the world to learn to play the drums:
Titles of the editorial catalog of my books:
* The book of movements (volume 1) 8/8
* The book of movements (volume 2) 5/8
* The book of movements (volume 3) 6/8
* The book of movements (volume 4) 7/8
* The book of movements (volume 5) Palindromes 1
* The book of movements (volume 6) Palindromes 2
* The book of movements (volume 7) Rhythmic Counterpoints for two voices
* The book of movements (volume 8) Plasticity of rhythmic form
* The book of movements (volume 9) Multimetric System
* The book of movements (volume 10) Rhythmic counterpoints for two voices 6/8
* The book of movements (volume 11) Rhythmic counterpoints for two voices Palindromic
* The Great Book of Movements
* Movement Control
* The easiest method in the world to learn to play the drums:
Experience / Qualifications
In Argentina I studied with different teachers, drums with Jorge Lützow-Holm, Marcelo Frezia and Ernesto Zeppa, but most of my training was self-taught.
I studied percussion in Cuba, Brazil and Argentina with different teachers and schools. La Katurga, with Santiago Comín, La Chillinga, with L aura Pizzarelli, also at CERPS I learned the sign system for percussion created by Santiago Vázquez in classes with Lucas Helguero, and Andy Inchausty.
In particular, I took classes with Julio Morales (Argentina), Juan J. Martinez (Argentina), Gastón Carabajal (Argentina). Yaroldi Abreu, (Cuba) Alejandro Carbajal (Cuba) Younier Pons
I also studied harmony with Jorge Blengini and Federixo Marquestó, Jazz Piano with Leopoldo Limeres and Lucas Pierro. I sing with Martin Ibarburen and Mariela Pacchioli.
Some musical projects that I am a part of are El Club del Ritmo where I was a composer and singer, I also directed, composed and arranged for small wind orchestras with drums, I participated singing in Coral 3 directed by Mario Konikoff, I played drums in Tangata Manú, Pilar Veal Los Caraquses, Jabalí Orchestra where Toto Rotblat composed and sang (Fabulous Cadillacs)
I played percussion in salsa bands, La Tremeda, and was also part of the Baccarat orchestra.
I sang and played with Quitiplá, with Nani, Fiorenza and Gastón Carabajal, Drums and Latin American songs.
Currently I am learning to play jazz piano, I compose and record music with Tibetan bowls and piano
in a duo with Agostina Bramanti,
In addition to playing, I dedicate a lot of time to teaching at my school where I teach Afro-Latin percussion and drums in general, groups and individually in Buenos Aires Argentina, in person or online for the entire planet.
Cheers!
Cyrus
I studied percussion in Cuba, Brazil and Argentina with different teachers and schools. La Katurga, with Santiago Comín, La Chillinga, with L aura Pizzarelli, also at CERPS I learned the sign system for percussion created by Santiago Vázquez in classes with Lucas Helguero, and Andy Inchausty.
In particular, I took classes with Julio Morales (Argentina), Juan J. Martinez (Argentina), Gastón Carabajal (Argentina). Yaroldi Abreu, (Cuba) Alejandro Carbajal (Cuba) Younier Pons
I also studied harmony with Jorge Blengini and Federixo Marquestó, Jazz Piano with Leopoldo Limeres and Lucas Pierro. I sing with Martin Ibarburen and Mariela Pacchioli.
Some musical projects that I am a part of are El Club del Ritmo where I was a composer and singer, I also directed, composed and arranged for small wind orchestras with drums, I participated singing in Coral 3 directed by Mario Konikoff, I played drums in Tangata Manú, Pilar Veal Los Caraquses, Jabalí Orchestra where Toto Rotblat composed and sang (Fabulous Cadillacs)
I played percussion in salsa bands, La Tremeda, and was also part of the Baccarat orchestra.
I sang and played with Quitiplá, with Nani, Fiorenza and Gastón Carabajal, Drums and Latin American songs.
Currently I am learning to play jazz piano, I compose and record music with Tibetan bowls and piano
in a duo with Agostina Bramanti,
In addition to playing, I dedicate a lot of time to teaching at my school where I teach Afro-Latin percussion and drums in general, groups and individually in Buenos Aires Argentina, in person or online for the entire planet.
Cheers!
Cyrus
Age
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
Spanish
English
Availability of a typical week
(GMT -05:00)
New York
Online via webcam
At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
Afro-Latin rhythms program, Cuba, Brazil, Peru, Argentina, phrases and elements for improvisation, rhythm language with signs to direct groups.
Movement patterns
based on the Double Binary Motor System and my 14 books with applications to any percussion set.
Drum classes for beginners of any age, based on my book
Afro-Latin rhythms program, Cuba, Brazil, Peru, Argentina, phrases and elements for improvisation, rhythm language with signs to direct groups.
Movement patterns
based on the Double Binary Motor System and my 14 books with applications to any percussion set.
Drum classes for beginners of any age, based on my book
Movement patterns
based on the Double Binary Motor System and my 14 books with applications to any percussion set.
Drum classes for beginners of any age, based on my book
Afro-Latin rhythms program, Cuba, Brazil, Peru, Argentina, phrases and elements for improvisation, rhythm language with signs to direct groups.
Movement patterns
based on the Double Binary Motor System and my 14 books with applications to any percussion set.
Drum classes for beginners of any age, based on my book
Contact Ciro
1st lesson is backed
by our Good-fit Instructor Guarantee
by our Good-fit Instructor Guarantee
Good-fit Instructor Guarantee
Contact Ciro