1/7
Since February 2021
Instructor since February 2021
Drawing and painting for expressing all the emotions and most of all enjoy drawing!
From 99.66 C$ /h
The process of drawing to create and express the feelings .
Sharing the expression through drawing
Giving the best through drawing to communicate.
Drawing a process
Help to create an identity through drawing.
Share and celebrate the skill of drawing on a everyday basis to live better
Sharing the expression through drawing
Giving the best through drawing to communicate.
Drawing a process
Help to create an identity through drawing.
Share and celebrate the skill of drawing on a everyday basis to live better
Extra information
please use your own materials !
Location
At student's location :
- Around
About Me
artist living in Paris
Embodying the concept of “Home away
from home” that has been running through his practice for the last decade, artist Mario transforms a room in a Delhi apartment into a site-specific installation. The artwork embeds here his idea of “home” into a domestic space for the first time. From a bamboo structure—that can be understood both as an exoskeleton and an endoskeleton of a room—hang shimmering velvets in bright hues and matte fabric panels in more subdued tones. Appearing through these curtains are sanguine drawings of plants and hands-on colored paper, and on the floor, a multitude of objects rest, spreading themselves in a manner at
times whimsical, at times contained: more drawings, papier maché birds, bark-made flowers, wood sticks, a bowl, a bolster, terracotta fruits replicas, vibrant green leaves, folded and unfolded bright pieces of silk and brocade… a solemn ebullience. D’Souza
attained this spatial equilibrium through an intense and precise intuitive ordering day after day: the process that leads to these poetic appositions possibly being the artwork itself. The completed installation evokes an archipelago, a landscape, but also an Indian bazaar where each object tells a story: of its maker, his gestures, and of its user.
D’Souza’s negotiation of two cultures—Indian
and French (he has been living in France for the past 18 years) quietly emerges through his practice: here for instance in how the drapery evokes Indian miniatures or palaces as well as tapestries hanging in French castles. His two year-long residency at Mobilier
National in Paris working among dedicated craftsmen enriched his work where there is no distinction between decorative arts, crafts, and fine art. The artist forcefully embraces the juxtaposition of histories and geographies embedded in each of the objects and fabrics displayed—for instance in the velvet or brocade.
He also embraces the precious and the mundane —the
Auroville marble paper or the machine-made A4—the
natural and the artificial, the masculine and the feminine…firmly believing in the AND.
The biographical often meet the decorative
in this installation that D’Souza refers to as a three-dimensional miniature painting. Antique-painted terracotta fruits used for rituals lay on folded fabric, bringing the idea of nature indoors while also referring to the very first sculptures the artist came across as a child during Dussehra in his hometown of Bangalore. However, the broader idea of ritual exceeds this specific reference as the entire room feels like an offering to oneself and to the viewer. Gravity, materialized by the velvet strips, is not only a matter of physics here, it is also a feeling. This profusion of tactile forms and colors invites the viewer to reflect on the psychological and imaginative dimensions of the home-home as a place, home as a portrait.
Embodying the concept of “Home away
from home” that has been running through his practice for the last decade, artist Mario transforms a room in a Delhi apartment into a site-specific installation. The artwork embeds here his idea of “home” into a domestic space for the first time. From a bamboo structure—that can be understood both as an exoskeleton and an endoskeleton of a room—hang shimmering velvets in bright hues and matte fabric panels in more subdued tones. Appearing through these curtains are sanguine drawings of plants and hands-on colored paper, and on the floor, a multitude of objects rest, spreading themselves in a manner at
times whimsical, at times contained: more drawings, papier maché birds, bark-made flowers, wood sticks, a bowl, a bolster, terracotta fruits replicas, vibrant green leaves, folded and unfolded bright pieces of silk and brocade… a solemn ebullience. D’Souza
attained this spatial equilibrium through an intense and precise intuitive ordering day after day: the process that leads to these poetic appositions possibly being the artwork itself. The completed installation evokes an archipelago, a landscape, but also an Indian bazaar where each object tells a story: of its maker, his gestures, and of its user.
D’Souza’s negotiation of two cultures—Indian
and French (he has been living in France for the past 18 years) quietly emerges through his practice: here for instance in how the drapery evokes Indian miniatures or palaces as well as tapestries hanging in French castles. His two year-long residency at Mobilier
National in Paris working among dedicated craftsmen enriched his work where there is no distinction between decorative arts, crafts, and fine art. The artist forcefully embraces the juxtaposition of histories and geographies embedded in each of the objects and fabrics displayed—for instance in the velvet or brocade.
