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Since October 2025
Instructor since October 2025
Video camera, TV production, Live streaming, Filming, Editing and delivery
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From 79.98 C$ /h
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This class is for Filming with video camera, editing, recording sound, light setup, live streaming. The focus is to learn how to film, edit and deliver. You'll learn a variety of video techniques to cut down on costs and time in a relaxed and fun environment.
Extra information
All equipment provided
Location
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At student's location :
  • Around Brussels, Belgium
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At teacher's location :
  • Square Ambiorix, Brussels, Belgium
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Online from Belgium
Age
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
120 minutes
The class is taught in
English
Croatian
Italian
Availability of a typical week
(GMT -05:00)
New York
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At teacher's location and via webcam
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At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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This course is designed for all levels, from beginners wanting to start their first project to professionals looking to refine their creative vision.

— Learning Philosophy —

I believe that learning is a dialogue. My approach is flexible and adapts to your needs: field case studies, participatory guidance during creation, and targeted training on specific aspects.

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00. INTRO
(scroll down below for the course description (01.))

I am a young professional in the film industry, I have collaborated with multiple partners such as Vice, Sony, Unicef, WWF, but also many musicians, architects, non-profit companies and independent creators.
I have experience as a director, editor, dop, editing assistant, focus puller, author, electro, and production assistant.

I've studied 5 years of Cinema in Luca Arts Brussels, and one year of Supermedia studies in Prague Umprum.
My strengths lie especially in combining the musical field with the cinematographic point of view, such as experimental video art, arthouse movies, videoclips but also dance and musici films - although I've trained to become a co-ordinator of team-work and an efficient editor too.
I work for corporate companies, big music industries and very small independent projects as well, depending whether or not I like the music. (hihi)

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The software I recommend is the full adobe kit, musically, I can work with ableton, audacity and a little bit with pro tools too.

I've completed a multiple amount of residencies in the framework of my own artistic practices, and could describe myself as a multidisciplinary artist.

My work has been featured on several international magazines with a width of 700k monthly readers and I have enjoyed international exposure with my filmic work.

01. COURSE DESCRIPTION
I will teach you what software to use, how the interface works

I will teach you the difference in codecs and technical specifications, such as ratio, frames, ...

I will teach you the multiple options we can explore through out adobe premiere

Further on we'll practically edit together with your own footage, and strife to get a result you like. We do this through sessions of editing

I teach you how to create visual rhythm, musical rhythm, sound exploring

I teach you the difference between a phenomenological approach of working and a prepared set up,

I teach you how to maintain a healthy work-flow for yourself, and your computer.

I teach you how to use the tools of cutting, and editing with your keyboard

I teach you how to export in the right settings.

I will also teach you how to communicate with clients

I will teach you how to visually prepare

I will teach you how to colourgrade

I will teach you how to transfer

I will teach you how to keep everything as minimal as possible
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Contact Zoran
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1st lesson is backed
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Good-fit Instructor Guarantee
Similar classes
arrow icon previousarrow icon next
verified badge
Antoine
— Methodology —

This course is designed for all levels, from beginners wanting to start their first project to professionals looking to refine their creative vision.

— Learning Philosophy —

I believe that learning is a dialogue. My approach is flexible and adapts to your needs: field case studies, participatory guidance during creation, and targeted training on specific aspects.

Sessions are scheduled according to your needs and constraints, ideally every two weeks to maintain a good rhythm.

— First Meeting —

During our first meeting, we will define the framework, method, tools, and objectives of the training together.

— Topics Covered —

Preparation

• Defining the specifications, objectives, and intentions
• Concept development
• Research
• Pre-existing similar projects
• Narrative/visual aesthetics, inspirations
• Directing concepts: the director’s responsibilities
• Production concepts: the producer’s responsibilities

Scriptwriting/Outline

• Formatting
• Structure
• Dialogues
• Effective formulas

Budgeting

• Breakdown

Preproduction

• Theoretical concepts: the hierarchy of a production
• Responsibilities of a production manager and assistant director
• Artistic direction
• Storyboarding and image grammar
• Scouting (technical)
• Material preparation, rental management
• Workflow
• Rehearsals

Shooting

• Sound recording
• Mastering the camera and viewpoint
• Visual storytelling
• Using light to influence emotions
• Building a cinematic image
• Directing actors

Postproduction

• Editing: techniques and grammar
• Sound design: sound effects, audio narration
• Interaction with a music composer
• Color grading: the power of image treatment and visual aesthetics
• Introduction to special effects with After Effects
verified badge
Vince
00. INTRO
(scroll down below for the course description (01.))

I am a young professional in the film industry, I have collaborated with multiple partners such as Vice, Sony, Unicef, WWF, but also many musicians, architects, non-profit companies and independent creators.
I have experience as a director, editor, dop, editing assistant, focus puller, author, electro, and production assistant.

I've studied 5 years of Cinema in Luca Arts Brussels, and one year of Supermedia studies in Prague Umprum.
My strengths lie especially in combining the musical field with the cinematographic point of view, such as experimental video art, arthouse movies, videoclips but also dance and musici films - although I've trained to become a co-ordinator of team-work and an efficient editor too.
I work for corporate companies, big music industries and very small independent projects as well, depending whether or not I like the music. (hihi)

I will teach you video and movie editing, for your own or commercial use.
The software I recommend is the full adobe kit, musically, I can work with ableton, audacity and a little bit with pro tools too.

I've completed a multiple amount of residencies in the framework of my own artistic practices, and could describe myself as a multidisciplinary artist.

My work has been featured on several international magazines with a width of 700k monthly readers and I have enjoyed international exposure with my filmic work.

01. COURSE DESCRIPTION
I will teach you what software to use, how the interface works

I will teach you the difference in codecs and technical specifications, such as ratio, frames, ...

I will teach you the multiple options we can explore through out adobe premiere

Further on we'll practically edit together with your own footage, and strife to get a result you like. We do this through sessions of editing

I teach you how to create visual rhythm, musical rhythm, sound exploring

I teach you the difference between a phenomenological approach of working and a prepared set up,

I teach you how to maintain a healthy work-flow for yourself, and your computer.

I teach you how to use the tools of cutting, and editing with your keyboard

I teach you how to export in the right settings.

I will also teach you how to communicate with clients

I will teach you how to visually prepare

I will teach you how to colourgrade

I will teach you how to transfer

I will teach you how to keep everything as minimal as possible
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