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116 private teachers in Pantin

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116 private teachers in Pantin

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(4 reviews)
Maryna - ParisC$63
C$63Pop and jazz singing lessons for adults and children.
Trusted teacher: Hello, I am a professional Ukrainian singer of pop and jazz, winner of several competitions, and creator of my own musical projects. Since 2017, I have been actively involved in teaching to develop the voice and creative potential of both adults and children. In my work on vocal placement, I rely on cutting-edge technologies such as Seth Riggs' "Speech Level Singing" and Brett Manning's "Singing Success". My extensive experience on stage and in teaching enables me to find an individual approach for each student. I teach in Ukrainian, Russian, English and French. During the lessons, you will be able to: 1. Learn proper vocal breathing, develop vocal support during singing and speech. 2. Improve your musical ear, sense of rhythm, and pitch accuracy. 3. Eliminate physical and psychological vocal tensions. 4. Expand your vocal range, strengthen, and flex your voice. 5. Learn to sing high and low notes effectively. 6. Develop proper vocal emission and your unique timbre. 7. Learn to use various modern vocal techniques and ornaments (belting, sub-tone, mixte, melismas, etc.). 8. Learn to interpret your favorite songs with ease and beauty, as well as to improvise. 9. Learn to sing jazz scats and jazz music. 10. Develop your musical taste and stage performance skills. Sign up for a lesson so we can get to know each other and discuss your goals, in order to choose the most effective learning method for you. All my students have achieved 100% results in my singing classes! See you soon!
Singing
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(1 review)
Eliott - ParisC$80
C$80Professional violinist with a double master's degree offers fun violin lessons
Trusted teacher: Methodology : I use Mathieu Crickboom's Violin method with which I started the violin myself, in addition I use duets as well as studies and concertos that I propose according to the level and desires of the student, it will also be possible that the pieces practiced come from you, which I will enhance with a technical and musical framework. For the very young, I use an appropriate violin method, color games and a fun approach to reading notes allowing you to learn the basics of music without knowledge of mathematics or reading French. I rely on the advice and knowledge that I have developed during my progression with the Professors, Instrumental Groups and Public Figures that I have frequented as well as on my interest in pedagogy and my monitoring of Master Classes on other students and myself to best promote the progress of each one. During my Master's in Didactics, completed with Great Distinction in Namur, Belgium, I considered an approach to the psychology and sociology of learning the violin. This approach is as much in the search for the aesthetics of sound and the work of the ear as in the proprioception and the harmonious bodily feeling necessary for the practice of the violin. The search for playfulness and the pleasure of discovery takes an important aspect in my pedagogy and influences my methodological approach. Progress will be made at each person's pace, and with as much playfulness as possible. My teaching experience: I have been giving private tutoring since around 2016, all ages and levels (from 5 to 60, from beginner to advanced level). I have done numerous replacements in approved conservatories in the Paris region, as a violin teacher, notably Les Lilas, Melun, Maisons-Alfort, Alfortville, Asnières s/seine, and am currently a replacement at the Saint Mandé conservatory. I taught in an ASBL (independent conservatory) in Belgium for a few months, and completed 90 hours of supervised teaching internships as part of the Master's in Didactics. I am currently a teacher in a private music school in Raincy and Drancy. My professional experience is rich in the study of the great concertos of the repertoire, as well as a significant Chamber Music repertoire. I was called to the podium of the Royal Opera of Liège in 'I Lombardi' and 'Falstaff' by Verdi as well as at the Soirées Lyriques de Sanxay in 'La Bohème' by Puccini in 2023-2024. I currently hold a Master's in Instrumental Studies validated with Distinction in 2023 and a Master's in Didactics/Pedagogy validated in 2024 with Great Distinction in the class of Julien Eberhardt, soloist of the Liège Opera as well as Gilles Millet, of the Danel Quartet and Jean-Baptiste Fonlupt, internationally renowned pianist. - Holder of a Master's degree in Didactics/Pedagogy specializing in violin at IMEP in Namur in 2024 - Holder of a Master's degree in Instrumental violin specialization at IMEP in Namur in 2023 - Finalist at the Festivals de Wallonie at the Palais des Beaux-Arts in Charleroi in 2021, Trio with Piano and Cello. - Former student at the Pôle Supérieur de Paris-Boulogne (PSPBB) in a dual-course Violin/Musicology degree in conjunction with the Sorbonne. - 1st Prize at the Hong Kong International Music Competition in 2018, Solo Violin, Mendelssohn Concerto. - Holder of a DEM (Diploma of Musical Studies) in Violin at the CRR d'Aubervilliers in 2016. - DEM Cycle of Musical Training at the CRR in Paris followed from 2014 to 2017 (Improvement of theoretical mastery).
Violin · Children's music · Developmental skills
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(2 reviews)
Félix - Les LilasC$50
C$50Paris Private Guitar Lessons All Levels all styles Graduate IMEP Paris College of Music