He also embraces the precious and the mundane —the
Auroville marble paper or the machine-made A4—the
natural and the artificial, the masculine and the feminine…firmly believing in the AND.
The biographical often meet the decorative
in this installation that D’Souza refers to as a three-dimensional miniature painting. Antique-painted terracotta fruits used for rituals lay on folded fabric, bringing the idea of nature indoors while also referring to the very first sculptures the artist came across as a child during Dussehra in his hometown of Bangalore. However, the broader idea of ritual exceeds this specific reference as the entire room feels like an offering to oneself and to the viewer. Gravity, materialized by the velvet strips, is not only a matter of physics here, it is also a feeling. This profusion of tactile forms and colors invites the viewer to reflect on the psychological and imaginative dimensions of the home-home as a place, home as a portrait.
Education
mfa and masters from beaux de Paris.Mario
Né Le 14 juin 1973
A Bangalore, Inde
Expositions individuelles
2017 If you want to hear you have to listen
2017 Flow, château d’ Oiron,centre des monument nationaux
2017 Care ,’Ecole du Breuil,Paris
2016 Portraits from within, AF Delhi, Inde
2015 Nuit Blanche, Point éphémère, Paris
2014 Coding the real, POCTB, Orléans
2012 La danse, Château d’eau, Région Centre, Bourges
2007 Nuit Blanche, Paris
2006 Nuit Blanche, Paris
2004 Bits of world’s, Galerie Luc Queyrel, Paris
2002 Requiem, Alliance Française de Bangalore
2002 The dream, Beaux-arts ENSBA, Paris
2001 Something big and something small, Time and space Gallery
Bangalore
2000 The Feature, MSU, Baroda, and Bangalore
Né Le 14 juin 1973
A Bangalore, Inde
Expositions individuelles
2017 If you want to hear you have to listen
2017 Flow, château d’ Oiron,centre des monument nationaux
2017 Care ,’Ecole du Breuil,Paris
2016 Portraits from within, AF Delhi, Inde
2015 Nuit Blanche, Point éphémère, Paris
2014 Coding the real, POCTB, Orléans
2012 La danse, Château d’eau, Région Centre, Bourges
2007 Nuit Blanche, Paris
2006 Nuit Blanche, Paris
2004 Bits of world’s, Galerie Luc Queyrel, Paris
2002 Requiem, Alliance Française de Bangalore
2002 The dream, Beaux-arts ENSBA, Paris
2001 Something big and something small, Time and space Gallery
Bangalore
2000 The Feature, MSU, Baroda, and Bangalore
Experience / Qualifications
love teaching! have done it all my life !!
Commandes Publiques
2016 Blessing, Jain collection, Delhi, Inde
2013 Intérieur/Extérieur, Musée d’Art Contemporain, Val-de-Marne
2013 La danse, L’étang de Farges, Menetou-Salon
2012 Celebration of Life, Musée d'Art Contemporain, Val-de-Marne
2010 Come Party With Me, Menetou-Salon
2009 Confidences sous abat-jour, Communautés de communes en Terres Vives
2009 La bouteille vivante, commande publique, Menetou-Salon
2008 Voir autrement, Musée d’Art Contemporain, Val-de-Marne
2007 Stardust, Musée d’Art Contemporain, Val-de-Marne
2007 Intérieur/Extérieur, Prison de Fresnes, Musée d'Art Contemporain, Val-de-Marne
2007 Kitty Kat, Musée d’Art Contemporain, Val-de-Marne
Commandes Publiques
2016 Blessing, Jain collection, Delhi, Inde
2013 Intérieur/Extérieur, Musée d’Art Contemporain, Val-de-Marne
2013 La danse, L’étang de Farges, Menetou-Salon
2012 Celebration of Life, Musée d'Art Contemporain, Val-de-Marne
2010 Come Party With Me, Menetou-Salon
2009 Confidences sous abat-jour, Communautés de communes en Terres Vives
2009 La bouteille vivante, commande publique, Menetou-Salon
2008 Voir autrement, Musée d’Art Contemporain, Val-de-Marne
2007 Stardust, Musée d’Art Contemporain, Val-de-Marne
2007 Intérieur/Extérieur, Prison de Fresnes, Musée d'Art Contemporain, Val-de-Marne
2007 Kitty Kat, Musée d’Art Contemporain, Val-de-Marne
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Student level
Beginner
Intermediate
Duration
60 minutes
The class is taught in
English
French
Skills
Availability of a typical week
(GMT -05:00)
New York
At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
Mario's video
Contact Mario
1st lesson is backed
by our Good-fit Instructor Guarantee
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Good-fit Instructor Guarantee
Contact Mario