Musical arrangement - musical theory - composition - Brussels

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Musical arrangement - musical theory - composition

From 86 C$ /h

- Master in jazz guitar (Royal Conservatory of Brussels/Lemmens Instituut Leuven)
- Additional module in Jazz Arrangement (writing for large ensemble - octet, nonet, big band, etc.)
- 4 years of experience at the Cavell Music School and 2 years at the Maria Boodschap Instituut primary school.

This course is aimed at those wishing to learn the art of musical arrangement. How to make a composition richer? What elements should you add to your piece to create a surprise effect? Which agreements are interchangeable or how can you enrich them?

Also, I teach jazz arranging (writing for octet, nonet, big band) and writing for several instruments. How to compose effective voicings for several blowers, how to write an effective bass line etc...!

Location

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At teacher's location :

Avenue Franklin Roosevelt, Bruxelles, Belgique

About Me

I am a professional musician.
Since adolescence, music has always been my passion. I listen to all styles with a preference for African-American music (Jazz, Blues, Soul, Funk, etc.). I love sharing my musical tastes and am always looking for new artists to listen to!

Education

- Master in jazz guitar (Royal Conservatory of Brussels/Lemmens Instituut)
- Module in jazz arrangement (writing for large ensemble - octet - nonet - big band..)

Experience / Qualifications

- 4 years of experience within the Cavell Music School
- 2 years of experience at the Maria Boodschap Instituut primary school

Age

Teenagers (13-17 years old)

Adults (18-64 years old)

Seniors (65+ years old)

Student level

Beginner

Intermediate

Advanced

Duration

60 minutes

The class is taught in

French

English

Skills

Jazz music

Song writing

Music theory

Availability of a typical week

(GMT -04:00)

New York

At teacher's location

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

Guitar lessons for all styles (Jazz, Blues, Soul, etc.) in Brussels

58 C$ /h

- Master in jazz guitar (Royal Conservatory of Brussels/Lemmens Instituut Leuven)
- Additional module in Jazz Arrangement (writing for large ensemble - octet, nonet, big band, etc.)
- 4 years of experience at the Cavell Music School and 2 years at the Maria Boodschap Instituut primary school.

I teach all styles, according to the student's preference, and at all levels (beginner, intermediate, advanced).
My teaching method varies depending on the style and your desires. I see learning the instrument along three lines: accompaniment, musical understanding and improvisation. I try to give the student a solid foundation so that he can become independent as quickly as possible and can learn pieces by himself or accompany himself.

Many "theoretical" courses are available in videos and offered after the course (different scales, chords etc...).

Lou-Indigo

4.88

(88)

The course that I propose is BILINGUAL FRENCH / ENGLISH, as well as 2 BOOKS.

Age and musical taste are not restrictive when in the program, you can with qualitative daily work (not quantitative) quickly observe your progress.

Here the pleasure of playing music is put forward.

The kind of music you love most will be the focus of the course, their codes and secrets will be the focus of our study, that's what I want to share with you.

We can do technical lessons and simply learn together how to play one or more songs of your choice or mine, enrich your game with this approach and your repertoire!

(For example, We can re-arrange the pieces and make them more original by approaching the system (CAGED), and enriching their chords, resulting in new positions, new techniques and new sounds, using arpeggio techniques rather than strumming for 4-chord pieces, voicing and fingerstyle techniques, in short, expanding the instrument's playing fields and playing skills to keep progressing in your game and improve your rehearsals ...)

If you make a request, this program is obviously accompanied by the pleasure of learning more in theory and being able to directly apply new knowledge on its instrument and identify its common or rare use in the pieces discussed in class.

In this case, the theory is translated to be accessible to anyone, both for those who are connoisseurs and for those who discover everything from absolute zero.
The exercises, songs, and theoretical explanations offered throughout the program are organized in an order of progressive difficulty.