Trusted teacher: While creating a repertoire, we will work the ear, rhythm, technique. I focus on practice, improvisation, and the relationship between you and your instrument in order to have fun on your bass. Okay, but what are we doing? The basics: - the silence - harmony (scales, chords, intervals) - rhythm (binary, ternary, swing, shuffle) - the sound (technique, nuance) - the coding of the English chords (A = la, E- = E minor, etc.) - the musical culture and the different ways of listening to music A choice: - improvisation (learning to play without partition, becoming able to play with anyone, anytime) - group music in general (the modern bass, the different roles of the instruments in a group) - jazz (standards, swing, notions of harmonies and improvisation) - rock, funk (notions of groove, rhythmic placement, search for sounds, pentatonic scales) - music games for children The instrument remains a tool to make music, so we will work to become a MUSICIAN (with the help of a bass guitar). Any age, any level (to be evaluated during the first class) I preferably receive at home, or at least near my home (Paris EST). Having a busy musical life moves are to be avoided as far as possible. Do not hesitate to contact me for further information! Additional Information: It is important for your teacher to match you musically (unless otherwise, if you want to fill in gaps, or discover a new genre). That's why I present myself in a few lines, so that you get an idea of ​​the kind of bassist that I am: I started bass more than ten years ago, I first discovered the instrument alone (self-taught training). I later played in several Rock formations. Rock I was interested in Funk (style in which the bass plays a key role). I then became more and more interested in improvisation and therefore Jazz music. I took two years of classes at the Conservatoire du 9ème arrondissement in Paris before joining the IMEP (formerly American School of Modern Music). Currently, I play in several bands: a jazz / funk band and a jazz / rock band. My influences (in bulk): Jaco Pastorius, Weather Report Herbie Hancock, Chick Corea, George Duke, Miles Davis, Funkadelic / Parliament, James Brown, Prince, George Benson, John Scofield, Hendrix, Zappa, Stanley Clarke, Al di meola, Paco de lucia, Bob marley, Marcus Miller, Kenny Garett, Bill Evans, Lettuce, Brecker Brothers, Return to Forever, Mahavishnu, Led Zep, Dire Straits, Rolling Stones, The Aphex Twin, Squarepusher, Munir Hossn, Matthew Garrisson , Hadrien Feraud, Ron Carter, Linley Martha, Maceo Parker, Paul Chambers, Mike Stern, Bob Berg and many more!
Bass guitar · Children's music · Jazz music
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Emmanuelle “Emmanuelle Martin” - ParisC$108
C$108South Indian song and music (Carnatic music)
Karnatic Song & Music Getting started with Karnatic singing (south Indian music) means discovering a very rich musical world vocally, melodically and rhythmically. What characterizes Emmanuelle's approach is to approach voice work above all else. Whatever the melody, the raga, the composition, there is no point in singing if the voice does not emerge from the right place within oneself. Adopt a correct, grounded, stable and relaxed posture. The voice that sounds fully reflects the dimension of being. What does it really mean to listen? It is becoming aware of the sound space occupied by the tampura*, listening to the swaras (notes), oneself, others in an internal attitude of welcome. Ragas (melodic modes) are like living, dynamic beings, in perpetual change. Discovering a raga is like meeting a new person, little by little their personality is revealed, a dialogue is established. The relationship between the raga, the one who sings it, and also the one who listens to it becomes a living act that continues to evolve. As for the swaras (notes), it is a question of seeking precision and paying attention to their “right place”. Finally, whether it is a vocal exercise, a composition, an improvisation, it is the tala (rhythmic cycle) which gives the essential structure. *Tampura: a plucked string instrument from India that supports the melody of another instrument or singer by providing a continuous harmonic drone. - Text written by Kalpana Métayer
Voice (music)
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Our students from Pantin evaluate their teacher.

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Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 42 reviews.

Pop and jazz singing lessons for adults and children. (Paris)
Maryna
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rating green star
Maryna is the best teacher I’ve had in Paris (I’ve had 3). The warmups are unique, and Maryna’s attention to detail helps me concentrate and develop efficiently :). My understanding and appreciation for singing grows each time I'm with Maryna- she is concentrated on me, my voice, how I can improve, and she explains the techniques so well. I feel cared for, like I'm really learning. She is very experienced and professional.
Review by CHLOE
private lessons French, English in a good mood (Toulouse)
Yayla
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rating green star
She is a good teacher. I recommend. She uses different means to ensure the student gets the understanding. She takes care of revision of previous lessons. She has patience to handle young kid.
Review by HIMANSHU
Flute lessons in Eng / Fr (Paris)
Barbara
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rating green star
Patient, expert, superb knowledge of the instrument that she was able to communicate clearly.
Review by MICHAEL

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