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Since September 2018
Instructor since September 2018
Translated by GoogleSee original
Accompaniment of songs, chords and rhythms on guitar or keyboard
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From 76 C$ /h
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Learn to accompany your favorite songs on guitar or keyboard.
The course is for anyone wishing to learn to accompany songs. This can lead to more sophisticated music (jazz, Bossa Nova, ..)
Knowledge of music theory is not necessary. Notions of musical theory and harmony will be approached in practice as and when.
Experienced pedagogue, professional musician, I am contrabassist.
Location
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At student's location :
  • Around Auderghem, Belgium
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
French
English
Availability of a typical week
(GMT -04:00)
New York
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At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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Experienced didgeridoo player to teach how to play the instrument. I offer classes at my home or at the student's home, or in the open air if the weather is nice. I can teach you basics, advanced techniques, and structures to play well. I also have a lot of exercises to work specific muscles.

Getting to make the sound is the first step. The basic sound, the drone is not obtained only by blowing in the instrument but by squeezing the lips slightly by letting them vibrate. Then there are 3 types of breaths to master. From a type of circular breathing already the game can become richer because the sound is continuously ....
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The course that I propose is BILINGUAL FRENCH / ENGLISH, as well as 2 BOOKS.

Age and musical taste are not restrictive when in the program, you can with qualitative daily work (not quantitative) quickly observe your progress.

Here the pleasure of playing music is put forward.

The kind of music you love most will be the focus of the course, their codes and secrets will be the focus of our study, that's what I want to share with you.

We can do technical lessons and simply learn together how to play one or more songs of your choice or mine, enrich your game with this approach and your repertoire!

(For example, We can re-arrange the pieces and make them more original by approaching the system (CAGED), and enriching their chords, resulting in new positions, new techniques and new sounds, using arpeggio techniques rather than strumming for 4-chord pieces, voicing and fingerstyle techniques, in short, expanding the instrument's playing fields and playing skills to keep progressing in your game and improve your rehearsals ...)

If you make a request, this program is obviously accompanied by the pleasure of learning more in theory and being able to directly apply new knowledge on its instrument and identify its common or rare use in the pieces discussed in class.

In this case, the theory is translated to be accessible to anyone, both for those who are connoisseurs and for those who discover everything from absolute zero.
The exercises, songs, and theoretical explanations offered throughout the program are organized in an order of progressive difficulty.

I wrote and produced 2 books of my method to learn the guitar and the music, that I sell to accompany my course and your apprenticeship in the best conditions and so that you can continue the course even at home and to review etc ... .
There is ONE BOOK OF COURSES containing all the theoretical and practical program of the year, as well as a BOOK OF EXERCISE on the ranges and the modes that you can obtain directly.


You can find here an indicative list of objectives that I propose in my theoretical program, which can of course adapt to your request.

The general theoretical objectives of the course:

--- Tuning / tuning and knowing his guitar:
* Standard Tuning
* Drop Tuning
* Open Tuning
* Adjust the optimal tension of the strings
* Adjust the shaft axis
* Adjust the action of the strings
* Choose the strings adapted to the style of play / tuning
* Change his strings


-Know his chords:
* Triads: Fundamental State & Inversions
* Tetrads: Fundamental State & Inversions
* The chord progressions of the Range
* Arpeggio techniques (tapping, sweep, 1/2/4 fing.shape, etc ...)


--- Know his scales and his modes

* The Mode of the Major scale
* 3 Modes of the Minor scale: Natural / Melodic / Harmonic
* Modes of the Pentatonic range: 5 positions
* Modes of the Blues range: 5 positions
Etc ...

--- Technique to the Pick / Plectrum / Tab / Pick (Electric Guitar):
* Alternate Picking
* Fast Picking / Tremolo Picking
* Hybrid Picking
* Palm Mute
* Natural Harmonics
* Pinch Harmonics
* Artificial Harmonics
* Shredding
* Tapping
* Sweep Picking
* Legato Picking

--- Strumming / Hand Picking (Acoustic Guitar)
* "SnareDrum" percussion on the guitar
* Arpeggios pinched with 4 fingers + thumb
* Rasgueado (Flamenco Technique)
* Generic Strumming
* Fingerstyle Picking
* Two-finger picking + Legato for fast melodies (eg a solo)