I wrote and produced 2 books of my method to learn the guitar and the music, that I sell to accompany my course and your apprenticeship in the best conditions and so that you can continue the course even at home and to review etc ... .
There is ONE BOOK OF COURSES containing all the theoretical and practical program of the year, as well as a BOOK OF EXERCISE on the ranges and the modes that you can obtain directly.

You can find here an indicative list of objectives that I propose in my theoretical program, which can of course adapt to your request.

The general theoretical objectives of the course:

--- Tuning / tuning and knowing his guitar:
* Standard Tuning
* Drop Tuning
* Open Tuning
* Adjust the optimal tension of the strings
* Adjust the shaft axis
* Adjust the action of the strings
* Choose the strings adapted to the style of play / tuning
* Change his strings

-Know his chords:
* Triads: Fundamental State & Inversions
* Tetrads: Fundamental State & Inversions
* The chord progressions of the Range
* Arpeggio techniques (tapping, sweep, 1/2/4 fing.shape, etc ...)

--- Know his scales and his modes

* The Mode of the Major scale
* 3 Modes of the Minor scale: Natural / Melodic / Harmonic
* Modes of the Pentatonic range: 5 positions
* Modes of the Blues range: 5 positions
Etc ...

--- Technique to the Pick / Plectrum / Tab / Pick (Electric Guitar):
* Alternate Picking
* Fast Picking / Tremolo Picking
* Hybrid Picking
* Palm Mute
* Natural Harmonics
* Pinch Harmonics
* Artificial Harmonics
* Shredding
* Tapping
* Sweep Picking
* Legato Picking

--- Strumming / Hand Picking (Acoustic Guitar)
* "SnareDrum" percussion on the guitar
* Arpeggios pinched with 4 fingers + thumb
* Rasgueado (Flamenco Technique)
* Generic Strumming
* Fingerstyle Picking
* Two-finger picking + Legato for fast melodies (eg a solo)

-Play the metronome
* exercises on click
* practice on song riffs

-Learn his favorite songs
* without thinking about the difficulty, nothing is impossible with the right methodology

-Improvise
* choose ranges and positions
* to place oneself rhythmically, to finish on the judicious notes

-Theory of Harmony
* Understand harmonization and its practice

-Theory on the Melody

-Theory of Rhythm

Jacob

4.88

(88)

I graduated from the Conservatoire de Nice CNRR (France) in jazz guitar.
I studied there for seven years with renowned professors such as Jean Paul Ceccarelli (Sting), Pierre Bertrand, Robert Persi or Philippe Petit.
My teaching method is flexible and I adapt it to the needs and desires of the student.
We will discuss the technical work on the instrument, the knowledge of the neck and chords and the rhythm. With or without solfege.
The goal is to provide the student with the necessary tools so that he can continue learning by himself at home.

Giorgos

4.88

(88)

I'm Giorgos and i teach Lute and Classical guitar!
I have over 15 years of teaching experience, and have studied and have my Degrees from the Royal Conservatory of Brussels, both in Classical Guitar as well as Historical Plucked instruments.

I regularly perform in concert halls with orchestras and groups all around Europe, perform with my own ensembles based in Brussels and Italy, and enjoy an active teaching schedule.

My aim with teaching is to find the best way to facilitate the student to find their own voice and direction, and to help steer them on their preferred road of performance. The schedule and repertoire are decided by the student, and we plot a course together depending on your goals, whether that's aiming to place into an academy or the conservatories, or if you just enjoy playing music as a hobby and wish that it accompanies you through your life!

I'm looking forward to hear from you!

Mehrad

4.88

(88)

Dive into the world of bass mastery with my comprehensive lessons! From mastering the groove to honing technique, delving into theory, harmony, and rhythm, and even mastering music reading and fretboard note names, these sessions cover it all. Drawing from years of experience, I've finely tuned the curriculum to suit every learner, ensuring a paced and organized approach that guarantees progress. But beyond just playing notes, the ultimate aim is to empower you with the knowledge of how music truly works. Together, we'll unlock the secrets of crafting your own basslines and solos, fostering creativity and musical independence that extends far beyond the confines of any lesson.

