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Course Accompaniment GUITAR Jazz / Jazz Manouche / Bossa
From 49.99 C$ /h
There is no point running !!!!
In fact, in jazz, and gypsy jazz in particular, the accent at the beginning of learning, is put on accompaniment.
What better way to get acquainted with the harmonies and this new rhythm, what is the Swing !!!
With a learning by word thanks to my many stays in gypsy camps, I propose an original method and oh how effective to play and play THE FIRST class, your standards or pieces of choice!
With or without the need for solfege, it is the student who will decide the path he wants to take, the teacher being there to show the way.
With the ability to quickly pass the solos, my method will allow you to always have fun and progress effectively.
Whether it's the pump, in all its forms, voicing chords for jazz, or a walking bass with punctuating chords, I'm sure you'll quickly find what interests you, and the way to get there.
I offer opportunities to improve for those who already have a good practice of these styles; advanced study of harmony, reharmonizations, rhythm equivalence, recording method, in / out playing, etc ...
I studied the bossa with a well-known guitarist in the middle, and the correspondence of the chords with jazz, and my rhythmic baggage allowed me to quickly transmit this music, too.
I started to learn on my own, then with the manouches, then FINALLY and only then, the schools to have the diplomas to have the right to teach (I had not necessarily waited to start to transmit ). I guarantee you a fun and effective method !!!
In fact, in jazz, and gypsy jazz in particular, the accent at the beginning of learning, is put on accompaniment.
What better way to get acquainted with the harmonies and this new rhythm, what is the Swing !!!
With a learning by word thanks to my many stays in gypsy camps, I propose an original method and oh how effective to play and play THE FIRST class, your standards or pieces of choice!
With or without the need for solfege, it is the student who will decide the path he wants to take, the teacher being there to show the way.
With the ability to quickly pass the solos, my method will allow you to always have fun and progress effectively.
Whether it's the pump, in all its forms, voicing chords for jazz, or a walking bass with punctuating chords, I'm sure you'll quickly find what interests you, and the way to get there.
I offer opportunities to improve for those who already have a good practice of these styles; advanced study of harmony, reharmonizations, rhythm equivalence, recording method, in / out playing, etc ...
I studied the bossa with a well-known guitarist in the middle, and the correspondence of the chords with jazz, and my rhythmic baggage allowed me to quickly transmit this music, too.
I started to learn on my own, then with the manouches, then FINALLY and only then, the schools to have the diplomas to have the right to teach (I had not necessarily waited to start to transmit ). I guarantee you a fun and effective method !!!
Extra information
Having a guitar is always a good start !!
What to note, with or without reach, it is you who decide !!!!
What to note, with or without reach, it is you who decide !!!!
Location
At student's location :
- Around Paris, France
At teacher's location :
- Arrondissement, Paris, France
About Me
Play and play !!!
There is no point running !!!!
Indeed, in jazz, and gypsy jazz in particular, the focus early learning, is on the accompaniment.
What better way to get acquainted with the harmonies and this new rhythm, what is the Swing !!!
With a learning by word thanks to my many stays in gypsy camps, I propose an original method and oh how effective to play and play THE FIRST class, your standards or pieces of choice!
With or without the need for solfege, it is the student who will decide the path he wants to take, the teacher being there to show the way.
With the ability to quickly pass the solos, my method will allow you to always have fun and progress effectively.
Whether it's the pump, in all its forms, voicing chords for jazz, or a walking bass with punctuating chords, I'm sure you'll quickly find what you're interested in, and how to get there. arrive.
I offer opportunities to improve for those who already have a good practice of these styles; advanced study of harmony, reharmonizations, rhythm equivalence, recording method, in / out playing, etc ...
I studied the bossa with a well-known guitarist in the middle, and the correspondence of the chords with jazz, and my rhythmic baggage allowed me to quickly transmit this music, too.
I started to learn on my own, then with the manouches, then FINALLY and only then, the schools to have the diplomas to have the right to teach (I had not necessarily waited to start to transmit ). I guarantee you a fun and effective method !!!
There is no point running !!!!
Indeed, in jazz, and gypsy jazz in particular, the focus early learning, is on the accompaniment.
What better way to get acquainted with the harmonies and this new rhythm, what is the Swing !!!
With a learning by word thanks to my many stays in gypsy camps, I propose an original method and oh how effective to play and play THE FIRST class, your standards or pieces of choice!
With or without the need for solfege, it is the student who will decide the path he wants to take, the teacher being there to show the way.
With the ability to quickly pass the solos, my method will allow you to always have fun and progress effectively.
Whether it's the pump, in all its forms, voicing chords for jazz, or a walking bass with punctuating chords, I'm sure you'll quickly find what you're interested in, and how to get there. arrive.
I offer opportunities to improve for those who already have a good practice of these styles; advanced study of harmony, reharmonizations, rhythm equivalence, recording method, in / out playing, etc ...
I studied the bossa with a well-known guitarist in the middle, and the correspondence of the chords with jazz, and my rhythmic baggage allowed me to quickly transmit this music, too.
I started to learn on my own, then with the manouches, then FINALLY and only then, the schools to have the diplomas to have the right to teach (I had not necessarily waited to start to transmit ). I guarantee you a fun and effective method !!!
Education
ATLA, Diploma of engineer of the SON, Conservatoire, Learning on the "heap"
Experience / Qualifications
5 years of teaching
6 years of professional career
6 years of professional career
Age
Preschool children (4-6 years old)
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
French
English
Skills
Availability of a typical week
(GMT -05:00)
New York
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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