-Play the metronome
* exercises on click
* practice on song riffs

-Learn his favorite songs
* without thinking about the difficulty, nothing is impossible with the right methodology

-Improvise
* choose ranges and positions
* to place oneself rhythmically, to finish on the judicious notes

-Theory of Harmony
* Understand harmonization and its practice

-Theory on the Melody

-Theory of Rhythm
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Music is my passion and I love sharing this passion with my students.
In my lessons I help the student to find a good contact with the instrument and cultivate a positive relationship with music by integrating the development of aural skills, sense of rhythm and an optimal body use, enabling them to connect with their musical imagination.
The lessons are adapted to each student's needs and wishes.
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He studied at the "Musikene" (Higher Conservatory of Music of the Basque Country) with Eric Devallon, Tomás Jérez, Antonio Felipe Belijar and Miguel Ángel Lorente.

Passionate about multidisciplinary artistic creation, he thinks of the mixing of all the arts in the same show as an aesthetic goal. This type of research could be observed in his project for his final master's recital in Brussels where he created a project based on Maslow's theory of the hierarchy of human needs where he mixed live, recorded music, dance, light shows and effects under the name: “according to Maslow... ”

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Looking for eager adults 18+ who want to learn the piano
Jazz, classical or/and pop, .....

Training: Classical: 1995 - 2013: Academie Eeklo + BA and Ma at Royal
Conservatory Brussels.
Jazz: 2004-2009 Academie Eeklo

Teaching Experience:
Over 10 years of solid piano teaching skills, mainly children but also experience with adults and prefer to teach myself the latter.

Professional experience:
Duo Dyptik - Cello & Piano
Several concert experiences with singers, jazz ensembles, winds in different types of formation (duo, trio, quartet,...)
Currently studying with Belgian jazzpianist Nathalie Loriers


Classes available in MULTIPLE LANGUAGES:
Dutch, French and English fluently.
Less fluent in Swedish, Spanish and Italian
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Hello to everyone!
My name is María, I am a Venezuelan Cellist.
All my musical education was inside the musical program "El Sistema" in Venezuela. This education was based on preparing myself as a better human being though playing cello in orchestras, chamber music and as soloist.
I am current studying my Master degree at the Koninklijk Conservatorium Brussel.
In what consist my lessons?
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To have better results with practice, if it is necessary to help you with music theory, I will help you.
As well, if you're looking for help in orchestral excerpts for auditions, I'm here for you!
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Looking forward to meeting you and work together!
Maria.
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Je donne cours en français - Description disponible en Français
Do lezione in Italiano - Descrizione disponibile in Italiano

.........................................................................................................................................................

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=> Particular attention is paid to the movements and their correct application, to the total independence of the limbs and finally to an understanding of the rhythm and its theory. My main goal is to give the student complete control behind the drums and skills to be able to self-learn any piece in any musical style. 1 hour of weekly lessons are never enough, they should only be used to fuel the passion that will make you play at home more and more.

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- I am also specialized in metal (musical style) and double pedal. The latter is not included in the program unless requested by the student. The double pedal courses are based on the methodology of Virgil Donati.

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* Moeller technique (the 'whipping motion' - the Free stroke -Full/Half/Low stroke - accepting the rebound - its application etc.)
* Snare rudiments and their applications through reading systems
* Readings of scores and exercises for the snare drum
* Speed drills
* Military marches
* Control of the different subdivisions (quarter notes - eighth notes - triplets - sixteenth notes - quintuplets - sextuplets - triple eighth notes - nonolets etc.)
* Displacement of accents and polyrhythms
* On request, double pedal technique (application of the Moeller to the double pedal as well as everything listed above but with the feet)

Drums:
* Bass drum reading and independance
* Snare drum reading and independance
* Applications of ghost notes
* The 16 sixteenth-notes ostinatos
* Jazz readings and independence
* Binary and ternary readings
* Coordination and movements of both feet
* Dynamics on the instrument
* Creation of fills and original drum grooves
* On request, application of the double pedal
* On request or for advanced students, readings and independence of South American rhythms (study and independence of the clave/Cascara/Mozambique etc.)
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Or, if you prefer, embark on a guided introduction to music, exploring essential concepts through carefully selected listening examples from across the globe.
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My long and in-depth musical and pedagogical training allows me to adapt my method to each student and each situation, while respecting their individuality and supporting them in achieving their goals.