Ana

4.88

(88)

I have two Bachelor's degrees at the Royal Conservatory of Music of Madrid and currently at the Koninklijke Conservatorium Brussels.

I have a Master's degree with Olsi Leka, premier cellist of the Belgian National Orchestra.

My courses are in Spanish, in Anglais et in french.

Ngoc

4.88

(88)

I am a Vietnamese pianist and I would love to share nice music with you in a friendly environment. I have finished my Master's in piano specialization at the Royal Conservatory of Liège and piano accompaniment at the Royal Conservatory of Brussels. Giving concerts, making some recordings, working in both classical and contemporary music, and with more than 10 years of experience in teaching, I would be happy to share all my knowledge and enjoy the music together!

Francesco

4.88

(88)

A musician since the age of 14, I have been giving lessons as a private tutor for over 10 years.

I focus on your goals, whether it's improving your vocabulary (jazz or other modern genres) or learning the basics of the double bass and electric bass. I pay close attention to the practical application of theoretical concepts.
Personalized itinerary according to the student's needs and wishes.

non-exhaustive list of what we can see:

- basic techniques for beginners
- learning songs of your choice
-develop your knowledge of the neck (scale, arpeggios, triads)
-develop your ear and improvisation
-develop your sense of rhythm and music theory
-musical theory, composition and arrangement

Jeremy

4.88

(88)

Hi, my name is Jeremy and I've played music for 19 years, having performed over 200 concerts and composed with a wide variety of groups and ensembles across England and Belgium in many genres (Funk, R&B, Soul, Jazz, Rock, Alternative, Punk and more). I have completed 3 years of intensive bass study at the Royal Conservatory of Brussels and am currently playing bass plus backing-vocals and song arrangement for Kids of the Elephant and Arrubio.

In these lessons, I will help you reach your goals while having fun in the process, keeping the lessons structured and tailored to your personal needs. I have 5 years of experience helping students improve as well as specialist knowledge in a multitude of styles. Some examples of what you might learn include:

- Correct hand positioning & posture for best performance and faster learning.
- Learning your favorite songs quickly and easily.
- Breaking down rhythms & dynamics
- Understanding the role of bass playing in a band.
- Understanding what makes a good bassline and composing your own.
- Essential music theory for bass & more advanced techniques (eg: melodic techniques, rhythmic, slap bass, etc)
- How to improvise, jam and play with other musicians.

Appropriate homework/exercises and recordings are provided during lessons. I also like to give advice and direction for people with musical aspirations. I'm also an empathetic person that loves teaching, so don't hesitate to get in touch if you have any questions.

Alba

4.88

(88)

Graduated in cello in Barcelona, finishing my master in historical cello at the Royal Conservatory of Brussels. Passionate cellist with a lot of experience in performance and education. I specialize in historically informed music, so I try to understand the context around each music I play, so we enter into a dialogue between current events and the era in which the music was created. In my classes we will learn the basic technique of the cello but also we will look together for what we want to express with the music we make, and techniques more adapted to the era.

Huijun

4.88

(88)

The Human Voice has an intimate and emotional connection with our physical body and mentality, whenever we express ourself through speaking, singing, improvising or simply long to express what words cannot, the voice is one of the most direct and authentic ways to connect with ourselves and with others.

Drawing on my professional training in Jazz Vocal at the Royal Conservatory of Brussels, my background in Chinese traditional music, and years of personal practice in yoga and qigong, I have developed an organic, embodied approach to vocal expression. Rather than focusing only on vocal technique, I guide students to explore the relationship between breath, body awareness, deep listening, and the natural flow of energy (Qi). Through this process, the voice becomes freer, more grounded, and more expressive.

My lessons are open to singers of all levels, as well as anyone who wishes to reconnect with their voice. Whether your goal is to sing, improvise, build confidence, or discover a more authentic way of expressing yourself, I offer a supportive and creative space where curiosity and individuality are encouraged.

