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Since September 2022
Instructor since September 2022
Audition Preperation and Technique for Drama School
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From 76 C$ /h
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For those with aspirations in the acting profession Drama School is an invaluable resource. However, application numbers are incredibly high and places are few. The learning and growth that can be achieved on these programs in inaccessible unless you can gain one of those coveted spots.

What you can expect me to help with:
- Practical working of speeches.
- Verse speaking technique.
- Voice work (inc. breath support, articulation, range, resonance etc')
- Suggested pre-audition vocal warm-ups.
- Advice on speech choice.
- Guidance on audition procedure

About me:
I have trained across a range of disciplines, studying clown and physical comedy at Ecole Philippe Gaulier before completing the 3-year training at the Bristol Old Vic Theatre School, where I received The Cormac Richards Young Actor Award for outstanding performance. Past students include Oliva Coleman, Jeremy Irons and Daniel Day-Lewis.

Since graduating I have worked with Full House Theatre; guest-starred on an episode of BBC1's Doctors; played Toby Belch and Sebastian in a production of Twelfth Night with the Orange Tree Theatre, and played Bob Cratchit in A Christmas Carol with Half Cut Theatre. Most recently I've been back at the Orange Tree playing Bottom in A Midsummer Night's Dream.
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At student's location :
  • Around Islington, United Kingdom
About Me
I have trained across a range of disciplines, studying clown and physical comedy at Ecole Philippe Gaulier before completing the 3-year training at the Bristol Old Vic Theatre School, where I received The Cormac Richards Young Actor Award for outstanding performance. Past students include Oliva Coleman, Jeremy Irons and Daniel Day-Lewis.

Since graduating I have worked with Full House Theatre; guest-starred on an episode of BBC1's Doctors; played Toby Belch and Sebastian in a production of Twelfth Night with the Orange Tree Theatre, and played Bob Cratchit in A Christmas Carol with Half Cut Theatre. Most recently I've been back at the Orange Tree playing Bottom in A Midsummer Night's Dream.
Education
Bristol Old Vic Theatre School 2016-2019
BA Acting
Ecole Philippe Gaulier 2015-2016
Le Jeu, Greek Tragedy, Neutral Mask, Characters, Shakespeare, Chekov, Clown
Experience / Qualifications
The Cormac Richards Young Actor Award for outstanding performance.
Extensive work across Theatre and TV
Experience as a workshop leader/facilitator
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
English
Availability of a typical week
(GMT -04:00)
New York
at home icon
At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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6.To be a Zambian languages Tutor as well.

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One sharp short answer is a big NO!
Why? It's because in Lusaka and all the other Zambian provinces NYANJA is the most spoken language.
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3.Your indigenous Zambian language.Good for those born from Zambian parents but raised overseas.
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Or are you a performer that needs to nail that script for the role?
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Command the Room: Project confidence and authority.
Captivate Your Audience: Master the art of storytelling and vocal power.
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verified badge
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What I offer:

Drama School Audition Preparation
Aspiring to train at a top drama school? I offer drama school audition prep, helping actors choose the right monologues, refine their delivery, and approach auditions with confidence and authenticity.

Preparation for Castings & Self-Tapes
Master the art of self-taping and auditioning with confidence. Whether you're preparing for a high-stakes casting or need to create a compelling self-tape for Spotlight UK, I’ll guide you through script choices, performance techniques, and the technical aspects to ensure your submission stands out.

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Already cast in a role? Let’s dive deep into your character’s motivations, relationships, and emotional truth. I provide detailed script breakdowns and scene analysis, helping you make bold, authentic choices that bring your character to life.

On-Location & On-Set Coaching & Support
Acting on set comes with its own challenges. I offer real-time support for actors working on film, TV, and theatre projects, ensuring that your performance remains fresh, focused, and dynamic under professional conditions.

Voice & Speech Coaching for Actors
Finding your voice is essential to a compelling performance. I work with actors on clarity, diction, and enunciation, ensuring their voice is expressive, powerful, and precise. This is not an elocution class, but rather a deep exploration of how to use your voice effectively for performance. A strong, expressive voice is key to a compelling performance. Through breath work and floor work, I help actors connect with their natural voice, unlocking greater clarity, resonance, and control.

Why Work With Me?
I am passionate about helping actors unlock their full potential by providing a supportive, challenging, and professional coaching environment. Whether you're preparing for an audition, developing a role, or looking to strengthen your voice and speech, my coaching is tailored to meet your individual needs.

Let’s refine your craft and take your acting to the next level!
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I can teach all periods of English Literature - but particularly Shakespeare and Classical Drama - having a BA from Oxford and also an MA in Russian and East European Literature from UCL. Also poetry at all levels. Also a RADA trained actor who can help with voice work and public speaking. Am particularly interested in working with older/mature students too.
verified badge
I’m a professional actor working across theatre, TV, film, and commercial projects, and a current auditioning actor who knows exactly what casting panels are looking for. I bring real-world, up-to-date industry experience into every session, offering practical audition prep, self-tape coaching, and drama school support.

I have over five years’ experience teaching LAMDA across Acting, Verse & Prose, Musical Theatre, and Public Speaking. Whether you’re aiming for exams, auditions, or simply more confidence, sessions are tailored to you.

I specialise in comedy and character work and believe training should be bold, playful, and fun. I love working with people who are passionate, curious, and ready to explore — whether you’re a serious performer, prepping for drama school, or an amateur who’s always wanted to discover your creative side.

Training should feel exciting, not intimidating. Let’s do great work and enjoy it.
verified badge
My lessons are designed to be dynamic, supportive, and confidence-building, creating a safe space where students can explore and enjoy singing without fear or pressure. I strongly believe that learning music should feel exciting, empowering, and personal. Whether you are a complete beginner or someone with previous experience, my goal is to help you feel comfortable using your voice and expressing yourself freely while developing healthy vocal habits.

Classes combine vocal technique, breathing exercises, interpretation, musicality, acting tools, diction, and fun performance-based activities adapted to each student’s level, musical taste, and goals. As a bilingual actor and singer with professional experience in musical theatre, live performance, television, and music projects in Mexico, the United States, and Spain, I also help students connect emotionally with songs, improve stage presence, and build confidence while performing in front of others.

My vocal background includes training in musical theatre, jazz singing, gospel music, choral singing, contemporary music, and vocal coaching. Thanks to this variety of styles and techniques, lessons can be adapted for students interested in musical theatre, pop, contemporary music, jazz, or simply discovering and improving their natural voice.

One of my biggest priorities is vocal health. Students will learn how their vocal instrument truly works, how to use it correctly, and how to sing safely without hurting themselves. Understanding your voice is just as important as developing it, and I make sure every exercise is done in a healthy and sustainable way.

I believe every voice has potential, and every student deserves encouragement, patience, and a positive environment throughout their artistic journey. As Gusteau says in Ratatouille: “Everyone can sing.”
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