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Courses in music theory and solfège, as well as courses in music history, are also available.
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FRENCH

I'm ENERVIU, a DJ and music curator based in Brussels. My sound ranges from UK club music like garage, bass, dub, and breaks to house, jazz, and funk selections. I play in various settings, from clubs to private events, and I also share my passion through videos about the history of musical genres.

I offer a four-session introductory course to DJing, tailored to your level and tastes.
My goal: to give you the basics to become independent behind the decks, develop your selection, and build a world that reflects your personality. Each session combines explanations, listening, and practical application.

**Session 1 — Discover DJing and develop your listening skills**

We will explore the role of the DJ and the different facets of their practice: club, radio, bar, or private event. We will discuss musical research, selection, and what gives a set its identity.

Through listening, you will learn to recognize tempo, beats, measures, and musical phrases, as well as identify introductions, breaks, and repeats. These fundamentals will allow you to better understand the energy of a piece and the appropriate moments for a transition.

*Objective: to acquire basic listening skills and begin making a personal selection.*

**Session 2 — Understanding Turntables and the Mixing Console**

We will discover the equipment and its essential controls: playback, cue, jog, tempo adjustment, faders, gain and equalization.

You will learn how to use headphone pre-listening, adjust levels, and synchronize two tracks. We will cover beatmatching, both by ear and with available tools, to help you understand what you are doing and gain confidence.

Objective: to get to grips with the equipment and perform your first sequences.

**Session 3 — Preparing your music with Rekordbox**

We will use Rekordbox to import your tracks, organize your library and create playlists tailored to your mixing preferences.

You will learn to read waveforms, check the tempo and rhythmic grid, and then place useful cues using Memory Cues and Hot Cues. We will cover keys as a selection aid and prepare a USB drive compatible with the equipment used.

Objective: to have an organized and ready-to-play selection.

**Session 4 — Practicing and building your first mix**

We will combine the acquired skills to link several pieces together: tempo matching, alignment of musical phrases and transitions using volumes and equalization.

We'll also work on the progression of the set: creating an atmosphere, choosing the next track, gradually building energy, and letting the music breathe. You'll create a short mix that we'll listen to together to identify your strengths and areas for improvement.

We will conclude with useful tips for a first performance: prepare your music, plan a backup and check the technical conditions of the venue.

Objective: to create a first coherent mix and leave with exercises to continue progressing.

Throughout the journey, we will start with the music you love to refine your listening skills, affirm your choices, and develop the pleasure of sharing it.

**Session 5 — Preparing your first gigs and presenting your DJ project**

We will explore the first steps to playing in public: contacting venues and programmers, sharing a relevant mix and clearly communicating your availability, rates and technical requirements.

We'll cover the essential elements of a short biography, a press kit, and a technical rider. Drawing on my experience in clubs and at private events, we'll see how to adapt your offering to different contexts while staying true to your musical identity.

Finally, we will build a personal action plan: skills to develop further, the next mix to record and venues to target for your first gigs.

*Objective: to understand how bookings work and leave with concrete steps to develop your DJ project.*


ENGLISH

I'm ENERVIU, a DJ and music curator based in Brussels. My musical world spans club sounds UK garage, bass, dub and breaks alongside house, jazz and funk selections. I play in settings ranging from clubs to private events, and I also share my passion through videos exploring the history of music genres.

I offer a **four-session introduction to DJing**, tailored to your level and musical tastes. My goal is to help you feel confident behind the decks, develop your selections and build a musical identity of your own. Each session combines explanations, listening and hands-on practice.

**Session 1 — Discover DJing and develop your listening skills**

We'll explore the role of a DJ across different settings, including clubs, radio, bars and private events. We'll discuss how to discover music, select tracks and give a set its own identity.

Through listening exercises, you'll learn to identify tempo, beats, bars and musical phrases, as well as intros, breakdowns and drops. These foundations will help you understand a track's energy and recognize suitable moments for a transition.

*Goal: develop your listening skills and start putting together a personal selection.*

**Session 2 — Get to know the decks and mix**

We'll explore the equipment and its essential controls: play, cue, jog wheels, tempo adjustment, faders, gain and EQ.