Anna

4.88

(88)

I'm Anna, a cellist with teaching experience. My classes are 100% personalized, tailored to the student's interests (classical, film scores, etc.) and focused on enjoying the instrument from day one.

We will work on memory, cello technique, ear training, musicality and, of course, the correct posture to avoid tension.

Whether you want to start from scratch, improve at your own pace, prepare for conservatory entrance exams, or perfect your technique, these classes are for you!

Leonardo

4.88

(88)

I am a saxophonist and music student with around ten years of experience, with a background in both classical and jazz music. I studied at a music high school before specializing in jazz at Siena Jazz, where I developed a strong foundation in saxophone, improvisation, harmony and music theory.
As a teacher, I like to create a relaxed and motivating environment where students can learn at their own pace. I believe that lessons should be adapted to each student's level, interests and goals. We can work on technique, sound, reading, improvisation, jazz language, theory or simply learn to play the music you enjoy.
Whether you are a complete beginner or already have some experience, my goal is to help you become more confident with your instrument while developing your own musical personality. I particularly enjoy working with students who are curious and want to explore different styles and approaches to music.

Giana

4.88

(88)

I am a passionate piano teacher, with over 10 years of experience in music education.
I offer tailor-made private lessons, fully adapted to each student's needs, pace, and tastes. Thanks to my experience, I have developed a caring and dynamic teaching method suitable for students of all ages: from young children discovering the instrument to adults wishing to resume playing the piano or perfect their technique.
Whether you want to learn for pleasure, tackle your favorite pieces, or acquire a solid foundation in music theory, I will guide you step by step in your progress. Looking forward to making music together!

Hervé

4.88

(88)

FRENCH

I'm ENERVIU, a DJ and music curator based in Brussels. My sound ranges from UK club music like garage, bass, dub, and breaks to house, jazz, and funk selections. I play in various settings, from clubs to private events, and I also share my passion through videos about the history of musical genres.

I offer a four-session introductory course to DJing, tailored to your level and tastes.
My goal: to give you the basics to become independent behind the decks, develop your selection, and build a world that reflects your personality. Each session combines explanations, listening, and practical application.

**Session 1 — Discover DJing and develop your listening skills**

We will explore the role of the DJ and the different facets of their practice: club, radio, bar, or private event. We will discuss musical research, selection, and what gives a set its identity.

Through listening, you will learn to recognize tempo, beats, measures, and musical phrases, as well as identify introductions, breaks, and repeats. These fundamentals will allow you to better understand the energy of a piece and the appropriate moments for a transition.

*Objective: to acquire basic listening skills and begin making a personal selection.*

**Session 2 — Understanding Turntables and the Mixing Console**

We will discover the equipment and its essential controls: playback, cue, jog, tempo adjustment, faders, gain and equalization.

You will learn how to use headphone pre-listening, adjust levels, and synchronize two tracks. We will cover beatmatching, both by ear and with available tools, to help you understand what you are doing and gain confidence.

Objective: to get to grips with the equipment and perform your first sequences.

**Session 3 — Preparing your music with Rekordbox**

We will use Rekordbox to import your tracks, organize your library and create playlists tailored to your mixing preferences.

You will learn to read waveforms, check the tempo and rhythmic grid, and then place useful cues using Memory Cues and Hot Cues. We will cover keys as a selection aid and prepare a USB drive compatible with the equipment used.

Objective: to have an organized and ready-to-play selection.

**Session 4 — Practicing and building your first mix**

We will combine the acquired skills to link several pieces together: tempo matching, alignment of musical phrases and transitions using volumes and equalization.

We'll also work on the progression of the set: creating an atmosphere, choosing the next track, gradually building energy, and letting the music breathe. You'll create a short mix that we'll listen to together to identify your strengths and areas for improvement.

We will conclude with useful tips for a first performance: prepare your music, plan a backup and check the technical conditions of the venue.

Objective: to create a first coherent mix and leave with exercises to continue progressing.

Throughout the journey, we will start with the music you love to refine your listening skills, affirm your choices, and develop the pleasure of sharing it.