You'll learn how to cue tracks in your headphones, manage audio levels and synchronize two tracks. We'll practice beatmatching by ear and explore the tools available to support it, helping you understand your actions and build confidence.

*Goal: become comfortable with the equipment and make your first transitions.*

**Session 3 — Prepare your music with Rekordbox**

We'll use Rekordbox to import your tracks, organize your library and create playlists that support the sets you want to play.

You'll learn to read waveforms, check tempo and beatgrids, and set useful markers with Memory Cues and Hot Cues. We'll introduce musical keys as a selection tool and prepare a USB drive compatible with the equipment you'll be using.

*Goal: build an organized selection that's ready to play.*

**Session 4 — Practice and build your first mix**

We'll bring everything together to mix several tracks, working on beatmatching, phrase alignment and transitions using volume controls and EQ.

We'll also explore how to shape a set: establish a mood, choose the next track, develop the energy and give the music room to breathe. You'll perform a short mix, which we'll listen back to together to identify your strengths and areas to develop.

We'll finish with practical habits for your first performance: preparing your music, keeping a backup and checking the venue's technical setup.

*Goal: create your first coherent mix and leave with exercises to keep improving.*

Throughout the course, we'll build on the music you love to sharpen your listening skills, develop your own taste and enjoy sharing it with others.

**Session 5 — Prepare for your first gig and present yourself as a DJ**

We'll explore how to take your first steps towards playing in public. You'll learn how to approach venues and promoters, share a relevant demo mix and communicate clearly about your availability, fees and technical needs.

We'll cover the essentials of a short artist bio, a press kit and a technical rider. Drawing on my experience across club and private events, we'll discuss how to adapt your proposal to different settings while staying true to your musical identity.

To finish, we'll put together a personal action plan: what to practice next, which mix to record and how to identify suitable opportunities for your first gigs.

*Goal: understand the booking process and leave with clear next steps to develop your DJ project.*
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Experienced didgeridoo player to teach how to play the instrument. I offer classes at my home or at the student's home, or in the open air if the weather is nice. I can teach you basics, advanced techniques, and structures to play well. I also have a lot of exercises to work specific muscles.

Getting to make the sound is the first step. The basic sound, the drone is not obtained only by blowing in the instrument but by squeezing the lips slightly by letting them vibrate. Then there are 3 types of breaths to master. From a type of circular breathing already the game can become richer because the sound is continuously ....
verified badge
The course that I propose is BILINGUAL FRENCH / ENGLISH, as well as 2 BOOKS.

Age and musical taste are not restrictive when in the program, you can with qualitative daily work (not quantitative) quickly observe your progress.

Here the pleasure of playing music is put forward.

The kind of music you love most will be the focus of the course, their codes and secrets will be the focus of our study, that's what I want to share with you.

We can do technical lessons and simply learn together how to play one or more songs of your choice or mine, enrich your game with this approach and your repertoire!

(For example, We can re-arrange the pieces and make them more original by approaching the system (CAGED), and enriching their chords, resulting in new positions, new techniques and new sounds, using arpeggio techniques rather than strumming for 4-chord pieces, voicing and fingerstyle techniques, in short, expanding the instrument's playing fields and playing skills to keep progressing in your game and improve your rehearsals ...)

If you make a request, this program is obviously accompanied by the pleasure of learning more in theory and being able to directly apply new knowledge on its instrument and identify its common or rare use in the pieces discussed in class.

In this case, the theory is translated to be accessible to anyone, both for those who are connoisseurs and for those who discover everything from absolute zero.
The exercises, songs, and theoretical explanations offered throughout the program are organized in an order of progressive difficulty.

I wrote and produced 2 books of my method to learn the guitar and the music, that I sell to accompany my course and your apprenticeship in the best conditions and so that you can continue the course even at home and to review etc ... .
There is ONE BOOK OF COURSES containing all the theoretical and practical program of the year, as well as a BOOK OF EXERCISE on the ranges and the modes that you can obtain directly.


You can find here an indicative list of objectives that I propose in my theoretical program, which can of course adapt to your request.

The general theoretical objectives of the course:

--- Tuning / tuning and knowing his guitar:
* Standard Tuning
* Drop Tuning
* Open Tuning
* Adjust the optimal tension of the strings
* Adjust the shaft axis
* Adjust the action of the strings
* Choose the strings adapted to the style of play / tuning
* Change his strings


-Know his chords:
* Triads: Fundamental State & Inversions
* Tetrads: Fundamental State & Inversions
* The chord progressions of the Range
* Arpeggio techniques (tapping, sweep, 1/2/4 fing.shape, etc ...)


--- Know his scales and his modes

* The Mode of the Major scale
* 3 Modes of the Minor scale: Natural / Melodic / Harmonic
* Modes of the Pentatonic range: 5 positions
* Modes of the Blues range: 5 positions
Etc ...

--- Technique to the Pick / Plectrum / Tab / Pick (Electric Guitar):
* Alternate Picking
* Fast Picking / Tremolo Picking
* Hybrid Picking
* Palm Mute
* Natural Harmonics
* Pinch Harmonics
* Artificial Harmonics
* Shredding
* Tapping
* Sweep Picking
* Legato Picking

--- Strumming / Hand Picking (Acoustic Guitar)
* "SnareDrum" percussion on the guitar
* Arpeggios pinched with 4 fingers + thumb
* Rasgueado (Flamenco Technique)
* Generic Strumming
* Fingerstyle Picking
* Two-finger picking + Legato for fast melodies (eg a solo)

-Play the metronome
* exercises on click
* practice on song riffs

-Learn his favorite songs
* without thinking about the difficulty, nothing is impossible with the right methodology

-Improvise
* choose ranges and positions
* to place oneself rhythmically, to finish on the judicious notes

-Theory of Harmony
* Understand harmonization and its practice

-Theory on the Melody

-Theory of Rhythm
verified badge
I am a professional violinist with more than 15years of teaching experience and I am a memeber of the orchestra of Opera Royal de Wallonie-Liège. I graduated with distinction at the Royal Conservatory of Brussels (Master) and I hold a Bachelor Diploma from Codarts (Rotterdam).
I also pursued a masters degree in Music Education at the Royal Conservatory of Brussels.

I teach students of all ages and levels.
I have fifteen years of teaching experience in the Netherlands and in Belgium ( privately and at music schools/muziekacademies).

Music is my passion and I love sharing this passion with my students.
In my lessons I help the student to find a good contact with the instrument and cultivate a positive relationship with music by integrating the development of aural skills, sense of rhythm and an optimal body use, enabling them to connect with their musical imagination.
The lessons are adapted to each student's needs and wishes.
verified badge
Professional saxophonist eager to teach and work to bring out the best version of yourself!

The lessons are intended for all levels, children or adults.
We follow a working method where you will continuously and deeply develop your musicality, way of playing, expressiveness and technique.
-------------------------------------------------- ----------------------

Raúl is a Spanish saxophonist who finished his DIDACTIC MASTER in 2018 at the École Supérieure des Arts in Mons. Previously, he also completed a MASTER OF INTERPRETATION at the Royal Conservatory of Brussels (2015-2017) in the class of Alain Crepin and Simon Diricq.
He studied at the "Musikene" (Higher Conservatory of Music of the Basque Country) with Eric Devallon, Tomás Jérez, Antonio Felipe Belijar and Miguel Ángel Lorente.

Passionate about multidisciplinary artistic creation, he thinks of the mixing of all the arts in the same show as an aesthetic goal. This type of research could be observed in his project for his final master's recital in Brussels where he created a project based on Maslow's theory of the hierarchy of human needs where he mixed live, recorded music, dance, light shows and effects under the name: “according to Maslow... ”

In terms of his career as a concert artist, he has played in different ensembles (solo performances, duo, trio, quartet, orchestra...) and different countries such as Japan (Artisanal Musical Fair "Suono Italia" 2010), Belgium (Festival Musiq3 2016), Artonov Festival at BOZAR in 2016...), France (Dax chamber music festival 2011) or Spain (Music Festival “Quincena Musical” 2015, Aste Nagusia 2015, Heineken Jazzaldia 2014, Festival Kutxa 2015, Intercentros Melómano 2010).
verified badge
I am a Vietnamese pianist and I would love to share nice music with you in a friendly environment. I have finished my Master's in piano specialization at the Royal Conservatory of Liège and piano accompaniment at the Royal Conservatory of Brussels. Giving concerts, making some recordings, working in both classical and contemporary music, and with more than 10 years of experience in teaching, I would be happy to share all my knowledge and enjoy the music together!
verified badge
Looking for eager adults 18+ who want to learn the piano
Jazz, classical or/and pop, .....