**Session 5 — Preparing your first gigs and presenting your DJ project**

We will explore the first steps to playing in public: contacting venues and programmers, sharing a relevant mix and clearly communicating your availability, rates and technical requirements.

We'll cover the essential elements of a short biography, a press kit, and a technical rider. Drawing on my experience in clubs and at private events, we'll see how to adapt your offering to different contexts while staying true to your musical identity.

Finally, we will build a personal action plan: skills to develop further, the next mix to record and venues to target for your first gigs.

*Objective: to understand how bookings work and leave with concrete steps to develop your DJ project.*

ENGLISH

I'm ENERVIU, a DJ and music curator based in Brussels. My musical world spans club sounds UK garage, bass, dub and breaks alongside house, jazz and funk selections. I play in settings ranging from clubs to private events, and I also share my passion through videos exploring the history of music genres.

I offer a **four-session introduction to DJing**, tailored to your level and musical tastes. My goal is to help you feel confident behind the decks, develop your selections and build a musical identity of your own. Each session combines explanations, listening and hands-on practice.

**Session 1 — Discover DJing and develop your listening skills**

We'll explore the role of a DJ across different settings, including clubs, radio, bars and private events. We'll discuss how to discover music, select tracks and give a set its own identity.

Through listening exercises, you'll learn to identify tempo, beats, bars and musical phrases, as well as intros, breakdowns and drops. These foundations will help you understand a track's energy and recognize suitable moments for a transition.

*Goal: develop your listening skills and start putting together a personal selection.*

**Session 2 — Get to know the decks and mix**

We'll explore the equipment and its essential controls: play, cue, jog wheels, tempo adjustment, faders, gain and EQ.

You'll learn how to cue tracks in your headphones, manage audio levels and synchronize two tracks. We'll practice beatmatching by ear and explore the tools available to support it, helping you understand your actions and build confidence.

*Goal: become comfortable with the equipment and make your first transitions.*

**Session 3 — Prepare your music with Rekordbox**

We'll use Rekordbox to import your tracks, organize your library and create playlists that support the sets you want to play.

You'll learn to read waveforms, check tempo and beatgrids, and set useful markers with Memory Cues and Hot Cues. We'll introduce musical keys as a selection tool and prepare a USB drive compatible with the equipment you'll be using.

*Goal: build an organized selection that's ready to play.*

**Session 4 — Practice and build your first mix**

We'll bring everything together to mix several tracks, working on beatmatching, phrase alignment and transitions using volume controls and EQ.

We'll also explore how to shape a set: establish a mood, choose the next track, develop the energy and give the music room to breathe. You'll perform a short mix, which we'll listen back to together to identify your strengths and areas to develop.

We'll finish with practical habits for your first performance: preparing your music, keeping a backup and checking the venue's technical setup.

*Goal: create your first coherent mix and leave with exercises to keep improving.*

Throughout the course, we'll build on the music you love to sharpen your listening skills, develop your own taste and enjoy sharing it with others.

**Session 5 — Prepare for your first gig and present yourself as a DJ**

We'll explore how to take your first steps towards playing in public. You'll learn how to approach venues and promoters, share a relevant demo mix and communicate clearly about your availability, fees and technical needs.

We'll cover the essentials of a short artist bio, a press kit and a technical rider. Drawing on my experience across club and private events, we'll discuss how to adapt your proposal to different settings while staying true to your musical identity.

To finish, we'll put together a personal action plan: what to practice next, which mix to record and how to identify suitable opportunities for your first gigs.

*Goal: understand the booking process and leave with clear next steps to develop your DJ project.*

Adèle

4.88

(88)

- The Suzuki method is fun and practical for beginners

- We'll work on technique (position, scales, a little music theory) and musicality (I'm open to any musical suggestions): as a composer myself, I don't hesitate to play or improvise accompaniments with my students for a more collaborative experience.

- I can teach violin and viola, having studied both

- My courses are aimed at beginners, false beginners, and intermediate level students (2nd cycle of conservatory)