Training: Classical: 1995 - 2013: Academie Eeklo + BA and Ma at Royal
Conservatory Brussels.
Jazz: 2004-2009 Academie Eeklo

Teaching Experience:
Over 10 years of solid piano teaching skills, mainly children but also experience with adults and prefer to teach myself the latter.

Professional experience:
Duo Dyptik - Cello & Piano
Several concert experiences with singers, jazz ensembles, winds in different types of formation (duo, trio, quartet,...)
Currently studying with Belgian jazzpianist Nathalie Loriers


Classes available in MULTIPLE LANGUAGES:
Dutch, French and English fluently.
Less fluent in Swedish, Spanish and Italian
verified badge
Hello to everyone!
My name is María, I am a Venezuelan Cellist.
All my musical education was inside the musical program "El Sistema" in Venezuela. This education was based on preparing myself as a better human being though playing cello in orchestras, chamber music and as soloist.
I am current studying my Master degree at the Koninklijk Conservatorium Brussel.
In what consist my lessons?
Cello classes for all levels (beginner, intermediate and advanced), it does not matter if you have never played cello before or if you are already studying, the important thing is to help you achieve the goals you want with this beautiful instrument.
To have better results with practice, if it is necessary to help you with music theory, I will help you.
As well, if you're looking for help in orchestral excerpts for auditions, I'm here for you!
For kids, parental support is also important during some lesson, we are all a team and we need to work together to achieve the goals!
Classes can be in person at your house or mine (BRUSSELS, BELGIUM) or via videocall (Skype, Zoom, etc). The schedules are planned according to the time of the student and the teacher.

Looking forward to meeting you and work together!
Maria.
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Je donne cours en français - Description disponible en Français
Do lezione in Italiano - Descrizione disponibile in Italiano

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The course method, inspired by the Agostini school (French method used in French and Belgian academies and conservatories) is divided between technique and drums. At the rate of one session each we will focus once on technique and movements outside the drums (on pads) and the other time on the drums and the application of technique and movements.

-> The technique lessons and the movements will be those of the so-called 'Moeller technique' that I learned through his direct lineage of student.
-> The drum lessons are greatly inspired by the pedagogy of the M.A.I. (Music Academy International - Nancy (fr)) and in particular that of Richard-Paul Morellini, renowned instructor.

The courses are complete, in-depth but above all specifically thought of to be progressive. They are suitable for children from 7 years old as well as adults of all ages.

=> Particular attention is paid to the movements and their correct application, to the total independence of the limbs and finally to an understanding of the rhythm and its theory. My main goal is to give the student complete control behind the drums and skills to be able to self-learn any piece in any musical style. 1 hour of weekly lessons are never enough, they should only be used to fuel the passion that will make you play at home more and more.

On demand or for advancs students:
- I am very passionate about the study of South American rhythms. Due to their complexity, apart from the samba and Baïon ostinatos, they are not included in the program before the advanced level. They can be at the request of the student.
- I am also specialized in metal (musical style) and double pedal. The latter is not included in the program unless requested by the student. The double pedal courses are based on the methodology of Virgil Donati.

Technique:
* Moeller technique (the 'whipping motion' - the Free stroke -Full/Half/Low stroke - accepting the rebound - its application etc.)
* Snare rudiments and their applications through reading systems
* Readings of scores and exercises for the snare drum
* Speed drills
* Military marches
* Control of the different subdivisions (quarter notes - eighth notes - triplets - sixteenth notes - quintuplets - sextuplets - triple eighth notes - nonolets etc.)
* Displacement of accents and polyrhythms
* On request, double pedal technique (application of the Moeller to the double pedal as well as everything listed above but with the feet)

Drums:
* Bass drum reading and independance
* Snare drum reading and independance
* Applications of ghost notes
* The 16 sixteenth-notes ostinatos
* Jazz readings and independence
* Binary and ternary readings
* Coordination and movements of both feet
* Dynamics on the instrument
* Creation of fills and original drum grooves
* On request, application of the double pedal
* On request or for advanced students, readings and independence of South American rhythms (study and independence of the clave/Cascara/Mozambique etc.)
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I study the horn at the Royal Conservatory of Brussels, and I offer music theory/musical training lessons for all ages from 7 years old, for levels ranging from beginner to first year of conservatory.
I am now a psychology student at UGent, and I also play the cello.
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Have you ever listened to a piece of music and wanted to understand more about it?

I’m offering personalized music lessons, where YOU decide what to explore! Whether you're curious about harmony, rhythm, musical styles from around the world, or any other concept, I will tailor each lesson to your interests. And if there’s a topic I’m not familiar with yet, I’ll take the time to learn and prepare the lesson just for you.

Or, if you prefer, embark on a guided introduction to music, exploring essential concepts through carefully selected listening examples from across the globe.
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Let’s personalize your violin classes to fit your own goals!
Whether you would like to refine your technique, enlarge your repertoire or start from the beginning, I will focus on designing the route for your next musical journey.
I am a graduate of the Institut Royal de Musique et de Pédagogie (IMEP) in Belgium, with a violin specialized Master’s degree (2023) and a Pedagogical Master’s degree (2025). With more than 3 years of experience with students from 5 years old to adults.
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Singing lessons for all levels, especially pop. Dynamics, composition, performance, technique, intonation. Extensive experience performing on stage and teaching music. Lessons can be given at my students' homes or at theirs. I can travel around Woluwe and Kraainem.
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I am a passionate piano teacher, with over 10 years of experience in music education.
I offer tailor-made private lessons, fully adapted to each student's needs, pace, and tastes. Thanks to my experience, I have developed a caring and dynamic teaching method suitable for students of all ages: from young children discovering the instrument to adults wishing to resume playing the piano or perfect their technique.
Whether you want to learn for pleasure, tackle your favorite pieces, or acquire a solid foundation in music theory, I will guide you step by step in your progress. Looking forward to making music together!
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My guitar lessons are for children, teenagers and adults of all levels, from beginner to advanced.

My long and in-depth musical and pedagogical training allows me to adapt my method to each student and each situation, while respecting their individuality and supporting them in achieving their goals.

I can also support students who wish to prepare for exams or entrance and evaluation competitions within music academies or conservatories, by offering work adapted to the requirements of the program and the objectives of each individual.

I also offer early music lessons on historical plucked string instruments: lute, theorbo, baroque guitar and romantic guitar.

Courses in music theory and solfège, as well as courses in music history, are also available.
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FRENCH

I'm ENERVIU, a DJ and music curator based in Brussels. My sound ranges from UK club music like garage, bass, dub, and breaks to house, jazz, and funk selections. I play in various settings, from clubs to private events, and I also share my passion through videos about the history of musical genres.

I offer a four-session introductory course to DJing, tailored to your level and tastes.
My goal: to give you the basics to become independent behind the decks, develop your selection, and build a world that reflects your personality. Each session combines explanations, listening, and practical application.

**Session 1 — Discover DJing and develop your listening skills**

We will explore the role of the DJ and the different facets of their practice: club, radio, bar, or private event. We will discuss musical research, selection, and what gives a set its identity.

Through listening, you will learn to recognize tempo, beats, measures, and musical phrases, as well as identify introductions, breaks, and repeats. These fundamentals will allow you to better understand the energy of a piece and the appropriate moments for a transition.

*Objective: to acquire basic listening skills and begin making a personal selection.*

**Session 2 — Understanding Turntables and the Mixing Console**

We will discover the equipment and its essential controls: playback, cue, jog, tempo adjustment, faders, gain and equalization.

You will learn how to use headphone pre-listening, adjust levels, and synchronize two tracks. We will cover beatmatching, both by ear and with available tools, to help you understand what you are doing and gain confidence.

Objective: to get to grips with the equipment and perform your first sequences.

**Session 3 — Preparing your music with Rekordbox**

We will use Rekordbox to import your tracks, organize your library and create playlists tailored to your mixing preferences.

You will learn to read waveforms, check the tempo and rhythmic grid, and then place useful cues using Memory Cues and Hot Cues. We will cover keys as a selection aid and prepare a USB drive compatible with the equipment used.

Objective: to have an organized and ready-to-play selection.

**Session 4 — Practicing and building your first mix**

We will combine the acquired skills to link several pieces together: tempo matching, alignment of musical phrases and transitions using volumes and equalization.

We'll also work on the progression of the set: creating an atmosphere, choosing the next track, gradually building energy, and letting the music breathe. You'll create a short mix that we'll listen to together to identify your strengths and areas for improvement.

We will conclude with useful tips for a first performance: prepare your music, plan a backup and check the technical conditions of the venue.

Objective: to create a first coherent mix and leave with exercises to continue progressing.

Throughout the journey, we will start with the music you love to refine your listening skills, affirm your choices, and develop the pleasure of sharing it.

**Session 5 — Preparing your first gigs and presenting your DJ project**

We will explore the first steps to playing in public: contacting venues and programmers, sharing a relevant mix and clearly communicating your availability, rates and technical requirements.

We'll cover the essential elements of a short biography, a press kit, and a technical rider. Drawing on my experience in clubs and at private events, we'll see how to adapt your offering to different contexts while staying true to your musical identity.

Finally, we will build a personal action plan: skills to develop further, the next mix to record and venues to target for your first gigs.

*Objective: to understand how bookings work and leave with concrete steps to develop your DJ project.*


ENGLISH

I'm ENERVIU, a DJ and music curator based in Brussels. My musical world spans club sounds UK garage, bass, dub and breaks alongside house, jazz and funk selections. I play in settings ranging from clubs to private events, and I also share my passion through videos exploring the history of music genres.

I offer a **four-session introduction to DJing**, tailored to your level and musical tastes. My goal is to help you feel confident behind the decks, develop your selections and build a musical identity of your own. Each session combines explanations, listening and hands-on practice.

**Session 1 — Discover DJing and develop your listening skills**

We'll explore the role of a DJ across different settings, including clubs, radio, bars and private events. We'll discuss how to discover music, select tracks and give a set its own identity.

Through listening exercises, you'll learn to identify tempo, beats, bars and musical phrases, as well as intros, breakdowns and drops. These foundations will help you understand a track's energy and recognize suitable moments for a transition.

*Goal: develop your listening skills and start putting together a personal selection.*

**Session 2 — Get to know the decks and mix**

We'll explore the equipment and its essential controls: play, cue, jog wheels, tempo adjustment, faders, gain and EQ.

You'll learn how to cue tracks in your headphones, manage audio levels and synchronize two tracks. We'll practice beatmatching by ear and explore the tools available to support it, helping you understand your actions and build confidence.

*Goal: become comfortable with the equipment and make your first transitions.*

**Session 3 — Prepare your music with Rekordbox**

We'll use Rekordbox to import your tracks, organize your library and create playlists that support the sets you want to play.

You'll learn to read waveforms, check tempo and beatgrids, and set useful markers with Memory Cues and Hot Cues. We'll introduce musical keys as a selection tool and prepare a USB drive compatible with the equipment you'll be using.

*Goal: build an organized selection that's ready to play.*

**Session 4 — Practice and build your first mix**

We'll bring everything together to mix several tracks, working on beatmatching, phrase alignment and transitions using volume controls and EQ.

We'll also explore how to shape a set: establish a mood, choose the next track, develop the energy and give the music room to breathe. You'll perform a short mix, which we'll listen back to together to identify your strengths and areas to develop.

We'll finish with practical habits for your first performance: preparing your music, keeping a backup and checking the venue's technical setup.

*Goal: create your first coherent mix and leave with exercises to keep improving.*

Throughout the course, we'll build on the music you love to sharpen your listening skills, develop your own taste and enjoy sharing it with others.

**Session 5 — Prepare for your first gig and present yourself as a DJ**

We'll explore how to take your first steps towards playing in public. You'll learn how to approach venues and promoters, share a relevant demo mix and communicate clearly about your availability, fees and technical needs.

We'll cover the essentials of a short artist bio, a press kit and a technical rider. Drawing on my experience across club and private events, we'll discuss how to adapt your proposal to different settings while staying true to your musical identity.

To finish, we'll put together a personal action plan: what to practice next, which mix to record and how to identify suitable opportunities for your first gigs.

*Goal: understand the booking process and leave with clear next steps to develop your DJ project.*
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